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原文

Destination Cincopation. B-Flat Trumpet sheet music. Euphonium sheet music. Horn sheet music. Percussion sheet music. Timpani sheet music. Trombone sheet music. Tuba sheet music. Grade 3.

译文

目的地Cincopation. 降B大调小号乐谱. 次中音号的乐谱. 喇叭乐谱. 锣鼓乐谱. 定音鼓乐谱. 长号乐谱. 图拔乐谱. 三年级.

原文

Destination Cincopation. A Celebration of the Preoccupation with the Demonstration of the Manipulation of Complex Musical Notation. Composed by Jason K. Nitsch. For concert band. Flute, Oboe, Bassoon, Bb Clarinet 1, Bb Clarinet 2, Bb Bass Clarinet, Eb Alto Saxophone, Bb Tenor Saxophone, Eb Baritone Saxophone, F Horn, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, Trombone 1, Trombone 2, Euphonium, Baritone T.C., Tuba, Timpani. Triangle,. Grade 3. Score only. Duration 5. 30. Published by C. Alan Publications. CN.17851. As the title implies, 'Destination Cincopation' is a rhythmically driven work that explores the time signatures 5. 4, 3. 4, and 4. 4 and all of the possible rhythmic divisions therein. Catchy, soaring melodies round out this rousing piece for concert band. Destination Cincopation is subtitled 'a celebration of the preoccupation with the demonstration of the manipulation of complex musical notation. ' That really says it all. Doesn't it. Aside from the obvious notion that there is a great deal of syncopation utilized in both the melodic and accompanying figures throughout the piece, there is also an occasional intentionally uncomfortable rhythmic moment. Several times throughout the piece a great effort is made to cloud and obscure the rhythmic groupings of the melody and harmony. Often these forces will work against one another to create tension in otherwise serene moments of musical development. The piece is loosely organized into three continuous sections. A great deal of rhythmic accuracy and control is necessary in order to really cultivate a feeling of comfortable tension. Additionally, several sections of the opening rely on the marked dynamics to fully communicate this idea. The bassoon solo between the first and second sections may be covered by any appropriate instrument of a similar range, or it may be omitted entirely if suitable personnel are not available. The middle section should be less about the tempo and more about the feeling of release and relaxation. Allow the stable percussive elements and the repeated figures in the clarinets to drive this section, while the longer phrases soar above. A slight pause may be appropriate following the fortissimo release at the conclusion of the section, but take great care not to linger too long here. The conclusion resurrects many of the same emotions as the opening. however most of the rhythmic interest is generated here in a more conventional manner. Percussive elements should direct the piece forward from the background until they take control at their feature between the unison statements by the winds. The piece closes with a brief reminder of the opening bars before reaching its ultimate destination. Destination Cincopation was commissioned by Rory Davis and the Cinco Ranch Junior High Honors Band in Katy, Texas. It was completed and premiered in the spring of 2009 in concert with Mr. Davis conducting.

译文

目的地Cincopation. 主要关注,与复杂的音乐符号的操作的示范庆典. 由Jason K. NITSCH组成. 对于乐队演唱会. 长笛,双簧管,巴松管,降B调单簧管1,降B调单簧管2,降B低音单簧管,降E中音萨克斯,降B次中音萨克斯,降E中音萨克斯管,F喇叭,降B小号1,降B小号2,降B小号3,长号1,长号2 ,次中音号,上低音号(TC),大号,定音鼓. 三角,. 三年级. 分数只. 持续时间5. 30. 发布时间由C.艾伦出版物. CN.17851. 正如标题所暗示的,“目的地Cincopation'是一个有节奏地推动工作,探索时间签名5. 4,3. 4,和4个. 4,所有可能的节奏区划内. 琅琅上口,旋律飙升圆了这个激动人心的片断为乐队演唱会. 目的地Cincopation的副标题是“一个庆祝全神贯注的复杂简谱的操作示范. “这确实说明了一切. 不会吧. 除了明显的概念,即有大量的切分音在这两个贯穿件的旋律和附图利用的,也有偶尔故意不舒服的节奏瞬间. 有好几次整个一块巨大的努力来云和模糊的旋律,和谐的节奏分组. 通常,这些部队将努力对彼此在音乐发展,否则宁静的时刻制造紧张. 这件作品是松散分为三个连续的部分. 一个很大的有节奏的准确度和控制是必要的,才能真正培养舒服的紧张感. 此外,开放的几个部分依赖于标记动态进行充分沟通这个想法. 在第一和第二部分之间的大管独奏,可涵盖的类似范围内的任何适当的工具,或者可以完全省略,如果适当的人员无法提供. 中间部分应该少谈节奏,更多的释放和放松的感觉. 允许在单簧管稳定的撞击元素和重复数字,以推动这一节,而较长的词组翱翔. 略微停顿了一下,可适当继极强发布在本节结束,但需特别注意不要流连太久这里. 结论复活许多相同的情绪的开口. 但是最有节奏的权益,在此产生一个更传统的方式. 打击乐元素应该从后台向前引导片,直到他们采取的控制在了风的齐声语句之间的功能. 这件作品的开头几个小节的简短提示关闭到达其最终目的地之前. 目的地Cincopation委托罗里·戴维斯和辛科牧场初中荣誉乐队在德克萨斯州Katy. 它已经完成,并首演于2009年春在演唱会与戴维斯先生进行.
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