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原文

John Cage and the Music of Always.

译文

约翰·凯奇始终的音乐.

原文

John Cage and the Music of Always composed by Paul Hillier. Book. Published by Edition Samfundet. PE.ED49. ISBN 87-90056-89-2. I began these mesostics a day or so after reading that John Cage had died. I soon decided that there should be seventy-nine of them - one for each year of his life. Just as John Cage had culled readings from the work of several writers, Thoreau and Joyce most prominent among them, I wanted in my turn to construct a little tribute by exploring various writings of and about Cage himself, and a handful of other writers whom I felt he would have enjoyed experiencing in this way. Among these additional source texts are The Cloud of Unknowing. anonymous 14th-century English. Heraclitus fragments. William Billings. his introduction to his books of psalmody. , the composer from the time of the American Revolution, whose music Cage used for his Hymns and Variations. Russolo - The Art of Noise. Lewis Carroll's Alice in Wonderland. and the I Ching. For those new to the idea, a mesostic is like an acrostic, but with the subject or theme word the middle instead of down the edge. Cage established special rules for working through a text to create a sequence of words, so that the selection would be limited and guided by change rather than taste. In effect these sequences form a chain of short poems. Usually the theme word was the name of someone - very often the writer of the text itself. In this case, it is of course John Cage. Gradually I built up a stock of mesostics from which I selected those that appealed to me - sometimes patching together interesting portions from two failed mesostics to form a new one. I was thus rather freer in my approach than Cage normally was. Apart from the possibility of interesting results, I found this to be a fascinating way of approaching any text which I already esteemed, and of experiencing it afresh, finding not only new or hidden meanings, gut a kind of hand-made crystallization of the text itself. The Music of Always" was a fragment gleaned from this same process too good to pass up. Paul Hillier. 79 mesostics re and not re John Cage.

译文

约翰·凯奇始终的音乐由保罗·希利尔组成. 书. 出版版Samfundet. PE.ED49. ISBN 87-90056-89-2. 我开始这些mesostics一天左右的阅读约翰·凯奇已经死亡后，. 我很快就决定，应该有79人 - 一年一个他生命中的. 正如约翰·凯奇已经从几个作家的作品扑杀读数，梭罗和乔伊斯其中最突出的，我想在轮到我通过探索自己和笼各种著作，构建一个小的敬意，和少数其他作家的人，我觉得他会喜欢遇到这样. 在这些额外的源文本是无知的云. 匿名的14世纪英国. 赫拉克利特片段. 威廉·比林斯. 他介绍了他的书唱赞美诗. 从美国独立战争的时候，他的音乐凯奇用于他的赞美诗与变奏作曲家. 鲁索洛 - 噪音的艺术. 刘易斯·卡罗尔的爱丽丝梦游仙境. 和易经. 对于这些新的想法，一个mesostic就像是一个离合词，但与主题或主题单词的中间，而不是向下的边缘. 笼建立特殊规则用于通过文本努力创造字序列，以使选将限于与通过改变，而不是味道引导. 实际上这些序列形成产业链的短诗. 通常情况下，主题字是一个人的名字 - 文本身往往是作家. 在这种情况下，当然是约翰凯奇. 渐渐地，我建立了mesostics的股票评级从我选择的是那些吸引我 - 有时两次失败mesostics修补起来有趣的部分，形成一个新的. 我因此而更加自由的在我的方法不是凯奇是正常. 除了有趣的结果的可能性，我发现这是接近我已经尊敬的任何文字的迷人方式，并体验它重新，发现不仅是新的或隐藏的含义，肠道一种文本的手工制作的结晶本身. 永远的音乐“是这个同样的过程太好收集片段让人欲罢不能. 保罗·希利尔. 79 mesostics重不重约翰·凯奇.