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原文

50 Renaissance & Baroque Standards - English version.

译文

50文艺复兴.

原文

50 Renaissance & Baroque Standards - English version. with Variants, Examples & Advice for Playing & Improvising on any instrument. Edited by Gerard Rebours, Pascale Boquet. Teaching Works. Book and CD. 144 pages. Published by Anne Fuzeau Productions - France. FZ.6396. ISBN M049063968. 22.00 x 29.70 cm inches. Anne Fuzeau Classique propose books on music. Here, brought together for the first time, you will find 50 Renaissance and Baroque ostinato basses, songs and dances on which composers repeatedly wrote variations over the course of decades or even centuries. These pieces circulated from country to country, from one publication or manuscript to another, and also served as a basis for improvisation by performing musicians of the time. In the tradition of Jazz Standards anthologies, Pascale Boquet and Gerard Rebours have assembled over a hundred pages of the 50 most-used pieces in their basic versions, followed by transpositions and a selection of 210 variants and common derived forms. The examples are enriched with explanations, comments, historical notes and references, supported by the final glossary and bibliography. A generous preface provides theoretical analysis and practical hints for improvising. These 50 'Standards' are presented in increasing order of difficulty, and the musical examples may be used on three levels. The tunes are often easy, so beginners may play them as written. Musicians somewhat acquainted with the subject will be able to begin writing a few divisions or variations. With more experience, players can launch into free improvisation with no "safety net" , as one should. In addition, whether playing on modern or period instruments, any musician or group will be able to approach this repertoire in the following ways. The melodic instruments. flute, violin, viol, oboe. can play and vary the tunes and dances. Polyphonic instruments. keyboard, lute, guitar, harp. may accompany from the figured bass in various ways, and also realise independent versions by playing and varying the two parts at once. Low instruments. bass viol, bassoon, cello. will take the bass line, without neglecting to add their own diminutions and variations. Lastly, this study provides an opportunity to explore a considerable part of the basic 16th and 17th century repertoire, while going deeper into certain harmonic, melodic and stylistic aspects characteristic of each period, each country and even each composer. Broadening the perspective to include improvisation, a practice not yet familiar enough, will add a new dimension to the approach to early music. Table of contents. Introduction. Genesis. Standards. Editorial principles. Improvising. G. R.. The improvisatory gesture. Divisions, diminutions, fredons, passaggi, glosas. Improvising, according to treatises. A division lesson. Practical advice for improvising. P. B.. Analysis of two well-known Standards. 1-Passemezzo Antico. P. B.. 2-Folies. G. R.. 50 Renaissance et Baroque Standards. Glossary. Primary Sources. 1-Theoretical works. 2-Musical publications. 3-Manuscript compilations. Secondary Sources. The authors. Acknowledgements. Index of the 50 Standards. Index of composers and works. " Beautifully designed and printed,. the book is timely as well as valuable. There is no equivalent, practical edition ". A. Robinson, Recorder Magazine, England. " Beware, this book is dangerous. Once you have opened it, you will never want to be without it again. J. Cordaro, Lute Society Bulletin, Belgium. " The book we have all been waiting for. Recommended to everyone. Nostalgia, Japan. " Congratulations to the authors. D. Pistonne, Professor at the Sorbonne University, Paris.

译文

50文艺复兴. 与变体，例. 杰拉德Rebours，帕斯卡尔博克特编辑. 教学工程. 书和CD。 144页. 发布时间由安妮Fuzeau制作 - 法国. FZ.6396. 国际标准书号M049063968. 22.00 X29.70厘米英寸. 安妮Fuzeau的Classique提出有关音乐的书. 在这里，第一次汇聚，你会发现50文艺复兴和巴洛克固定音型低音，歌曲和舞蹈上的作曲家写了反复变化了几十年的过程中，甚至上百年. 这些作品通过执行时散发的音乐家从国家到国家，从一个出版物或手稿到另一个，并且还担任过即兴的基础. 在爵士标准文集的传统，帕斯卡尔博克特和杰拉德Rebours已经组建了超过一百页50个最常用的作品在他们的基本版本，其次是换位和精选的210变种，共同派生形式. 这些例子都富含解释，注释，历史说明和参考资料，由最终的词汇表和参考书目支持. 一位慷慨的前言理论分析和实际的提示即兴. 这50个“标准”都在困境中不断增加的订单，以及音乐的例子可以在三个层面上使用. 曲调往往是容易的，所以书面初学者可能会发挥他们. 音乐家与主题有所了解就可以开始写一些部门或变化. 随着越来越多的经验，玩家可以发射到自由即兴，没有“安全网”，为一应. 此外，无论是玩现代或周期乐器，任何音乐家或团体将能够接近这个剧目在以下方面. 的旋律乐器. 长笛，小提琴，鼓瑟，双簧管. 可以播放和变化的曲调和舞蹈. 和弦仪器. 键盘，琵琶，吉他，竖琴. 从数字低音可以伴随以不同的方式，并且还通过在一次打和不同的两个部分实现独立的版本. 低文书. 低音古提琴，大管，大提琴. 将采取的低音线，同时又不忽视自己添加减值准备和变化. 最后，这项研究提供了一个机会，探讨有相当一部分是基本16世纪和17世纪的剧目，同时深入到一定的谐波，旋律和风格方面的特点每个时期，每个国家，甚至每个作曲家. 拓宽视角，包括即兴，这种做法还不够熟悉，将增加一个新的层面的方法来早期音乐. 目录. 介绍. 创世纪. 标准. 编辑原则. 即兴. G. R.. 在即兴的手势. 师，减值，fredons，通道，GLOSAS. 即兴，根据论文. 一个部门的教训. 对于即兴实用建议. P. B。. 两个著名的标准分析. 1旧Passemezzo. P. B。. 2 Folies酒店 - . G. R.. 50文艺复兴和巴洛克标准. 词汇表. 一手货源. 1，理论著作. 2，音乐出版物. 3，手稿汇编. 二次来源. 作者. 致谢. 的50标准指数. 作曲家和作品索引. “设计精美，印刷，. 这本书是及时的和有价值的. 没有等效的，实用版“. A.罗宾逊，录音机杂志，英格兰. “小心，这本书是危险的. 一旦你打开了它，你将永远都不想没有它再次. J. Cordaro，琵琶协会通报，比利时. “这本书，我们都在等待. 推荐给大家. 怀旧，日本. “恭喜作者. D. Pistonne，在索邦大学，巴黎教授.