活页乐谱 $65.00

原文

Sorta Kinda. Voice sheet music. Guitar sheet music. B-Flat Trumpet sheet music. Bass Trombone sheet music. Drums sheet music. Horn sheet music. Percussion sheet music. Piano sheet music. Tuba sheet music. Advanced.

译文

有点儿八九不离十. 声音的乐谱. 吉他乐谱. 降B大调小号乐谱. 低音长号乐谱. 鼓乐谱. 喇叭乐谱. 锣鼓乐谱. 钢琴乐谱. 图拔乐谱. 先进.

原文

Sorta Kinda by The Claude Thornhill Orchestra. Edited by Jeffrey Sultanof. Arranged by Gil Evans. For big band with vocal. Vocal, 2 Alto Saxophones. Alto 2 doubles Clarinet. , 2 Tenor Saxophones, Baritone Saxophone, 4 Trumpets. 4th is an alternate part for Horn 1. , 3 Trombones. 3rd is an alternate part for Horn 2. , Tuba. or Bass Trombone. , Guitar, Piano, Bass, Drums. Swing. Difficult. Score and parts. Published by Jazz Lines Publications. JL.JLP-8149. Background. Trombonist. vocalist Trummy Young recorded his own composition "Sorta Kinda" in January of 1945 for the Continental label. It was a cute song that might have been forgotten if Gil Evans had not arranged it for the Claude Thornhill band. The setting was recorded twice for radio-only transcriptions and also for Columbia Records. It remained in the Thornhill book into 1947, pretty good for a song that was not really a hit. The Music. This is one of our favorite Gil Evans arrangements, and we're delighted to be able to publish it. Evans took a simple little tune, arranged the first chorus as jump swing, employed a tricky modulation that is linear and dissonant part of the way. shades of "Moon Dreams". , and from the vocal on, turns "Sorta Kinda" into a fun exercise in bebop. Since there were few musicians in the band who were thoroughly acquainted with modern jazz, Evans had to teach them how to phrase musical lines that sounded like Charlie Parker, and they later said that they worked hard at this, even though they didn't understand what Evans was trying to do. The first recording for Lang-Worth Transcriptions is too slow and tentative. by the time of the Columbia recording a year later, the band sounds quite assured and plays the harmonized bebop near perfectly. At the very end, he has the two French horns sounding suspiciously like a musical raspberry. There is even the sound of one musician laughing. It would be nice to find another word for brilliant, because this arrangement deserves a strong accolade along these lines. We have included alternate parts for the two horns. a 4th trumpet and 3rd trombone. and the tuba part may be played by a bass trombone. The vocal melody is cued in the piano part and we have included optional B flat and E flat soloist parts so that this may be played as an instrumental piano feature or with a soloist.

译文

八九不离十还挺由克劳德特霍西尔乐团. 由Jeffrey Sultanof编辑. 由吉尔埃文斯安排. 对于声乐大乐队. 声乐，2中音萨克斯風. 2中音单簧管一倍. ，2次中音萨克斯，上低音萨克斯，小号4. 第四是喇叭1替代部分. ，3长号. 三是喇叭2备用零件. ，图拔. 或低音长号. ，吉他，钢琴，贝斯，鼓. 摇摆. 难. 得分和零件. 发布者：Jazz线出版物. JL.JLP-8149. 背景. 长号手. 主唱Trummy年轻“有点八九不离十”在1945年1月记录了他自己创作的欧陆标签. 这是一个可能已被遗忘，如果吉尔埃文斯没有安排它的克劳德·特霍西尔带一个可爱的歌. 该设置被记录两次无线电只抄录，也为哥伦比亚唱片. 它仍然在特霍西尔书成1947年的一首歌曲，这是不是一个真正的打击相当不错. 音乐. 这是我们最喜欢的吉尔埃文斯的安排之一，我们很高兴能够将它发布. 埃文斯花了一个简单的小曲子，布置在第一合唱作为跳摇摆，雇一个棘手的调制是的单向线性和不搭调的一部分. “月梦”的阴影. ，并从声乐，变成“八九不离十均田”变成了有趣的练习中比波普. 由于很少有音乐家谁是彻底的现代爵士乐熟悉的乐队，埃文斯必须教他们如何句话听起来像查理帕克音乐线条，和他们后来说，他们努力在这一点，即使他们不明白什么埃文斯试图做. 第一记录为郎，值得转录速度太慢，暂定. 由哥伦比亚的时间记录一年后，乐队听起来相当有把握和发挥近完美的统一比波普. 在最后，他有两个法国号听起来很像一个音乐树莓. 有一个音乐家，即使是笑的声音. 这将是很好找另一个字的辉煌，因为这种安排值得沿着这些路线很强的荣誉. 这里已包括备用零件，两角. 第4个小号和长号三. 而大号的部分可以由一个低音长号播放. 声乐旋律线索钢琴部分，我们已包括可选的降B和E平独奏部分，这样，这可能发挥作为一种工具的钢琴功能或独奏.