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原文

Eurydice. a tone poem for cello and orchestra. 1995. Thomas Oboe Lee. Cello Solo sheet music. Advanced.

译文

欧律狄刻. 一个音诗为大提琴和乐队. 1995. 托马斯·李双簧管. 大提琴独奏乐谱. 先进.

原文

Eurydice. a tone poem for cello and orchestra. 1995. composed by Thomas Oboe Lee. For Cello,Full Orchestra. 21st Century,20th Century,Romantic Period,Classical Period,Baroque Period. Advanced Intermediate. Score. Published by Thomas Oboe Lee. S0.43201. Instrumentation. solo cello & 3222-4231-timp-2perc-hp-strings. When I presented to Max Hobart the idea of composing a new work for Andrés Díaz and the Civic Symphony Orchestra, he suggested that I, instead of writing a conventional "concerto," consider writing a tone poem for cello and orchestra. I thought, why not. I always enjoy a good challenge. So, I looked into all that wonderful stuff Hector Berlioz and Richard Strauss came up with in that genre - "Harold in Italy," "Romeo and Juliet," "Don Quixote," "Ein Heldenleben," "Tod und Verklärung," etc. I had a blast re-living the joy of all that out-pouring of emotion, orchestral colors, and uninhibited romantic excess in musical expression. In choosing my subject, I went straight to the reason why I wanted to write a piece for Andrés in the first place - the wonderful tone and singing quality of his cello and that soulful voice only he can project - a voice that charms and enchants. Orpheus seemed the perfect subject. According to Greek myth, Orpheus' singing lyre put everyone who listened into a spell. Edith Hamilton writes in her book, Mythology, "There was no limit to his power when he played and sang. No one and nothing could resist him. Everything animate and inanimate followed Orpheus. He could move trees, mountains, and change the courses of rivers. " My tone-poem is about Orpheus and Eurydice, a love story in which Orpheus loses Eurydice soon after their wedding. He laments her death, and then resolves to rescue her from the Underworld. Because his singing is so beautiful and irresistible, the Furies cannot refuse his request to return Eurydice. With Eurydice in his arms, finally, they dance. But the denizens of the Underworld change their minds and take her away again. In the aftermath, Orpheus laments his loss once more. It is true, the myth has been a favorite subject among composers since the advent of opera in the 1600's. A few of the better-known examples. Jacopo Peri's "Euridice," Claudio Monteverdi's "Orfeo," Christoph Willibald von Gluck's "Orfeo ed Euridice," Jacques Offenbach's operetta, "Orpheus in the Underworld," and Igor Stravinsky's ballet, "Orpheus. " It seems like a tremendous responsibility and burden for a composer to try to come up with something "new" after all these precedents. But, what the heck, there really isn't anything "new" or "shocking" anymore these days. A composer does not always consciously try for the "new. " It is just as important to make music that speaks to the heart. Music with dramatic narrative. Music that moves. In that sense, my "Eurydice" is music theater. And in the process, should a "masterpiece" reveal itself, so much the better. The work is in four movements, played without pause -I. Orpheus weepsII. Orpheus' resolveIII. Orpheus and EurydiceIV. Orpheus' apotheosis. Digital Print is printable sheet music available anytime, anywhere. Just purchase, print and play. View your online sheet music at home, school, work or anywhere you have a computer connected to the Internet. Use our iPad app to view your digital sheet music on the go. With Digital Print, you can print your digital sheet music immediately after purchase, or wait until its convenient. And our software installation is easy - we'll guide you through the simple steps to make sure you have Adobe Flash Player, Adobe AIR and the Sheet Music Plus AIR application.

译文

欧律狄刻. 一个音诗为大提琴和乐队. 1995. 由托马斯·李双簧管组成。. 21世纪，20世纪，浪漫主义时期，古典时期，巴洛克时期. 高级中级. 得分. 发布时间由托马斯·李双簧管. S0.43201. 仪器仪表. 大提琴独奏. 当我向最大霍巴特谱写安德烈斯·迪亚斯和Civic交响乐团新的工作的想法，他建议我，而不是写一个传统的协奏曲，考虑写一个音诗为大提琴和乐队. 我想，为什么不. 我一直喜欢一个很好的挑战. 所以，我看着一切美好的东西，柏辽兹和理查·施特劳斯想出了在体裁 - 哈罗德在意大利，罗密欧与朱丽叶，堂吉诃德，英雄的生涯，托德UNDVerklärung等. 我有一个爆炸再住所有的喜悦外倾泻情感，管弦乐的色彩和浪漫不羁过量的音乐表现力. 在选择我的问题，我直奔原因，我想写一块用于安德烈斯摆在首位 - 精彩的语气和他的大提琴唱歌质量和深情的声音只有他可以投射 - 一个声音魅力和附魔. 奥菲斯似乎是完美的主题. 根据希腊神话，俄耳甫斯“唱歌弹琴把大家谁听成魔咒. 伊迪丝·汉密尔顿写在她的书中，神话，有没有限制他的权力时，他边弹边唱. 没有人，没有什么能抗拒他. 一切有生命和无生命的跟着奥菲斯. 他可以移动的树木，山川，改变河流的课程. 我的音诗是关于俄耳甫斯与欧律狄刻，一个爱情故事，其中俄耳甫斯后不久，他们的婚礼输欧律狄刻. 他感叹她的死亡，然后解析从地狱救她. 因为他的歌声是如此的美丽和不可抗拒的，复仇女神不能拒绝他的请求返回欧律狄刻. 与欧律狄刻在他的怀里，终于，他们的舞蹈. 但冥界的居民们改变他们的想法，并把她带走再次. 在此之后，俄耳甫斯感叹他的损失一次. 它是真实的，神话自歌剧在1600年的问世是作曲家最喜欢的科目. 的较知名的例子有几个. 雅格布仙子的尤丽狄茜，克劳迪奥·蒙特威尔第的奥菲欧，克里斯托夫·维利巴尔德·格鲁克冯的奥菲欧版尤丽狄茜，雅克·奥芬巴赫的轻歌剧天国与地狱序曲，以及斯特拉文斯基的芭蕾舞剧，奥菲斯. 这似乎是一个巨大的责任和负担作曲家尝试所有这些先例后，拿出新的东西. 但是，究竟发生了什么，真的没有任何新的或令人震惊了，这些天. 作曲家并不总是有意识地尝试新. 作出这样的讲话对心脏的音乐是一样重要. 音乐与戏剧的叙事. 音乐是移动. 在这个意义上，我的欧律狄刻是音乐剧. 而在这个过程中，应该杰作显露出来，那就更好了. 这项工作是在四个乐章，演奏没有停顿-I。. 数码打印是打印乐谱可随时随地. 刚刚购买，打印和播放. 查看您的在线乐谱在家庭，学校，工作或任何地方您有连接到Internet的计算机. 使用我们的iPad应用程序，以在路途中欣赏您的数字乐谱. 随着数码打印，你可以购买后立即打印您的数字乐谱，或者等到它的方便. 而我们的软件的安装是很容易 - 我们将引导您通过简单的步骤，以确保你有安装Adobe Flash Player，Adobe AIR和本乐谱加AIR应用程序.