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原文

The Captivator March. Grade 5.

译文

该Captivator三月. 五年级.

原文

The Captivator March composed by Ernest S. Williams. Arranged by Mark Fonder. For concert band. Grade 5. Score and parts. Duration 2 minutes, 22 seconds. Published by TRN Music Publisher. TU.CBCAP5. Cornetist and educator, Ernest S. Williams. 1881-1947. was born in New Richmond, Indiana. He began playing the cornet at a very early age under the tutelage of his father. With the outbreak of the Spanish-American War, Williams joined the 158th Indiana Volunteer Regiment Band and became its conductor. In 1901 John Philip Sousa selected Williams to tour with the Sousa Band on its European tour. In 1904, Williams founded his own publishing business. Williams continued his successful performing career in 1917 as soloist with the Patrick Conway Band, first trumpet in Victor Herbert's Orchestra, and first trumpet with the Philadelphia Orchestra. From 1918 to 1922, Williams was also a soloist with the Goldman Band during its summer series at Columbia University. In June 1929, following the death of Patrick Conway, Williams was appointed Dean of the Conway Military Band School, affiliated with the Ithaca Conservatory of Music. Williams founded the Ernest Williams Music Camp in 1930 on property he owned in Saugerties, New York, at first as a companion to the Band School at Ithaca. But in 1931, he left that post to found the Ernest Williams School of Music at his home in Brooklyn. In 1932 the camp became an extension of the Williams School. The Williams School in Brooklyn closed in 1943 when World War II took away so much of its student body. The camp operated by Williams' second wife, Gladys, until Williams' death in 1947. Although the training was rigorous, the school motto was, "To be Williams-trained is to be successful. " Many alumni, such as Frank Elsass, Raymond Crisara, Robert Hoffman, Joseph Losh, Gilbert Mitchell, George S. Howard, Ned Mahoney and Leonard B. Smith, went on to prominent careers as performers. For the first strain, countermelody people like the trombones should play a bit softer the first time and let the countermelody really project on the repeat. In the second strain, second time, it is recommended that all woodwinds should drop out and let the brass and percussion play alone on the repeat. On the last strain first time, a subito piano will provide a terrific contrast. Be sure you start the subito soft on the three pick up notes. The flute and piccolo should be allowed to project noticeably. On the last time of the last strain, the trombone countermelody can come to the fore.

译文

该Captivator月由Ernest S.威廉姆斯组成. 马克最好的提神剂安排. 对于乐队演唱会. 五年级. 得分和零件. 时间2分22秒. 出版TRN音乐出版社. TU.CBCAP5. 短号，教育家，欧内斯特·S·威廉斯. 1881年至1947年. 出生于新里士满，印第安纳州. 他开始在父亲的指导下打短号在一个非常早期的年龄. 随着美西战争爆发，威廉姆斯加入第158印第安纳州义工团乐队，并成为其导体. 1901年约翰·菲利普·苏萨选择威廉姆斯苏萨乐队巡演的欧洲之旅. 1904年，威廉姆斯创办了自己的出版业务. 威廉姆斯继续着他成功的演艺事业在1917年作为独奏家与帕特里克·康威乐队，在维克多·赫伯特的第一个乐团小号和小号先与费城管弦乐团. 从1918年到1922年，威廉姆斯还与高盛乐团独奏家在其春夏系列在哥伦比亚大学. 1929年6月，继帕特里克·康威死亡，威廉姆斯被任命为康威军乐团学院院长，附属音乐学院伊萨卡. 威廉斯创立了欧内斯特·威廉姆斯音乐营在1930年，他在索格蒂斯，纽约拥有的财产，起初作为一个伴侣的乐队学院伊萨卡. 但在1931年，他离开这个职位，以发现音乐欧内斯特·威廉姆斯学院在他的家在布鲁克林. 在1932年的训练营成为了威廉姆斯学院的延伸. 威廉姆斯学院在布鲁克林收盘在1943年二战时带走了那么多的学生的身体. 威廉姆斯经营'的第二任妻子，戴乃迭，直到威廉姆斯的死亡在1947年的训练营. 虽然训练很严格，学校的座右铭是，“要成为威廉姆斯训练是成功的. “很多校友，如弗兰克阿尔萨斯，雷蒙德Crisara，罗伯特·霍夫曼，约瑟夫Losh，吉尔伯特·米切尔，乔治·S·霍华德，斯内德马奥尼和伦纳德·B·史密斯，接着突出的职业为演员. 对于第一株，countermelody人喜欢长号应该打几分柔和第一次，让countermelody真正项目的重复. 在第二个品系，第二次，建议所有的木管乐器应单独退出，让铜管和打击乐发挥的重复. 在过去的应变第一次，一个subito的钢琴将提供一个很好的对比. 要确保在开始subito软的三个拿起笔记. 长笛和短笛应该允许项目明显. 在最后一个应变的最后一次，长号countermelody能脱颖而出.