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原文

Cape Breton Postcard. Catherine McMichael. B-Flat Trumpet sheet music. Euphonium sheet music. Horn sheet music. Percussion sheet music. Timpani sheet music. Trombone sheet music. Tuba sheet music. Grade 3.

译文

布雷顿角明信片. 凯瑟琳·麦克迈克尔. 降B大调小号乐谱. 次中音号的乐谱. 喇叭乐谱. 锣鼓乐谱. 定音鼓乐谱. 长号乐谱. 图拔乐谱. 三年级.

原文

Cape Breton Postcard composed by Catherine McMichael. For concert band. Piccolo, Flute 1. 2, Oboe, Bassoon, Clarinet in Bb 1. 3, Bass Clarinet, Alto Saxophone 1. 2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, Trumpet in Bb 2, Trumpet in Bb 3, Horn in F 1. 2, Trombone 1. 2, Euphonium,. Baritone T.C. , Tuba, Timpani, Per. Band Music. Maestro Band Series. Grade 3. Score and parts. Duration 7. 00. Published by C. Alan Publications. CN.10090. The three movements. Dawn, Mist and Thunder are all intrinsic to the Cape Breton environment. The Mist is derived from a melody for solo fiddle called "Arisaig Mist" by Wilfred Gillis, a Canadian composer. That haunting melody was the starting point for the concept of the entire piece. All other melodies are original to this work but inspired by much listening to music from Cape Breton. What is it about Cape Breton. What makes the people so strong and their music so keen. In 1497 the first Europeans led by the famed explorer John Cabot arrived on Cape Breton, which is now part of Nova Scotia, Canada. Cabot's discovery of the island led to its gradual settlement by Scots, Irish, French and English. The mid 1700s brought major changes to Scotland with the end of the Highland Clan System. Contemplating a grim future in their homeland, many Scots left for new opportunity in Cape Breton. Cape Breton has since become a stronghold of Gaelic culture, some say more deeply Scottish than Scotland. This fierce blend of daring, edgy courage, pathos and energy has become distilled to a fine, strong spirit in the music played by Bretonians from then until now. Music from Cape Breton is Celtic times twenty. The three movements of Cape Breton Postcard are meant to portray the integral bond between the land and the soul. Dawn, Mist and Thunder are all intrinsic to the Cape Breton environment. The Mist is derived from a melody for solo fiddle called "Arisaig Mist" by Wilfred Gillis, a Canadian composer, and used by permission of Cranford Publications of Cape Breton Island. That haunting melody was the starting point for the concept of the entire piece. All other melodies are original to this work but inspired by much listening to music from Cape Breton. Cape Breton Postcard was commissioned by the Hill Country Middle School Bands in Austin, Texas, Cheryl Floyd and Chuck Fisher, directors. The commission was funded by the Baylor University School of Music, Dr. Kevin Sedatole, conductor, and the Stevenson family. The piece was premiered by the Hill Country Middle School Band on May 24, 2005 at the Westlake High School Auditorium with the composer present. The orchestra adaptation was premiered by the Midland. MI. Community Orchestra, Robert Ralston, conductor on February 19, 2006.

译文

布雷顿角明信片由凯瑟琳·麦克迈克尔组成. 对于乐队演唱会. 短笛,长笛1. 2,双簧管,巴松管,单簧管降B 1. 3,低音单簧管,中音萨克斯1. 2,次中音萨克斯,上低音萨克斯,小号降B 1,小号降B 2,小号降B 3,喇叭F大1. 2,长号1. 2,上低音号,. 男中音T.C. ,大号,定音鼓,每. 乐队音乐. 大师带系列. 三年级. 得分和零件. 持续时间7. 00. 发布时间由C.艾伦出版物. CN.10090. 这三个动作. 黎明,雾和雷霆都是内在的布雷顿角环境. 雾是由独奏小提琴旋律叫“阿里塞格雾”由威尔弗雷德吉利斯,加拿大作曲家衍生. 那萦绕的旋律是出发点整片的概念. 所有其他的旋律原来是这个工作,但灵感来自多听音乐,从布雷顿角. 是什么样的布雷顿角. 是什么让人们如此强烈,他们的音乐很敏锐. 1497年为首的著名探险家约翰·卡伯特第一批欧洲人来到布雷顿角,也就是现在的新斯科舍省,加拿大的一部分. 岛上的卡博特的发现导致其逐步解决由苏格兰人,爱尔兰,法国和英国. 18世纪中期带来重大改变,与苏格兰高地氏族制度的终结. 考虑一个严峻的未来在自己的家园,许多苏格兰人离开布雷顿角新机遇. 布雷顿角已经成为盖尔文化的大本营,有人说更深刻的苏格兰比苏格兰. 这场激烈的交融大胆,前卫的勇气,悲怆和能源已成为蒸馏从当时所起Bretonians音乐的罚款,强大的精神到现在为止. 乐从布雷顿角是凯尔特人倍20. 布雷顿角明信片的三个动作是为了刻画土地和灵魂之间的不可分割的纽带. 黎明,雾和雷霆都是内在的布雷顿角环境. 雾是从旋律的小提琴独奏称为“阿里塞格雾”由威尔弗雷德吉利斯,加拿大作曲家导出,用于布雷顿角岛的克兰福德出版物的许可. 那萦绕的旋律是出发点整片的概念. 所有其他的旋律原来是这个工作,但灵感来自多听音乐,从布雷顿角. 布雷顿角明信片是委托山乡村中学乐队在德克萨斯州奥斯汀​​市,谢丽尔弗洛伊德和Chuck费舍尔,董事. 该委员会是由贝勒大学音乐学院,凯文Sedatole博士,指挥家,和家人​​史蒂文森. 这件作品是在Westlake高中礼堂首演由山乡村中学乐队于2005年5月24日与作曲家礼物. 该乐团改编首演由美联. MI. 社区乐团,罗伯特·罗尔斯顿,导体在2006年2月19日.