活页乐谱 $12.25

原文

Song of the Flea. Voice sheet music.

译文

跳蚤之歌. 声音的乐谱.

原文

Song of the Flea composed by Graham Waterhouse. For Speaking Voice, Cello. Modern. Sheet Music. Published by Heinrichshofen Verlag. PE.N02533. The satirical text of 'Song of the Flea' is taken from Goethe's 'Faust'. Part 1. and is recited by Mephistopheles during the scene 'Auerbachs Keller in Leipzig'. During a visit to the Liszt House in Weimar I discovered that among the numerous settings of Goethe poems were also fragments of sketches by Liszt for 'Es war einmal ein Koenig' for bass, male-voice choir, and piano. The composition may have been intended for the Goethe celebration in 1849, though the date of the sketches remains uncertain. Liszt may have known Beethoven's setting of the text for voice, choir, and piano from 1810. The distinctive rhythmical scanning, the cynical under-current, and the downright nonsensical element of the text, recalling an English genre of nonsense-poetry, combined to prompt me into attempting a setting of the poem myself. The spoken part of 'Song of the Flea' may be recited either by a second person or by the cellist himself. The part should be declaimed with variety of expression and may carry a discreet hint of sarcasm. Attention should be paid to clear articulation and to the balance between voice and cello. The voice risks being covered, especially in the 'arco'-passages. The player can make use of different colors of pizzicato by plucking nearer the bridge or nearer the fingerboard. It is recommended that pizzicato notes on the C-string. stems pointing upwards. be played with the thumb. For the upper three strings. stems pointing downwards. the second or first fingers may be used. Some players may prefer to play the passages in bars 132 to 136 and 175 to 180 with the first finger. Unless otherwise marked, the note D in pizzicato passages is to be played with open string. Pizzicato notes should be allowed to vibrate. Towards the close of the work, the 'geangte'. 'aggrieved'. cellist slaps with the left hand irritatedly on his left knee, then on his left cheek, on his right shoulder, and finally, with his right hand, resolutely on the finerboard. Before slapping the fingerboard the bow is swiftly taken by the left hand and the A, D, and G strings damped with the same hand, so that only the C string vibrates. The 'Song of the Flea' was composed in Spring 2000 and was first performed on the occasion of the 70th birthday of Professor Reiner Thomssen, to whom the work is dedicated. The first public performance was in November 2000 in Delmenhorst. Graham Waterhouse. Floh-Lied after a poem from Goethe's "Faust". for Speaking Voice and Violoncello.

译文

格雷厄姆普华永道组成跳蚤之歌. 对于说话的声音，大提琴. 现代. 乐谱. 出版Heinrichshofen出版社. PE.N02533. “宋跳蚤的”的讽刺文字取自歌德的“浮士德”. 第1部分. 并通过梅菲斯特现场“的Auerbachs凯勒在莱比锡期间背诵. 参观众议院李斯特在魏玛的时候，我发现其中的歌德诗歌的许多设置也草图的碎片由李斯特的“居战争einmal EIN科尼格'低音，男性的声音合唱团，和钢琴. 该组合物可被用于歌德庆典于1849年，虽然小品日期仍然不明朗. 李斯特可能已经知道了文本语音，合唱团的贝多芬的设置，和钢琴从1810. 独特的节奏扫描，欠电流，文字的彻头彻尾的无厘头元素的愤世嫉俗，回顾​​废话，诗歌的英文流派，结合提示我试图进入诗的设置自己. “宋跳蚤的”的口语部分可以或者由第二人，或由大提琴家自己背诵. 该部分应巧辩与各种表情，并可能携带一些讽刺的一丝谨慎. 应注意，以清晰的吐字，以及语音和大提琴之间的平衡. 的声音有可能被覆盖，特别是在“arco'-通道. 玩家可以通过采摘接近的桥梁使不同颜色的拨奏的使用或更靠近指板. 建议拨奏音符在C字符串. 茎朝上. 可以用拇指演奏. 对于上三根弦. 茎朝下. 第二或第一手指可以使用. 有些玩家可能更喜欢玩段落条132至136和175至180的第一根手指. 除非另有标示，在拨奏段落的说明D是与开弦播放. 拨弦笔记应该被允许振动. 对关闭的工作，“geangte”的. '委屈'. 用左手大提琴家掴irritatedly在他的左膝盖，然后在他的左脸颊，在他的右肩，最后，他的右手，坚决对finerboard. 前掌掴指板的弓迅速采取由左手和A，D和G弦阻尼用同一只手，所以，只有C字符串振动. 在“宋跳蚤的”创作于2000春首次对莱纳Thomssen教授的70岁生日之际进行的，给谁的工作是致力于. 第一次公开演出是在2000年11月在代尔门霍斯特. 格雷厄姆沃特豪斯. Floh - 利德从歌德的“浮士德”一诗后，. 对于说话的声音和大提琴.