活页乐谱 $160.00

原文

When Speaks the Signal-Trumpet Tone. David Gillingham. B-Flat Trumpet sheet music. C Trumpet sheet music. Flugelhorn sheet music. Horn sheet music. Piccolo Trumpet sheet music. Trumpet Solo sheet music. Grade 5.

译文

如果说信号，喇叭音. 大卫·吉灵厄姆. 降B大调小号乐谱. Ç小号乐谱. 富鲁格号乐谱. 喇叭乐谱. 短笛小号乐谱. 小号独奏乐谱. 五年级.

原文

When Speaks the Signal-Trumpet Tone. Trumpet Feature. Composed by David Gillingham. For Soloist. with Concert Band. Flute 1. Piccolo. , Flute 2. Piccolo. , Oboe 1, Oboe 2, Bb Clarinet 1, Bb Clarinet 2, Bass Clarinet, Bassoon 1, Bassoon 2, Solo Trumpet. Trumpet in C, Flugelhorn, A Piccolo Trumpet. , Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, Horn 1, Horn 2, Horn 3, Horn 4,. Grade 5. Score and parts. Duration 18. 50. Published by C. Alan Publications. CN.03350. It is said that perhaps the greatest Americans are the ones who fought in the most intense and important battle of the 20th century, World War II. Honor those who died and those who survived the horrors with this masterpiece for solo trumpet and concert band. It is said that perhaps the greatest Americans are the ones who fought in the most intense and important battle of the 20th century, World War II. Some survivors are still living and can be credited with transforming America and shaping the rest of that century. These are men who are humbling examples of what America stands for and a living reminder of the price of freedom. The composer has dedicated this work with great respect and honor to those who died in that war and to those who survived its many horrors. The trumpet has long been used as a method of signaling in the military. In previous centuries it was used prominently in battles. Thus, the solo trumpet in this work "signals" the moods of three perspectives of World War II. battle, death, and victory. The title of this work and its subsequent movements, as well as much of the inspiration, has come from a poem written in 1819 by Joseph Rodman Drake entitled "The American Flag. " The three movements or sections of When Speaks the Signal-Trumpet Tone are continuous without pause. Movement I, "When stride the warriors of the storm" begins with a slow introductory section featuring undulating thirds in the winds, various percussion colors, and rather militaristic motivic material in the solo trumpet. A "presto" section follows with an angular solo trumpet line accompanied by dissonant harmonic material coupled with the metallic articulations of the hi-hat. A contrasting secondary theme balances the movement with longing expressiveness which perhaps is suggestive of the homesickness of the G.I. alone on the foreign battlefield. The movement is summarized in the words of Joseph Rodman Drake. To hear the tempest-tramping loud, And see the lightning-lances driven, When stride the warriors of the storm, And rolls the thunder-drum of heaven. "By angel hands to valor given," the second movement, begins with a snare drum roll followed by a solemn tom-tom. The movement is designed to evoke the image of a funeral procession to a military cemetery for the burial of a fallen comrade. Solo flugelhorn aptly shapes the melodic dirge. Toward the end of the movement a sweet, yet mournful melody emerges eulogizing the fallen comrade and signifying that he is again "home". Flag of the free heart's hope and home By angel hands to valor given. Thy starts have lit the welkin dome, And all thy hues were born in heaven. The final movement, "Shall thy proud stars resplendent shine" should evoke feelings of joy, victory, and patriotism. The ascending pentachords in the solo piccolo trumpet with the four-note motive comprised of a perfect fifth followed by a descending second, are the basis for most of the melodic material of the movement. Contrasting this main thematic material in a sort of rondo-like structure is a chorale, heard only by the wind orchestra throughout the movement, which hopefully carries all the emotion and glory of victory. And fixed as yonder orb divine, That saw thy bannered blaze unfurled, Shall thy proud starts resplendent shine, The guard and glory of the world. This piece was commissioned by Dwight Satterwhite and the University of Georgia Bands, and written for orchestral winds, piano, and specifically for W. Fred Mills as trumpet soloist. It was first premiered on March 30, 1999 at the University of Georgia. While the second movement was written for flugelhorn, Mr. Mills has performed and recorded this movement on the corno di caccia. Similar to an orchestral horn in its overall shape, the corno di caccia is more conical than the flugelhorn creating a more somber and mellow tone. Mr. Mills feels this timbre to be appropriate for the eulogizing melody of the second movement. The resulting musical production is truly gripping and communicates well the mournful intent of the composer. - David R. Gillingham.

译文

如果说信号，喇叭音. 小号功能. 由大卫吉林汉姆组成. 对于独奏者. 与乐团. 长笛1. 小. ，长笛2. 小. ，双簧管1，双簧管2，降B调单簧管1，降B调单簧管2，低音单簧管，巴松管1，2巴松管，小号独奏. 小号在C，粗管短号，高音小号. ，降B小号1，降B小号2，降B小号3，1角，2角，3角，4角，. 五年级. 得分和零件. 持续18. 50. 发布时间由C.艾伦出版物. CN.03350. 有人说，也许是最大的美国人是谁打了20世纪，二战中最激烈和重要战役。纪念那些死于谁和那些谁与这款大作的小号独奏和乐队演唱会幸存下来的恐怖. 有人说，也许是最大的美国人是谁打了20世纪，二战中最激烈和重要战役。一些幸存者仍然生活，可以归功于美国改造和塑造这个世纪的其余部分. 这些人谁是什么美国代表震撼人心的例子和自由的代价的生活提醒. 作曲家一直致力于这项工作与崇高的敬意和荣誉给那些谁在战争中死亡和那些谁幸存下来的许多恐怖. 小号一直被用作在军事信令的方法. 在过去的几个世纪它被突出地使用在战斗. 因此，在这项工作中的小号独奏“信号”二战的三个方面的情绪. 战斗中，死亡和胜利. 这部作品和它的后续动作，以及尽可能多的灵感的标题，已经从一首诗由约瑟夫·罗德曼德雷克写于1819年题为“美国国旗. “这三个运动的时候说的信号，喇叭音或部分是连续不停顿. 运动我，“当步幅风暴战士”开始于一个缓慢的导言部分具有起伏的三分之二在风中，各种打击乐器的颜色，并在小号独奏，而穷兵黩武动机的材料. A“急”部分如下带角小号独奏线伴随再加上踩镲的金属关节不搭调谐波材料. 一个对比鲜明的副部主题余额变动与渴望表现这也许是暗示了GI的思乡之情独自在国外战场. 运动总结约瑟夫罗德曼德雷克的话. 听到暴风雨 - 流浪响亮，而看到闪电枪驱动，当风暴的步幅的勇士，并滚动雷鼓天堂. “通过天使的手给予勇气，”第二乐章开头的军鼓滚其次是庄严的大鼓. 该运动的目的是送葬的形象唤起对一个军人公墓为倒下的战友的安葬. 个粗管短号恰如其分地塑造旋律的挽歌. 朝运动结束一个甜蜜的，但悲哀的旋律出现在讴歌倒下的战友和象征，他又是“家”. 旗免费心脏的希望和家由天使手中的勇气给予. 你已经开始点燃了苍穹圆顶，和所有你的色调出生在天上. 最后一个乐章，“难道你狂傲的明星璀璨闪耀”应该唤起喜悦，胜利和爱国主义情怀. 在独奏高音小号的四音符动机包括一个完美的第五后跟一个递减第二升序pentachords，是最基础的运动的旋律材料. 在一种回旋曲式结构的对比这一专题主要材料是诗歌，只能由风乐团在整个运动，希望承载胜利的全部情感和荣耀听到. 和固定的那边球体神圣的，那你看到大火bannered招展，难道你狂傲的开始灿烂闪耀，警卫和世界的荣耀. 这件作品是委托德怀特Satterwhite和格鲁吉亚乐队的大学，并为风管弦乐，钢琴，以及专为W·弗雷德·米尔斯作为小号独奏写. 这是第一次首演于1999年3月30日佐治亚大学. 而第二乐章是为富鲁格号写的，米尔斯先生在CORNO二卡恰执行和记录这个运动. 类似于其整体形状的管弦乐喇叭声，CORNO二卡恰是比粗管短号创造一个更阴暗的圆润音色更圆锥形. 米尔斯先生感觉这个音色为适合于所述第二运动的讴歌旋律. 由此产生的音乐制作是真正的夹持和通信以及作曲家的意图悲切. - 大卫·R·基宁咸.