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原文

If You Were The Only Girl. In The World. Gene Krupa. Guitar sheet music. B-Flat Trumpet sheet music. Drums sheet music. Percussion sheet music. Piano sheet music. Trombone sheet music. Advanced.

译文

如果你是唯一的女孩. 在世界. 基因克鲁帕. 吉他乐谱. 降B大调小号乐谱. 鼓乐谱. 锣鼓乐谱. 钢琴乐谱. 长号乐谱. 先进.

原文

If You Were The Only Girl. In The World. by Gene Krupa. Edited by Jeffrey Sultanof. Arranged by Gerry Mulligan. For big band. 2 Alto Saxophones, 2 Tenor Saxophones, Baritone Saxophone, 4 Trumpets, 4 Trombones, Guitar, Piano, Bass, Drums. Ballad. Difficult. Published by Jazz Lines Publications. JL.JLP-8450. Background. Gerry Mulligan was a precocious young musician of seventeen when he walked into the studios of radio station WCAU in Philadelphia and asked staff arranger. conductor John Warrington if he could write arrangements for the house big band. Warrington looked at his work, made some suggestions, and then commissioned music from Mulligan. Gerry moved on to the Tommy Tucker band, and Tucker, while recognizing the talent that Mulligan showed, told him that his music was too advanced for his band. Mulligan went back to Philadelphia and wrote arrangements for the WCAU band again, now led by Elliot Lawrence. His big break came when, in January of 1946, he joined the Gene Krupa Orchestra as a saxophonist. arranger. He was not as skilled a player at the time as he later became, and the band threatened to quit as a group if he was not replaced. On the road with the most versatile ensemble he'd yet written for, he wrote about twenty-four compositions and arrangements and sometimes filled in on alto and tenor. Krupa bought and played all of his music, and yet he often had to reign in his young charge. Disk Jockey Jump was a big hit for the band, but some of Mulligan's music was experimental and flirted with bop and advanced harmony. Mulligan had jammed with Charlie Parker when he was living in Philadelphia. Mulligan was cocky and opinionated, and the two men clashed at times. Yet this was a very good match. Mulligan had a mentor he respected at a time when Gene was considered old-fashioned by many young musicians, and Krupa encouraged the young man as he would his own child. When they saw each other three months before Krupa's death in 1973, they hugged and apologized for the way they treated each other. In 1958, Krupa recorded an album of twelve of these arrangements for Verve Records. Gerry was delighted to find that the music of his youth held up quite well, and the all-star studio big band roars throughout, clearly enjoying the music. It is one of the best big band albums of its time, and at this writing, is still available on CD. The Music. If You Were the Only Girl in the World was written in 1916 and was still a very popular waltz thirty years later. It is one of the few ballad arrangements Mulligan wrote during his year with Krupa. Mulligan converts the waltz into a slow fox trot gracefully while exploring modern harmonies and counterlines. This was a daring piece of music for a mainstream orchestra at the time, with its tritone motif appearing at various times in the piece, and suspension of the underlying rhythm for several bars at times. This is one of the few arrangements from the Krupa book that has survived in its original form. not including published stock arrangements. Krupa's home caught fire some months before he died, and his music, awards and much more was lost forever. "A year of my life went up in smoke," was how Mulligan described the situation. The parts used for this edition were discovered in the collection of trombonist. arranger Marshall Brown. Brown, along with Clem DeRosa, was a pioneering jazz educator in Long Island, NY. Brown led an ensemble of teenagers for a few years called the Newport Youth Band, whose alumni included Alan Rubin, Eddie Gomez, Mike Abene, Jimmy Owens, Ronnie Cuber and Larry Rosen. If You Were the Only Girl in the World was part of the Youth Band book and as a result is one of the only surviving original arrangements from the Gene Krupa band library. The parts were handcopied from the originals, photocopying not yet widespread in 1958. Marky Markowitz's treatment of the melody on harmon-muted trumpet was transcribed by Brown, who made some omissions and changes to the music for some unknown reason. This edition 'fixes the fixes' and is a restoration of Mulligan's original arrangement. Notes to the Conductor. Talk about an unusual treatment of an old song. This music could have been written yesterday, and one can see why Gil Evans was tremendously impressed by young Gerry Mulligan. Substitute harmonies are tasteful, and Gerry was already showing his mastery of linear writing. The previously-mentioned tritone framing device is also quite effective, although its stark unison must have shocked dancers and listeners. The tempo should not drag, but neither should the music speed up, challenging issues whenever music of this tempo is played. Making things even more difficult are the several sections where there is no rhythm playing at all, and the musicians must find their own way to keep the tempo steady. The conductor may want to design exercises to practice this. Measures with syncopation must be perfectly synchronized. even some of the musicians on the recording don't nail all of them. The last two bars are in tempo to the very end. the ending should still shock and surprise. Dynamics are particularly important in this setting. There is a difference between pianissimo and mezzo-piano. If the ensemble peaks early with regard to volume, the effectiveness of this music is lost. With plenty of rehearsal and careful listening, your band will find its own way to bring this music to life.

译文

如果你是唯一的女孩. 在世界. 通过基因克鲁帕. 由Jeffrey Sultanof编辑. 由格里·穆利根排列. 对于大乐队. 2中音萨克斯風，2次中音萨克斯，上低音萨克斯，小号4，4长号，吉他，钢琴，贝斯，鼓. 民谣. 难. 发布者：Jazz线出版物. JL.JLP-8450. 背景. 格里·穆里根是一个17岁的早熟年轻的音乐家，当他走进电台WCAU在费城的工作室，并要求工作人员安排. 指挥约翰·沃灵顿，如果他能写出安排的房子大乐队. 沃灵顿看着他的工作，提出了一些意见，然后再从穆里根委托音乐. 格里转移到了汤米小伙子带，塔克，同时认识到穆里根表现出的天赋，告诉他，他的音乐太先进的为他的带. 穆利根又回到了费城，再次写下了WCAU乐队的安排，现在由劳伦斯·艾略特. 他的大断裂进来的时候，在1946年的一月，他加入了基因克鲁帕乐团作为一个萨克斯手. 编曲. 他不是作为一个熟练的玩家的时候，他后来成为，并且带威胁要退出作为一个群体，如果他没有被替换. 与上最多才多艺的乐团，他会尚未写入的路上，他写了一篇关于24组合和安排，有时填写的女低音和男高音. 克鲁帕购买并发挥他所有的音乐，但他经常要作王，在他年轻的主管. 磁盘赛马跳转是一个很大的打击的乐队，但一些Mulligan的音乐是实验和调情与BOP和先进的和谐. 穆利根已经挤满了查理帕克的时候，他住在费城. 穆里根是自大，自以为是，和两个男人发生了冲突，有时. 然而，这是一个很好的搭配. 穆利根有一个导师，他在同一时间，当尊敬基因被认为是古板，很多年轻的音乐家，并克鲁帕鼓励年轻人，因为他将自己的孩子. 当他们看到克鲁帕的死对方前三个月在1973年，他们相拥而道歉，他们对待彼此的方式. 1958年，克鲁帕记录的这些安排12专辑的活力纪录. 格里很高兴地发现，自己年少的音乐不俗表现，并在整个全明星工作室大乐队怒吼，清楚地享受音乐. 这是它的时间最好大乐队的专辑之一，并在撰写本文时，仍然可在CD。音乐. 如果您是唯一的女孩在世界写于1916年，仍然是一个非常流行的华尔兹三十年后. 它是为数不多的民谣安排在他的一年，克鲁帕穆里根写了一个. 穆里根转换华尔兹成慢狐步舞优雅，同时探索现代和声和counterlines. 这是一个大胆的一段音乐的主流乐团在当时，与它的全音图案出现在不同的时间在一块，和悬挂的基本节奏的几间酒吧，有时. 这是从克鲁帕书，在其原来的形式已经经历了几个措施之一. 不包括已出版的存货安排. 克鲁帕的家着火了几个月前，他死了，他的音乐，奖项，更是永远失去了. “我生命中的一年化为乌有，”穆利根是如何描述的情况. 用于此版本的部分被发现的长号手集合中. 编曲马歇尔布朗. 布朗，随着克莱姆德罗萨，在长岛，纽约州先锋爵士乐教育家。布朗带领青少年合奏了几年称为新港青年乐队，他们的校友包括艾伦·鲁宾，埃迪·戈麦斯，麦克Abene，吉米·欧文，罗尼CUBER和拉里·罗森. 如果您是唯一的女孩在世界是青年乐团书的一部分，因此是从基因克鲁帕带库中的唯一幸存的原安排1. 这些器件的原件是手抄，复印尚未普及的1958年. MARKY马科维茨的处理对谐波静音小号的旋律被转录由布朗，谁做了一些疏漏和改变音乐的一些未知的原因. 这版“修复补丁”，是一个恢复Mulligan的原来的安排. 附注导体. 谈论一个不寻常的治疗一首老歌. 这个音乐本来是昨天写的，人们可以看到，为什么吉尔埃文斯极大年轻穆里根格里留下深刻的印象. 替补和声品味，和Gerry已经显示的线性写作他的精通. 前面提到的全音取景器也是相当有效的，但其鲜明的齐声必须有震惊的舞者和听众. 节奏不应该拖，但也应该在音乐加快，每当这个节奏的音乐播放具有挑战性的问题. 使事情更困难的是，一些路段没有节奏打可言，音乐家必须找到自己的方式，以保持稳定的节奏. 售票员可能需要设计习题练习本. 与切分音的措施必须完全同步. 甚至有些在录音的音乐家不要钉个个. 最后两个酒吧都在节奏进行到底. 结局应该还是震撼和惊喜. 动力是特别重要的在此设置. 有弱音和女中音钢琴之间的差异. 如果合奏峰早期就体积，这种音乐的效果丢失. 随着大量的排练，并仔细聆听，你的乐队将找到自己的方式，使这种音乐生活.