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原文

Pieces Froides. Erik Satie. Marimba sheet music. Percussion sheet music. Advanced.

译文

件Froides. 埃里克·萨蒂. 马林巴琴乐谱. 锣鼓乐谱. 先进.

原文

Pieces Froides composed by Erik Satie. 1866-1925. Arranged by M. Berry. Percussion Ensemble. For Marimba. 4-mallet. marimba. 5-octave. Medium difficult. Duration 4. 30. Published by C. Alan Publications. CN.16440. A charming and expressive solo for marimba that allows the modern marimbist to get a second look at Satie's music from another angle. Perfect for an interim piece on your next recital. Erik Satie's piano work Pieces Froides. 1897. is comprised of two three-movement pieces, the first of these being Airs A faire fuir. tunes to make you run away. , the second, Danses de travers. slanted dances. Satie. 1866-1925. often wrote music around a single idea yet, approaching it from several different ways-much like a visual artist studying a subject from many perspectives before painting. His music is at times, antithetical to, and perhaps reactionary to the soaring heights of the late nineteenth-century virtuoso performer, and the Wagnerian sense of 'music-for-posterity' that the twentieth-century inherited. Upon first hearing Danses de travers, I was immediately drawn to the work not only by its unfussiness and charm, but by it's sweeping elongated phrases. The more I listened, the more I began to hear the expressive possibilities of a marimba adaptation. The arpeggiated triads in the left hand-1-5-3, 1-5-3, 1-5-3-seemed to establish the perfect foundation on which to overlay Satie's crooked melodies in octaves. Satie in the first measure of the score, in a whimsically nonsensical way-perhaps with a touch of dadaism-instructs the performer, 'En y regardant A deux fois. ' This adaptation affords the modern marimbist the opportunity to 'get a second look at' Satie's music from another angle, and with a new perspective. Mark Berry.

译文

件Froides由Erik萨蒂组成. 1866-1925. 由M.贝里安排. 打击乐合奏. 对于马林巴. 4槌. 马林巴. 5倍频程. 中等难度. 持续时间4. 30. 发布时间由C.艾伦出版物. CN.16440. 对于马林巴一个迷人的和表现的独奏，让现代marimbist获得第二看萨蒂的音乐从另一个角度. 适合你的下一个独奏会的临时片. 埃里克·萨蒂的钢琴作品件Froides. 1897. 由两个三件运动，其中第一个是一个架子自由放任fuir. 曲调让你跑掉. 通过舞蹈第二. 倾斜的舞蹈. 萨蒂. 1866-1925. 经常写在一个单一的音乐想法还没有，从几个不同的方式，很像一个视觉艺术家从学习绘画之前，多角度的对象接近它. 他的音乐是时间，对立的，也许反动到十九世纪晚期的演奏家表演的高度飙升，而二十世纪继承了“音乐换后人”瓦格纳感. 在第一次开庭Danses日Travers的，我立刻不仅其unfussiness和魅力，但它席卷拉长短语绘制工作. 而听到越多，我越开始听到一个马林巴适应的表现的可能性. 在左手-1-5-3，1-5-3的琶音黑社会1-5-3，似乎建立在其上叠加萨蒂的旋律歪八度的完美粉底. 萨蒂在第一小节的比分，在一个古怪荒谬的方式，也许淡淡的达达主义，指导表演，“恩ÿ注视一个德塞夫勒FOIS. “这能提供适应现代marimbist机会”得到第二次看“萨蒂的音乐从另一个角度，并用新的视角. 马克·贝瑞.