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原文

Romances sans paroles. Gabriel Faure. Piano Solo sheet music.

译文

恋情SANS假释. 加布里埃尔·福雷. 钢琴独奏乐谱.

原文

Romances sans paroles composed by Gabriel Faure. 1845-1924. Edited by Roy Howat. For piano. This edition. Urtext. Sheet Music. Published by Edition Peters. PE.P07711. Following the release in 2003 of the Urtext Peters Edition publication of Faure's Piphces brphves. EP 7601. , the eminent French music specialist Roy Howat has taken an in-depth look at another lesser-known collection of piano pieces by Gabriel Faure - Romances sans paroles - to reveal further treasures. Romances sans paroles is French for 'Lieder ohne Worte' or 'Songs without words'. Faure's only three pieces in the genre, suggesting a youthful homage to Mendelssohn, were his first piano pieces to be published. Exactly when he composed them is uncertain, though most of his biographers suggest it could have been any time from 1863 onwards. the year he turned eighteen. In fact the Romances sans paroles are not easy, given the pianist's dual occupation with complex accompaniments and melodies that sometimes echo imitatively across voices. Faure was ambidextrous, and the pieces might be viewed in several ways as etudes. It was thus not surprising that they soon became as popular, if not more so, in arrangements by Jules Delsart for violin or cello accompanied by piano, published by Hamelle in 1896. Whether on Delsart's or Hamelle's initiative, these transcriptions bowdlerise many of Faure's more daring passing harmonies, especially in the second Romance, the music's full adventurousness, manifest in the piano version, has therefore been long masked from many listeners and performers. Roy Howat. solo piano.

译文

加布里埃尔福雷组成的恋情SANS假释. 1845-1924. 由Roy Howat编辑. 钢琴. 此版本. Urtext. 乐谱. 出版版彼得斯. PE.P07711. 继Urtext彼得斯版发布佛瑞Piphces brphves的释放，2003年. EP 7601. ，杰出的法国音乐专家罗伊Howat迈出了深入探讨在钢琴小品另一个鲜为人知的收集由加布里埃尔福雷 - 浪漫曲SANS假释 - 透露进一步的宝藏. 恋情SANS假释是法文的「艺术歌曲OHNE又写道“或”无词歌“. 佛瑞的只有三件在体裁，推测青春致敬门德尔松，是他的第一部钢琴作品将出版. 什么时候他创作他们是不确定的，但大多数他的传记中暗示它可能是从1863年开始的任何时间. 今年，他转身18. 事实上，才子佳人的sans假释并不容易，因为钢琴家的双职业与复杂的伴奏和旋律，有时呼应imitatively对面的声音. 福雷是灵巧，并且可能块以多种方式为画稿查看. 因此，这是毫不奇怪，他们很快成为流行，如果不是更多的话，在钢琴伴奏由朱尔斯Delsart安排小提琴或大提琴，由Hamelle于1896年出版. 无论是在Delsart的或Hamelle的倡议，这些转录bowdlerise许多佛瑞更大胆传球的和声，特别是在第二个浪漫，音乐的饱满冒险精神，表现在钢琴版本，因此已久的许多听众和表演者屏蔽. 罗伊Howat. 只有计划.