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原文

Svyati. O Holy One. John Tavener. Choir sheet music.

译文

Svyati. 圣者. 约翰Tavener. 合唱乐谱.

原文

Svyati. O Holy One. composed by John Tavener. 1944-. For Choral. SATB. Music Sales America. 20th Century, Choral. 14 pages. Chester Music #CH61334. Published by Chester Music. HL.14032821. Quoting Tavener. “I began to write Svyati in early 1995. while sketching it, I learned that John Williams, father of Jane, my dear friend and publisher, was dying. I could not refrain from dedicating it to Jane and to the memory of her father. ” The text is in Church Slavonic, and it is used at almost every Russian Orthodox service, perhaps most poignantly after the congregation have kissed the body in an open coffin at an Orthodox funeral. The choir sings as the coffin is closed and borne out of the church, followed by the mourners with lighted candles. The cello represents the priest or icon of Christ, and should play at a distance from the choir, perhaps at the opposite end of the building. As is Greek drama, choir and priest are in dialogue with each other. Since the cello represents the icon of Christ, it must be played without any sentiment of a Western character, but should derive from the chanting of the Eastern Orthodox Church.

译文

Svyati. 圣者. 约翰Tavener组成. 1944 - . 对于合唱. SATB. 音乐美销售. 20世纪，合唱. 14页. Честер Музыка. 出版切斯特音乐. HL.14032821. 引用Tavener. “我开始在1995年初写Svyati. 在画它，我才知道，约翰·威廉姆斯，简的父亲，我亲爱的朋友和出版商，快要死. 我无法从它专为简和她的父亲的记忆避免. “文字是在教会斯拉夫语，它是用在几乎每一个俄罗斯东正教的服务，也许是最尖锐的会众在后一个正统的葬礼吻身体在一个开放的棺材. 合唱团唱的棺材被关闭，证明了教会，然后用点燃的蜡烛哀悼者. 大提琴代表基督的祭司或​​图标，并应在一定距离合唱团上场，或许在大楼的另一端. 正如希腊戏剧，合唱团和祭司都是相互的对话. 由于大提琴代表基督的图标，它必须没有一个西文字符的任何情绪上播放，而应该源于东正教的诵经.