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原文

The Roger Nichols Recording Method. Roger Nichols.

译文

罗杰·尼科尔斯记录方法. 罗杰·尼科尔斯.

原文

The Roger Nichols Recording Method. A Primer for the 21st Century Audio Engineer. Composed by Roger Nichols. Book. Books and DVDs. DVD. Method. Instruction. Pro Audio. Pro Audio Textbook. Reference Textbooks. 180 pages. Published by Alfred Music. AP.40830. ISBN 0739095056. Learn the basics of digital recording, each step of the signal path, and everything from microphone placement to mixing strategy through the eyes and ears of "The Immortal" Roger Nichols, master engineer. From scientifically analyzing the differences between condenser, ribbon, and dynamic microphones, to sharing his secrets to an amazing mix, Nichols delivers something for everyone interested in the science and art of audio engineering---no matter what your experience level. The DVD-ROM includes Pro Tools session files, personally set up by Roger, to give you hands-on training. The Roger Nichols Recording Method gives you the unique experience of learning directly from Roger---exactly as he would have taught you at one of his famous master classes. It's the ultimate experience of having an eight-time GRAMMYÂ-winning engineer sit down in your studio to teach you from his personal experiences and techniques. This book is excellent for beginners but is still full of gems for seasoned pros who want to know how Roger Nichols always managed to get that sound. Topics include. Plan your recording sessions like a professional engineer and producer. Choose the right microphones and learn how Roger would place them for a session. Test microphone patterns. learn about critical distance placement and the 3 to 1 rule. Understand how digital audio really works to choose the right format for your sessions. Learn about the signal path from microphone. instrument levels, channels strips, and plugins. Record multiple takes, overdubs, punch-in techniques, and get tips on editing digital audio files. Learn Roger's personal tips for mixing, using automation, creating your final mix, and more. Contents. Foreword. From Roger Nichols. Roger's Obsession with All Things Sound. Self-Instruction Guide for The Roger Nichols Recording Method. How Many Simultaneous Tracks Do I Need. What's My Budget. Do I Prefer a PC or a Mac. Should I Use a Laptop or Desktop. What Computer Audio Interfaces Do I Need. What Computer Hard Drives Do I Need. SATA. SSD. Firewire 400. 800. USB. Ethernet. Fiber Channel. Thunderbolt. What Recording Software Will I Use. Should I Consider a Studio-in-a-Box. Do I Need a Mixer. NOW WHAT. Chapter Three. Planning a Recording Session. Every Link in the Chain Is As Important As the Ones Before and After It. Recording Session Setup. Cables. Microphones. Speakers and Monitoring. Console. Recording Device. When Recording. Overdubs. Effects. EQ. Effects. Compressors and Limiters. Effects. Noise Gates. Effects. Delays and Echoes. Harmonizers. Octave Dividers, Aural Exciters. Comping Tracks. Mixing. Word Clock. Mix Processors. Mixing Back to Two Tracks of Multitrack or DAW. Premastering. Keeping Notes. Chapter Four. Noise from Your Electrical Connections. Power Quality. Receptacle Load Centers. Lighting Load Centers. AC Harmonics. Grounding and Noise. Balanced Power to the Rescue. Chapter Five. What Is Recording. Sound Waves and Pond Ripples. Transducers. Chapter Six. My Thoughts on Recording Formats. All Recording Methods Break Down to Two Basic Categories. Analog. Digital. Snap, Crackle, and Pop Music. Divine Digital Recording. Chapter Seven. My Detailed Audio Production Definitions. Chapter Eight. Caveat Sampler, Ille Nunquam Cedunt. Chapter Nine. Microphones. Condenser, Ribbon, and Dynamic Microphones. Microphone Patterns. Omnidirectional. Cardioid. Supercardioid. Hypercardioid. Microphone Pickup Angle. Microphone Performance in the Direct Sound Field. Microphone Performance in Reverberant Sound Field. The 3. 1 Rule. Rejection Is Good. Standard Distance. Exercise 9.1. Recording a Microphone Signal. Launch Pro Tools. Chapter Ten. Connecting an Audio Source. Mbox Features and Connections. Set Start Point for Recording. Test the Pattern of the Microphone. Critical Distance. Testing Additional Microphone Types. Test the Microphones with Instruments. Recording an Acoustic Guitar. Chapter Eleven. Recording Formats--Understanding How Digital Audio Works. Digital Audio Formats. Sample Rate. Bit Depth. File Format. Chapter Twelve. Signal Chain. Microphone Level and Instrument Level. Amplifiers. Speaker. Channel Strip. Virtual Channel Strip. Plug-Ins. Chapter Thirteen. Recording Multiple Takes. Record The Instrument in Stereo. Chapter Fourteen. New Concepts. Headphone Mix. Gain Structure. Recording Alternate Takes. Chapter Fifteen. Overdubs. Overdubbing Tracks to Existing Material. Chapter Sixteen. Punch-In Techniques. Recording Modes. Recording Regions. Pre-Roll and Post-Roll. Destructive. Nondestructive Recording. Crossfades. Quick Punch. Loop Record with Overdubs. Practicing Punch-Ins. Without Pre-Roll. With Pre-Roll. With Quick Punch. Chapter Seventeen. Editing in a DAW. Creative Editing. Edits to Clean Up Audio. Chapter Eighteen. Mixing. The First Taste of Mixing. EQ Balance. Compression. On the Level. Reverb. Hello,,, Hello. Hello. Your Work Is Never Done. Hidden Tracks. Inactive Tracks. Basic Levels for Your First Mix. Pro Tools Session Files. System Upgrades. Analog vs. Digital. Hard Disk Recording. Other Recording Systems. Chapter One. Why Learn the Art and Science of Audio and Recording. Chapter Two. Determine Your Recording Needs. Will I Sequence or Play Parts Live. Will I Record Everything Directly or with Microphones. How Many Tracks Do I Need. Panning. Reverb Sends and Settings. Equalization. Compressors in the Mix. Spend Time Mixing. Listening to Other Mixes. Make Notes on Your Mixes. Chapter Nineteen. Beginning Automation. Recording Fader Moves. Automating Vocal Levels. Chapter Twenty. Your Final Mix. Clean Up Your Mix. Print to External Recorder. Bounce to Disk. Burn CD of Final Mix. In Conclusion. Epilogue - This Is a Service Business. About Roger Nichols. TV and Film Credits. Awards. Overview Of Accomplishments. Roger Nichols Remembered. Roger Nichols Discography. Index.

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罗杰·尼科尔斯记录方法. 入门21世纪的音频工程师. Composed by Roger Nichols. 书. 书籍和DVD. DVD. 方法. 指令. 专业音响. 专业音响教材. 参考书. 180页. 发布时间由阿尔弗雷德音乐. AP.40830. ISBN 0739095056. 了解数码录音，信号路径的每一步，一切都从麦克风的位置，通过“不死”罗杰·尼科尔斯，主工程师的眼睛和耳朵混合策略的基础知识. 从科学分析冷凝器，彩带，和动圈话筒之间的差异，来分享他的秘密，一个惊人的组合，尼科尔斯提供给大家的东西感兴趣的音频工程的科学与艺术---不管你的经验水平. DVD-ROM中包含的Pro Tools会话文件，亲自成立了由罗杰，给你实际操作培训. 罗杰·尼科尔斯记录方法让你直接从罗杰学习的独特体验---完全一样，他会教你在他著名的大师班之一. 这是有一个八时GRAMMYÂ殊荣的工程师坐下来在你的工作室教你从他个人的经验和技术的终极体验. 这本书非常适合初学者，但仍充满宝石谁想要知道如何罗杰·尼科尔斯总是设法经验丰富的专业人士来获取声音. 主题包括. 打算像一个专业的工程师和制作人录制会议. 选择合适的麦克风，并学习如何罗杰将它们放置在会话. 测试麦克风模式. 了解临界距离放置和3比1的规则. 了解数字音频真正起作用来选择适合您的会话正确的格式. 了解来自麦克风的信号路径. 仪器水平，渠道条和插件. 记录的多个需要，配音，打孔的技术，并获得编辑数字音频文件的技巧. 了解混合，使用自动化，创建最终的混音罗杰的个人技巧，更. 内容. 前言. 从罗杰·尼科尔斯. 罗杰的痴迷与万物的声音. 自我指导手册罗杰尼科尔斯记录方法. 多少个同时音轨我需要. 什么是我的财政预算案. 我不想一台PC或Mac. 我应该使用一台笔记本电脑或台式机. 什么电脑音频接口我需要. 我需要什么样的电脑硬盘驱动器. SATA. 固态硬盘. 火线400. 800. USB. 以太网. 光纤通道. 霹雳. 我会用什么录音软件. 我应该考虑一个工作室，在一箱. 我需要一个调音台. 现在怎么办. 第三章. 规划一个记录会话. 在每一个环节同样重要，因此把之前和之后. 记录会话设置. 电缆. 话筒. 扬声器和监控. 控制台. 录音设备. 当录制. 配音. 效果. 情商. 效果. 压缩机和限制器. 效果. 噪声门. 效果. 延迟和回声. Harmonizers. 倍频分频器，听觉激励器. 作曲的曲目. 混合. 字时钟. 混合处理器. 混合回两轨或多轨数字音频工作站的. 预控制. 保持注释. 第四章. 从你的电气连接噪音. 电能质量. 插座负荷中心. 照明负荷中心. 交流谐波. 接地和噪声. 均衡的权力救援. 第五章. 什么是录音. 声波和池塘涟漪. 传感器. 第六章. 我的记录格式思考. 所有的录音方法分解为两个基本类别. 类似物. 数字. 管理单元，裂纹和流行音乐. 神州数码录音. 第七章. 我的详细音频制作的定义. 第八章. 需要注意的采样，伊勒Nunquam Cedunt. 第九章. 话筒. 冷凝器，丝带，和动圈式麦克风. 麦克风模式. 全向. 心. 超心. 超心. 麦克风拾音角度. 在直达声场麦克风性能. 在混响声场麦克风性能. 3. 1条. 排斥反应是良好的. 标准距离. 练习9.1. 录制麦克风信号. 启动Pro Tools. 第十章. 连接音频源. MBOX功能和连接. 设置开始点录制. 测试麦克风的模式. 临界距离. 测试的其他类型的麦克风. 测试麦克风与仪器. 记录了古典吉他. 第十一章. 记录格式 - 了解数字音频工程. 数字音频格式. 采样率. 位深度. 文件格式. 第十二章. 信号链. 麦克风音量和仪表液位. 放大器. 扬声器. 通道条. 虚拟通道条. 插件. 第十三章. 录制多个注意到. 录制立体声的仪器. 第十四章. 新概念. 耳机混音. 增益结构. 记录备用注意到. 第十五章. 配音. 配音音轨到现有材料. 第十六章. 打孔式技术. 录像模式. 记录区域. 前滚和后滚. 破坏的. 无损录音. 交叉淡入淡出. 快速冲床. 循环录制与配音. 练打孔文件. 无预卷. 随着预卷. 与快速冲. 第十七章. 编辑的DAW. 创意编辑. 编辑清理音频. 第十八章. 混合. 混合的前味. EQ均衡. 压缩. 上水平. 混响. 你好，，，你好. 你好. 你的工作是永远做不完的. 隐藏曲目. 不活动的曲目. 基本层次为你的第一个混合. 的Pro Tools会话文件. 系统升级. 模拟与. 数字. 硬盘记录. 其他录音系统. 第一章. 为什么要学习音频和录音艺术与科学. 第二章. 确定你的录音需求. 我会顺序播放或现场部件. 请问我记录一切直接或麦克风. 多少曲目我​​需要. 平移. 混响发送和设置. 均衡. 在驴友压缩机. 花时间混合. 听其他混音. 就你的混音笔记. 第十九章. 开始自动化. 录音推子移动. 自动化声乐水平. 第二十章. 最终混音. 清理你的混音. 打印到外部录像机. 生成到磁盘. 烧最终混音的CD. 在结论. 后记 - 这是一个服务企业. 关于罗杰·尼科尔斯. 电视和电影作品. 奖项. 成就概述. 罗杰·尼科尔斯想起. 罗杰·尼科尔斯唱片. 指数.