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原文

Surfboard. Antonio Carlos Jobim. Percussion sheet music. Intermediate.

译文

冲浪板. 安东尼奥·卡洛斯·若宾. 锣鼓乐谱. 中间.

原文

Surfboard. arranged for percussion ensemble. Composed by Antonio Carlos Jobim. Arranged by Murray Gusseck. For Percussion Ensemble. 8 players. Percussion Ensembles. Medium. 12 pages. Duration 3 minutes. Published by Tapspace Publications. TA.TSPCE14-004. Surfboard was written during the bossa nova explosion of the 1960s by Antonio Carlos Jobim, the world-renowned Brazilian composer and piano player. Jobim happened to be in Los Angeles making a record when he was taken by a friend to the nearby Malibu Surfrider Beach. He was so inspired by the scene there that he bought a surfboard to take back to Brazil as a present for his son. This instrumental number was presumably written shortly thereafter. It has since been re-recorded by many different artists, including Sergio Mendes. with will. am. and Stereolab. with Herbie Mann. In this adaptation for intermediate to younger percussion ensembles, Murray Gusseck lays the groundwork for players to focus on the polyrhythmic "four over three" aspect of the melody while not requiring technique beyond 2-mallets. That, along with the tune's overall chromatic nature, make it a good etude for less-experienced players as they learn to navigate the white and black keys while rhythmically playing over the barlines. Basic samba rhythms and a clever meter change before the recapitulation make for a catchy, groovy, memorable piece for percussion ensemble. Surfboard comes as a full, bound score and includes all individual parts available for printing on the included CD-ROM.. Full Instrumentation. glockenspiel, xylophone, vibraphone, 4.3-octave marimba. low A. shared by 2 players. , 3 timpani, hi-hat, ride cymbal, crash cymbal, snare drum, high. low tom toms, claves, small. large cowbells, tambourine, samba whistle. or other whistle like a police whistle.

译文

冲浪板. 安排了打击乐合奏. 由安东尼奥·卡洛斯·若宾组成. 由穆雷Gusseck安排. 对于打击乐团. 8名选手. 打击乐合奏. 中. 12页. 时间3分钟. 出版Tapspace出版物. TA.TSPCE14-004. 冲浪板在20世纪60年代由安东尼奥·卡洛斯·若宾,世界著名的巴西作曲家和钢琴演奏家的波萨诺瓦爆炸过程中写入. 若宾碰巧在洛杉矶制作笔录时,他被带到一个朋友到附近的马里布海滩瑟夫赖德. 他是如此的场景启发那里,他买了冲浪板带回巴西作为礼物为他的儿子. 这种工具数量大概写后不久. 它已经被重新录制由许多不同的艺术家,包括塞尔吉奥·门德斯. 与意志. 在. 和Stereolab的. 与赫比曼. 与此相适应的中级年轻的打击乐合奏,穆雷Gusseck奠定了基础,为玩家注重旋律的多重节奏的4在三个方面,而无需技术超越2槌. 也就是说,伴随着调的整体色性,使它成为一个很好的练习曲少,经验丰富的球员,因为他们学习导航白色和黑色按键,同时有节奏地打在barlines. 基本桑巴节奏和概括前一个聪明的节拍变化使一个朗朗上口,时髦,令人难忘的片断为打击乐合奏. 冲浪板是作为一个完整的,必然得分并包括可用于打印附带的CD-ROM上的所有单个零件。. 全面规范. 钟琴,木琴,颤音琴,马林巴4.3倍频. 一个低. 2玩家共享. ,3定音鼓,镲,钹骑,崩溃钹,小鼓,高. 低中音鼓,恒山,小. 大牛铃,铃鼓,桑巴哨. 或其他口哨像警笛.