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原文

Extreme Make-Over. Johan De Meij.

译文

极端化妆了. 约翰·德Meij.

原文

Extreme Make-Over. Metamorphoses on a Theme by Tchaikovsky for Wind Orchestra. Composed by Johan De Meij. For Concert Band, Mixed Woodwind Ensemble. Score & Parts. Amstel Music. Amstel Music #AM80. Published by Amstel Music. HL.4000214. ISBN 1423451856. 10x13 inches. This new work by Johan de Meij consists of a set of metamorphoses on a theme from Tchaikovsky's well-known Andante cantabile. from String Quartet No. 1 in D. Tchaikovsky stated, “Never have I been so proud of my creative powers as when Leo Tolstoy sat in the chair next to mine listening to my Andante , and the tears ran down his cheeks. ” De Meij states the theme with a saxophone quartet. joined by oboes, bassoons and clarinets. , followed by the first metamorphosis, which emanates from a single tone. A timpani solo forms a transition to Alla Marcia , in a neo-classical style. The following movement features the playing of tuned bottles, leading into an extensive marimba solo. This joins seamlessly to the finale, a canonic treatment of the theme, leading to a festive conclusion.

译文

极端化妆了. 对管乐团一个主题柴可夫斯基变形记. 由约翰·德Meij组成. 对于音乐会乐队,混合木管合奏. 得分. 阿姆斯特尔音乐. Amstel Музыка. HL.4000214. 国际标准书号1423451856. 10x13英寸. 由约翰·德Meij这部新作是由来自柴可夫斯基的著名如歌的行板主题的一组变态的. 从D中弦乐四重奏第1号. 柴科夫斯基说:“我从来没有这么骄傲的我创作的权力,当托尔斯泰坐在旁边的椅子矿山听我的行板,眼泪顺着他的脸颊. “德Meij规定的主题与萨克斯管四重奏. 由双簧管,巴松管和单簧管加盟. ,接着是第一变态,它产生于一个单一的音. 一个定音鼓独奏的形式过渡到阿拉玛西娅,在新古典主义风格. 下面的运动功能调节瓶的播放,通向一个广泛的木琴独奏. 这种无缝连接来压轴,一法服处理的主题,导致了节日的结论.
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