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原文

The European Piano Method - Volume 1. Fritz Emonts. Piano Method sheet music. Piano Solo sheet music.

译文

欧洲钢琴的方法 - 第1卷. 弗里茨Emonts. 钢琴方法乐谱. 钢琴独奏乐谱.

原文

The European Piano Method - Volume 1. German. French. English. Composed by Fritz Emonts. For Piano. Schott. 88 pages. Schott Music #ED7931. Published by Schott Music. HL.49007644. ISBN 3795750024. 9x12 inches. Following the very successful piano method published in two volumes between 1958 and 1962, the three-volume “European Piano Method” represents a new textbook which takes into account the development of modern piano pedagogy. Winning features of the Emonts Method. songs from many European countries, pupils begin to play without music notation, improvisation and playing on the black keys, development of listening skills and aural awareness, simple and logical learning structure, lots of duets, and attractive full-colour illustrations. Volume 1. The most natural way of creating and nurturing the relationship of a child with an instrument is to stimulate and encourage the child to find on the keyboard, and to play by ear, all the tunes he or she has so far assimilated. Not only children's songs or folk songs are suitable for this but also other melodies that may be heard at home, at school, in church, on the radio and on television. The natural progression, from singing and listening to playing, forms the foundation for the development of listening ability and musicality. During a lifetime with an instrument one should always try to replay on it everything that one has heard. The child should, at the same time, be made familiar with the whole keyboard by touch as well as by ear, from the lowest register to the highest. the young player should already have a feeling of contact with the keyboard before piano playing is combined with the complicated process of reading music. Playing only on the black keys to begin with will offer a particularly good opportunity to grasp the arrangements of the black keys. literally. 'grasping'. For improvised melodies, too, the pentatonic scale formed by the black keys is easier to handle at the beginning stages than the diatonic scale of the white keys. For this reason, an introductory section 'Playing with the Black Keys' has been included. Here the teacher, through such material, should encourage the beginner to become familiar with the keyboard. Another advantage in beginning this way lies in the fact that training the functions of the motorial system does not only start within the narrow stretch of the fingers but with the larger playing apparatus of the arms and the whole body. In this way tension can be avoided. The suggestions for improvisation and song accompaniement given at the beginning. on the 'yellow' pages. should not necessarily be dealt with all at once before the chapter 'Playing from Printed Music' but should rather be gradually incorporated into lessons. Here, the printed music is intended primarily for the teacher who will play through the exercises. The pupil plays from memory rather than from the book.

译文

欧洲钢琴的方法 - 第1卷. 德语. 法国人. 英语. 弗里茨Emonts组成. 钢琴. 肖特. 88页. Schott Music. 出版肖特音乐. HL.49007644. 国际标准书号3795750024. 9X12英寸. 继出版于1958年和1962年之间的两卷本非常成功的钢琴方法,三卷“欧洲钢琴法”代表了一种新的教科书,并考虑到现代钢琴教育的发展. 赢得Emonts方法的特点. 从许多欧洲国家的歌曲,学生开始没有乐谱,即兴创作和演奏上的黑键玩,听的技能和听觉的认识,简单的和逻辑结构的学习,许多二重奏,和有吸引力的全彩色插图的发展. 第1卷. 建立和培养孩子与仪器之间的关系的最自然的方式是刺激和鼓励孩子发现在键盘上,并见机行事,所有的曲调,他或她至今同化. 不仅是孩子们的歌曲或民歌适用于本而且还可能会听到家里的其他旋律,在学校,在教堂,在电台和电视上. 自然发展,从唱歌,听演奏,形成了听的能力和音乐发展的基础. 在与仪器一生人都应该尝试重播就可以了,一个已经听到的一切. 孩子应,在同一时间,进行熟悉整个键盘通过触摸以及由耳,从最低寄存器的最高. 年轻球员应该已经与键盘接触的感觉之前,钢琴演奏是结合阅读音乐的复杂过程. 只打在黑键开始与将提供一个特别好的机会,把握黑键的安排. 从字面上. '抓'. 对于即兴的旋律,也由黑键形成的五声音阶是比较容易处理的开始阶段比白键的音阶. 出于这个原因,一个导言部分“与黑键播放”已被列入. 这里的老师,通过这样的材料,应鼓励初学者熟悉键盘. 在开始本方法的另一个优点在于以下事实,即培养的运动神经系统的功能,不仅在窄伸展的手指,但与臂的较大播放设备和整个身体开始. 在这样的张力,可避免. 对于一开始给定的即兴曲accompaniement的建议. 对“黄色”网页. 不一定要处理一次全部章节之前,“从印制音乐播放”,而应逐步纳入课程. 在这里,乐谱主要针对谁将会通过练习打老师. 瞳孔从存储器而不是从书播放.
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