活页乐谱 $29.00

原文

Talea. Dan Adams. Percussion sheet music. Beginning.

译文

切割. 丹·亚当斯. 锣鼓乐谱. 开始.

原文

Talea composed by Dan Adams. Percussion Ensemble. For Percussion Ensemble. percussion 1. woodblock, claves, percussion 2. temple blocks, percussion 3. 4 tom-toms, percussion 4. conga, bongos, percussion 5. triangle, percussion 6. large cowbell. Medium easy. Score and parts. Duration 2. 35. Published by C. Alan Publications. CN.05670. Latin percussion performance and Medieval composition techniques are combined in "Talea" to create unusual musical patterns and colors. Although the piece is scored as a sextet, additional players may be added to any and all parts and it may be used for study, performance, or both. Latin percussion performance and Medieval composition techniques are combined in "Talea. " The piece is named for a repeated figure characteristic of the Ars Nova isorhythmic motet. This figure was combined with an independently repeated pitch succession called a color. The result is a musical pattern in which pitch and rhythmic repetition coincide only periodically. Originally conceived as part of a larger multi-movement composition, "Talea" is based on several simultaneous isorhythmic patterns. The color of each line is based on indefinitely-pitched percussion sounds rather than actual pitches. The piece is in 5. 4 meter throughout. The triangle opens with a steady eighth-note pattern consisting of a regular succession of open and muffled strokes. The cowbell, conga, and woodblock enter in a pattern of quarter notes that forms a three-against-four-against-five cross-rhythm. The claves, bongos, temple blocks, and tom-toms play repeated patterns that repeat every three, seven, eleven, and thirteen beats, respectively. Although "Talea" is scored as a sextet, additional players may be added to any and all parts and it may be used for study, performance, or both.

译文

Talea丹·亚当斯组成. 打击乐合奏. 对于打击乐团. 打击乐1. 木版，恒山，敲击2. 寺庙块，敲击3. 4手鼓，打击乐4. 康加，手鼓，打击乐5. 三角形，敲击6. 大牛铃. 介质中易. 得分和零件. 持续时间2. 35. 发布时间由C.艾伦出版物. CN.05670. 拉丁打击乐表演和中世纪的作曲技法相结合的“Talea”创造非同寻常的音乐图案和颜色. 虽然片被评价为一个六重峰，另外玩家可以加入到任何和所有的份和它可以用于研究，性能，或两者. 拉丁打击乐表演和中世纪的作曲技法相结合的“Talea. “这件作品被命名为新艺术isorhythmic经文歌的重复图形性能. 这个数字加上一个叫做色独立重复间距继承. 其结果是一个音乐模式，其中音调和节奏的重复仅周期性地重合. 最初的设想是一个更大的多运动组成的一部分，“Talea”是基于几个同时isorhythmic模式. 每条线的颜色是基于无限高亢的声音敲击而不是实际的球场. 这件作品是5. 4米整个. 三角形打开，包括开放式和闷招一个普通的继承的稳定八分音符模式. 在四分音符图案的铃铛，康加和雕版输入形成一个三对 - 四对-5的交叉节奏. 在恒山，手鼓，寺庙块，手鼓玩重复的重复每三，七，十一，十三次模式，分别为. 虽然“Talea”的得分为一个六重峰，另外玩家可以加入到任何和所有的份和它可以用于研究，性能，或两者.