活页乐谱 $10.00

原文

Tangents. James Campbell. Percussion sheet music. Timpani sheet music.

译文

切线. 詹姆斯·坎贝尔. 锣鼓乐谱. 定音鼓乐谱.

原文

Tangents composed by James Campbell. Timpani Solo. For timpani and hi-hat. 5 timpani and hi-hat. Level 5. Book. Published by Innovative Percussion. IP.T-JC-TAN. Composer's notes. Can be performed with any conventional hi-hat, it is suggested that a remote hi-hat and pedal would make the performance more efficient. Place the pedal near the large drums to accommodate the left foot. Place the hi-hat cymbals near the top drum to accommodate the movement. "This piece may hold the distinction of being the sole example of a solo for timpani and hi-hat. Campbell's piece requires five timpani, and accommodating the placement of these instruments prompts a suggestion by the composer that, although a conventional hi-hat could be used, "a remote hi-hat and pedal would make the performance more efficient. " If this latter suggestion is followed, the pedal is placed near the lowest drums and the cymbals near the highest drum. Much of the hi-hat part is executed by the foot alone. The hand. foot dexterity of a good drumset player is required throughout. For example, the player must maintain a rhythmic ostinato in the right hand on one drum while the left adds a two-drum commentary and the hi-hat embellishes the right-hand pattern. The timpani part requires the showmanship worthy of the drumset artist with its crossover sticking patterns. Notated effects include closed, half-open and open hi-hat, playing in the center of the head, and a "slow vibrato" realized by wiping the head with the mallet after the attack in rapid, repetitive motions. This piece proves that percussion techniques and instruments commonly utilized in two different performance areas can be successfully combined to produce entertaining and exciting solo literature. " - John R. Raush Percussive Notes, August 1998.

译文

Tangents composed by James Campbell. 定音鼓独奏. 对于定音鼓和镲. 5定音鼓和镲. 5级. 书. 出版创新的打击乐. IP.T-JC-TAN. 作曲家的音符. 可以与任何传统的踩镲进行，故建议远程镲和踏板会使性能更高效. 将踏板附近的大油桶，以适应左脚. 将镲钹顶鼓附近，以适应运动. “这一块可能持有的是独奏的唯一例子定音鼓和踩镲的区别. 坎贝尔的作品需要五个定音鼓，以及容纳安置这些文书由作曲家，虽然可以使用传统的踩镲，“远程镲和踏板会使性能更加高效的提示建议. “如果这后一种建议是其次，​​踏板放在附近的最低鼓和钹接近最高鼓. 多踩镲部分是由单独的执行脚. 手. 需要整个一个好的套鼓球员的脚下灵巧. 举例来说，玩家必须保持有节奏的固定音型的右手在一鼓而左边增加了一个双鼓解说和踩镲美化右手模式. 定音鼓部分需要演技值得的套鼓的艺术家以其交叉粘模式. 记谱的影响包括封闭，半开放式和开放镲，在头部的中央玩，和一个“慢颤音”擦拭头的槌攻击快速，重复性动作后实现. 这件作品证明，在两种不同的表现领域普遍使用的敲击技巧及工具可以成功地结合起来，产生有趣和令人兴奋独奏文献. " - John R. Raush Percussive Notes, August 1998.