活页乐谱 $164.95

原文

6 Sonatas Op. 5 for Violoncello and Basso Continuo. H. 103-108. - 6 Sonatas Op. 5 for Violin and Basso Continuo. H. 109-114. Francesco Geminiani. Cello Solo sheet music. Piano and Keyboard sheet music. Violin sheet music.

译文

6奏鸣曲作品5大提琴与数字低音. H. 103-108. - 6奏鸣曲作品。 5小提琴与数字低音. H. 109-114. 弗朗切斯科杰米尼亚尼. 大提琴独奏乐谱. 钢琴和键盘乐谱. 小提琴乐谱.

原文

6 Sonatas Op. 5 for Violoncello and Basso Continuo. H. 103-108. - 6 Sonatas Op. 5 for Violin and Basso Continuo. H. 109-114. Francesco Geminiani - Opera Omnia. Critical Edition directed by Christopher Hogwood. Composed by Francesco Geminiani. 1687-1762. Edited by Christopher Hogwood. For Violoncello and Basso Continuo. Violin and Basso Continuo. Opera Omnia - Vol. 5. Early Music. Critical commentary. Op. 5. H. 103-108, H. 109-114. 152 pages. Published by Ut Orpheus. UT.GCE-01. ISBN 979-0-2153-1839-7. Early Music. The six sonatas of Opus 5 are Geminiani's only solo works for cello, and were rapidly followed by his own adaptation of all six for violin. Both versions appeared in 1746, first in Paris, later in the Hague and. after some apparent commercial chicanery. in London. From the small number of surviving copies. RISM lists only five copies of the cello version, and eleven of the violin. , they do not appear to have achieved the high sales of his earlier sonatas and concertos, maybe because of their technical difficulty and "fantastical" style. However since the 20th century their status has risen perhaps more than any other opus of Geminiani, evidenced by more than one printed edition and several facsimile reissues of original prints.

译文

6奏鸣曲作品5大提琴与数字低音. H. 103-108. - 6奏鸣曲作品。 5小提琴与数字低音. H. 109-114. 弗朗切斯科杰米尼亚尼 - 歌剧院的Omnia. 关键版导演克里斯托弗Hogwood. 弗朗切斯科杰米尼亚尼组成. 1687年至1762年. 由克里斯托弗Hogwood编辑. 为大提琴与数字低音. 小提琴与数字低音. 歌剧的Omnia - 成交量。 5. 早期音乐. 关键的解说. 运算。 5. H. 103-108, H. 109-114. 152页. 出版Ut的奥菲斯. UT.GCE-01. ISBN 979-0-2153-1839-7. 早期音乐. 作品五六个奏鸣曲是杰米尼亚尼唯一的独奏作品，大提琴，并迅速跟随由他自己改编的所有六个小提琴. 这两个版本出现在1746年，首先在巴黎，后来在海牙和. 一些明显的商业诈骗后. 在伦敦. 从少数幸存的副本. RISM仅列出五人副本的大提琴版本和小提琴十. ，他们似乎并没有取得也许是因为他们的技术难度和“幻想”风格的高销售他的早期奏鸣曲和协奏曲，. 然而自20世纪他们的地位已经上升也许比其他任何巨著杰米尼亚尼的，由一个以上的印刷版更证明和几个传真原创版画再版.