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原文

Jazz Phrasing for Trombone, vol. 2 CD set. Greg Fishman. Trombone sheet music.

译文

爵士措词为长号,第一卷. 2 CD集. 格雷格·菲什曼. 长号乐谱.

原文

Jazz Phrasing for Trombone, vol. 2 CD set. composed by Greg Fishman. For Trombone. Play-Along. BookCD. Published by Greg Fishman Jazz Studios. GF.JPTB. Milwaukee Avenue. Ogden Avenue. Narragansett Avenue. Belden Avenue. Chicago Avenue. Quincy Street. Rockwell Street. Dearborn Street. Franklin Street. Pearson Street "Jazz Phrasing for Trombone features ten melodic pieces which are easy to play, yet convey the essence of mainstream. Swing. Bebop. Bossa. jazz vocabulary. The pieces are catchy and melodic, demonstrating the use of sequence and voice-leading to make a musical statement. This book includes a play-along CD featuring trombonist Russ Phillips playing each song with a world-class rhythm section. The CD also includes tracks featuring Greg Fishman demonstrating each song on alto saxophone, giving trombone players the option of playing along with Russ Phillips on trombone or with Greg Fishman on alto saxophone. In addition, there are play-along tracks featuring just the rhythm section. These tracks are great for practicing the songs, chords, scales, voice-leading lines and soloing over the chords progressions. Jazz Phrasing for Trombone will provide valuable insights into a melodic approach to jazz improvisation. This book is recommended for trombone players of all levels who wish to improve their tone, articulation, phrasing, and understanding of thematic development. Special Features of Jazz Phrasing for Trombone. o Suggested Use Section - Provides detailed instructions on a variety of ways to work with the book. Style & Analysis Section - Provides clear, concise explanations of sequence, variation and voice-leading. Thematic Index - Lets you compare the opening themes of all ten songs in convenient two page ""at-a-glance"" format. Also includes detailed information on the opening interval of each song, as well as harmonic context of the opening interval. Endorsements for Jazz Phrasing for Trombone. ""Greg has done it again. Great melodies, interesting rhythms and beautiful chord progressions. This is the perfect foundation for learning jazz. "" - Jamey Aebersold. ""This book is a monument to Greg Fishman's superb teaching skills, as well as his clear understanding of the jazz student's early needs. He has purposefully selected accessible tempos, significant melodic rhythms. with their appropriate phrasing. and sensitive note choices, utilizing commonplace chord progressions within the jazz repertory, all impeccably demonstrated on the accompanying compact disc. This book is a must for the early conditioning of jazz students. "" - Jerry Coker. ""Greg Fishman has created a book of fun, well-written, catchy tunes in a variety of styles for developing jazz players---highly recommended. "" - Dr. Gregory W. Yasinitsky, Regents Professor of Music & Coordinator of Jazz Studies, Washington State University. Songs included in Jazz Phrasing for Trombone - Volume 1. o Milwaukee Avenue. Ogden Avenue. Narragansett Avenue. Belden Avenue. Chicago Avenue. Quincy Street. Rockwell Street. Dearborn Street. Franklin Street. Pearson Street. A few words from the preface of the book. Applying good phrasing to music is like using good punctuation in written or spoken language. It involves the grouping of ideas to make the meaning of the words clear to the listener. The words are grouped into sentences, and the sentences are then grouped into paragraphs. The same is true when interpreting a piece of music. Good phrasing requires a musician to interpret the notes he plays, and determine which notes need to be grouped together to form a complete musical idea. Each song in Jazz Phrasing for Trombone is designed to train your ear to hear the logical grouping of phrases through the use of sequence and thematic development. While the art of good phrasing involves the interpretation of note groupings and their relationships, it also involves deciding where you're going to take a breath. Read the following sentences aloud to compare examples of good and bad phrasing. Good phrasing, spoken in one continuous breath. "Ladies and gentlemen, it gives me great pleasure to introduce the senior class president. Bad phrasing, spoken with extra breaths, disrupting the flow and grouping of the words. "Ladies and gentlemen, it gives. breath. me great pleasure to introduce the senior class. breath. president. The difference between these two sentences is very similar to the difference between a professional musician's phrasing and a student's phrasing. Both may be playing the correct notes with the correct rhythm, but the professional musician knows how to group the notes in a smooth, flowing fashion, while the student takes breaths at random, not even aware that he's disrupting the phrasing. Jazz Phrasing for Trombone has been carefully designed to help you learn to phrase like a professional player. These are pieces that will be fun for all musicians who love melodic writing with good thematic development.

译文

爵士措词为长号,第一卷. 2 CD集. 由格雷格·菲什曼组成. 对于长号. 玩,沿. BookCD. 发布时间由Greg菲什曼爵士影城. GF.JPTB. 密尔沃基大道. 奥格登大道. 纳拉甘西特大道. 百通大道. 芝加哥大道. 昆西街. 罗克韦尔街. 迪尔伯恩街. 富兰克林街. 皮尔逊街“措词爵士长号特点10件旋律是容易打,但传达​​主流的精髓. 摇摆. 波普. 博萨. 爵士词汇. 该作品是朗朗上口的旋律和,并演示如何使用序列和语音领先,使音乐的声明. 这本书包括一出戏,沿CD内含长号手拉斯菲利普斯打每一首歌与世界一流的节奏部分. 光盘中还包含曲目为特色格雷格菲什曼展示的中音萨克斯每首歌曲,给人长号球员一起拉斯菲利普斯在长号或与格雷格菲什曼上低音萨克斯管演奏的选项. 此外,还有播放沿轨道只是为特色的节奏部分. 这些曲目都是伟大的实践的歌曲,和弦,音阶,语音引导线和过独奏和弦级数. 爵士措词的长号将提供有价值的见解旋律的方法来即兴的爵士乐. 这本书建议,为各级谁希望改善他们的语气,发音,措辞的长号球员,和主题发展的认识. 措词爵士长号的特殊功能. Ø建议使用第 - 提供各种不同的方式随书工作的详细说明. 风格. 主题指数 - 让你比较各十首歌曲中方便的两页的开幕主题“,”以一览“”的格式. 此外,还包括对每首歌曲的开放间隔的详细信息,以及开区间谐波背景. 背书的措词爵士长号. “”格雷格做了一遍. 伟大的旋律,有趣的节奏和优美的和弦进行. 这是学习爵士乐的完美基础. “” - 詹姆Aebersold. “”这本书是一个纪念碑格雷格·菲什曼的高超的教学技巧,以及对爵士学生的需要,早期的他清楚的认识. 他故意选择了进入节奏,旋律显著节奏. 与他们适当的措辞. 而敏感的音符的选择,爵士剧目中普遍使用的和弦进行,所有无可挑剔证明随附的光盘. 这本书是一个必须为爵士学生的早期调理. “” - 杰里焦化. “”格雷格·菲什曼创造了一本书有趣,写得很好,在各种不同的风格开发爵士乐手上口的曲调---强烈推荐. “” - 博士格雷戈里W. Yasinitsky,音乐摄政教授. 包括在措词爵士长号首歌曲 - 第1卷. Ø密尔沃基大道. 奥格登大道. 纳拉甘西特大道. 百通大道. 芝加哥大道. 昆西街. 罗克韦尔街. 迪尔伯恩街. 富兰克林街. 皮尔逊街. 从书的序言中的几句话. 运用好措辞音乐就像是用好标点符号在书面或口头的语言. 它涉及思想的分组,使单词的意思很清楚,以监听. 这些字组合成句子,而且句子,然后分成几段. 解释的一段音乐时也是如此. 好的措辞需要一个音乐家来解释他扮演的笔记,并确定其中指出需要被组合在一起,形成一个完整的音乐理念. 在措词爵士长号为每首歌曲的目的是训练你的耳朵,通过使用序列和主题发展的听到的短语的逻辑分组. 而良好的措辞艺术包括便条分组和他们的关系的解释,它也涉及到决定你要去的地方喘口气. 阅读下面的句子朗读,比较好的和坏的措辞范例. 好措辞,说在一个连续的呼吸. “女士们,先生们,这让我非常高兴地介绍高级总裁班. 不好措辞,说有额外的呼吸,破坏的话流和分组. “女士们,先生们,它给. 气息. 我非常高兴地介绍了高级班. 气息. 总统. 这两个句子之间的区别是非常相似的一个专业音乐家的措辞和学生的措辞之间的区别. 既可以演奏正确的音符正确的节奏,但专业音乐家知道如何组音符的平滑,流畅时尚,而学生需要呼吸随意,甚至不知道他扰乱了措辞. 爵士措词的长号都经过精心设计,以帮助你学习短语像一个职业球员. 这些作品,这将是有趣的谁爱的旋律写作具有良好的主题发展的所有音乐家.