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原文

Basses Loaded - Volume 2. Rob Goelz.

译文

贝司加载 - 第2卷. 罗布Goelz.

原文

Basses Loaded - Volume 2 for bass. This edition. Paperback. Instructional. Instructional. Instructional book and accompaniment CD. Text Language. English. 93 pages. Published by Santorella Publications. SP.TS372. ISBN 9781585606528. With Text Language. English. Instructional. The Basses Loaded Series by Rod Goelz is the industry's best Bass Method for the serious bass player. That's the chant kicking around all the magazine racks, educational string periodicals and musical water coolers across the country. Basses Loaded. Volume 2, Rock Edition" published by Santorella Publications will teach you Major & Natural Minor Music Theory and its application. This "96 Page Mammoth" edition teaches Straight 8th, Basic Shuffle, Baion Rhythms and Major & Minor Pentatonic Scales. There is an entire section devoted to Major & Minor Improvisational Patterns including Extended Pentatonic Scales with runs, licks and riffs. Essential Rock Slur Techniques and the "not to be forgotten" Classic Rock Ostinato Patterns are introduced and explained in detail. Basses Loaded. Volume 2 from Santorella Publications will feature the Rock "playing" styles of Paul McCartney. The Beatles. , Jack Bruce. Cream. , Geezer Butler. Black Sabbath. , John Entwhistle. The Who. , John Paul Jones. Led Zeppelin. and many others. Feel the impact of "Chicago Blues" & examine the enormous influence of "Latin Rhythms" in today's Rock & Roll Music. As you grasp the "5 Line Approaches" for building & improvising better "Rock" bass lines you'll begin to experience that nasty "growl" sound. This "Rock" edition also includes a CD with over 90 tracks of lessons and rhythm section play-a-longs. Here's a quick glance at what you'll find inside this incredible book. The Rock n" Roll Bass Player - Rock Bass. Basic Rhythms - Application. Chord To Chord Movement - Focus On Theory. Essential Intervals, The Major Scale - Major Scale Construction - Third Intervals & The Major Scale Chords - Major Chords within The Major Scale - Minor Chords within The Major Scale - The "VII" Chord & The Major Scale - Basic Open Patterns. Application - Basic Movable Patterns. Application - Groove Style. Quarter Note Rock Style - Rock Articulation Styles. Part 1. Making Upright Bass "Doom" Sounds - In The Style Of "Footstompin' Music" by Grandfunk Railroad - Swing Bass. Open Blues Runs - In The Style Of "In The Mood" by Glenn Miller - "Jump Blues" Bass. Mid-40s Style - In The Style Of "Caldonia" by Louis Jordon - "Rhythm & Blues" Bass. Early 50's Style - In The Style Of "Honey Hush" by Big Joe Turner - Early Rock Bass. In The Style Of Bill Black - In The Style Of "Blue Suede Shoes" by Elvis Presley v Early Rock Bass. In The Style Of Willie Dixon - In The Style Of "Johnny B. Goode" by Chuck Berry - The British Invasion - Early Paul McCartney Style - In The Style Of "All My Loving" by The Beatles - 1970's Classic Rock Style - In The Style Of "Money" by Pink Floyd - Rock Articulation Styles. Part 2. Making "Dump" Sounds - In The Style Of "Memphis Tennessee" by Johnny Rivers - Quarter Note Rock Style - The Revivalist Movement, Part 1. Ska & Reggae - In The Style Of 'superman" by Goldfinger - The Revivalist Movement. Part 2. Swing - In The Style Of "Route 66" by The Brian Setzer Orchestra - Intervallic Visualization & Application - Quarter Note Rock Style. Bass Line Ideas - Put It Together. Sample Progressions - Focus On Theory. The Natural Minor Scale - Natural Minor Scale Construction - The Natural Minor Scale. Diatonic Chords - Major & Minor Chords within The Natural Minor Scale - The "II" Chord & The Natural Minor Scale - Minor Scale Intervals. Visualize & Apply - Quarter Note Rock Style. Minor Bass Line Ideas - Groove Study 2. Straight 8ths - 8th Note Pedaling - Key Note Pedaling - In The Style Of "Live Wire" by AC. DC - Root Note Pedaling - In The Style Of 'smells Like Teen Spirit" by Nirvana - Rock Bass. Picking Styles - In The Style Of 'sin City" by AC. DC - In The Style Of "Got The Time" by Joe Jackson - In The Style Of 'she" by Green Day - Scale Visualization. Horizontal Arrangement - Open String Pedaling - In The Style Of 'some Heads Are Gonna Roll" by Judas Priest - Open String Pedaling. Riff Examples - In The Style Of "Enter Sandman" by Metallica - In The Style Of "Gotta Get Away" by The Offspring - In The Style Of "Breaking The Chains" by Dokken - In The Style Of "Forty Six & Two" by Tool - In The Style Of "Zero" by Smashing Pumpkins - In The Style Of "Coast To Coast - by The Scorpions - Beyond Pedaling. Theme & Variation - Scalar Neighboring Tone - Chromatic Neighboring Tone - Beyond Pedaling. Expanding The Quarter Note Concept - In The Style Of "Mony Mony" by Tommy James & The Shondells - Beyond Pedaling. Theme & Variation. Major 6 Arpeggio Applicati Note from the author, Mr. Rod Goelz Basses Loaded. Volume 2 "Rock Edition" is part "history lesson" and part "improvisational workshop". In this edition, you'll learn Quarter, 8th & 16th note rhythmic combinations. I'll not only teach you how to play the lines and improvise the lines, but I'm even gonna show you how to make your bass GROWL.

译文

贝司加载 - 第2卷低音. 此版本. 平装. 教学. 教学. 教学书籍和伴奏光盘。文字语言. 英语. 93页. 出版Santorella出版物. SP.TS372. ISBN 9781585606528. 用文字语言. 英语. 教学. 巴斯家族加载系列由Rod Goelz是业界最佳的低音方法的严重贝斯手. 这就是踢呗周围所有的杂志架,教育字符串期刊和音乐水冷却器全国各地. 加载贝司. 第2卷,摇滚版“由Santorella出版社出版会教你的主要. 这“96页猛犸”版教直8基础洗牌,Baion节奏和主要. 有专门的主要一整节. 重要的摇滚连音符的技术和“不被遗忘”经典摇滚固定音型模式进行了介绍,并详细解释. 加载贝司. 第2卷从Santorella出版物将采用摇滚“玩”风格的保罗·麦卡特尼的. 甲壳虫. ,杰克·布鲁斯. 奶油. ,古怪的人男管家. 黑色安息日. 约翰Entwhistle. 该谁. ,约翰·保罗·琼斯. 齐柏林飞船. 和许多其他. 感觉“芝加哥蓝调”的影响. 当你掌握了“5号线途径”建筑. 这种“摇滚”版还包括与教训超过90轨道和节奏部分播放一个​​多头光盘. 这里有一个快速浏览一下,你会发现这个令人难以置信的书里面. 该岩石n“卷贝司手 - 摇滚低音. 基本节律 - 应用. 和弦,和弦运动 - 注重理论. 必要的间隔,大调音阶 - 大调音阶建筑 - 三区间. 应用 - 基本移动模式. 应用 - 槽样式. 四分音符摇滚风格 - 摇滚风格衔接. 第1部分. 制作立式贝司“末日”声音 - 在“Footstompin”乐“由Grandfunk铁路的风格 - 摇摆低音. 打开蓝调​​运行 - 在“花样”由格伦·米勒的风格 - “跳跃布鲁斯”低音. 中秋节40年代风格 - 在路易佐敦的“Caldonia”的风格 - “节奏. 早在50年代风格 - 以“亲爱的嘘”了大乔·特纳的风格 - 早期的摇滚贝司. 在比尔黑色的风格 - 在由猫王v早期的摇滚低音“蓝色麂皮鞋”的风格. 在威利·狄克逊的风格 - 在“约翰尼B古德”由Chuck莓果的风格 - 英国入侵 - 早期保罗·麦卡特尼风格 - 在“所有我爱”由甲壳虫乐队的风格 - 20世纪70年代经典摇滚风格 - 在风格“钱”由平克弗洛伊德 - 摇滚风格衔接. 第2部分. 制作“转储”声音 - 在由约翰尼河流“田纳西州孟菲斯”的风格 - 四分音符摇滚风格 - 的复兴运动,第1部分. 斯卡. 第2部分. 秋千 - 由布赖恩SETZER乐团“66号公路”的风格 - 可视化音程. 低音线的想法 - 把它在一起. 样品级数 - 注重理论. 自然小调音阶 - 自然小调音阶建筑 - 自然小调音阶. 全音阶和弦 - 大. 想象. 轻微的低音线的想法 - 槽型研究2. 直8ths - 八分音符踏板 - 按键说明踏板 - 在“火线”由交流的风格. 直流 - 根音踏板 - IN的风格“涅磐闻起来像青少年的精神” - 摇滚低音. 采摘风格 - 在“罪恶之城”通过交流的方式. 直流 - 在“得到了时间”由乔·杰克逊的风格 - 在“她”绿色天的风格 - 秤的可视化. 卧式安排 - 开弦踏板 - 在某些头是要去滚“犹大牧师”的风格 - 弦音踏板. 即兴的例子 - 在“进入Sandman”由Metallica的样式 - IN的风格“总得找千寻”由子孙 - 在“打破枷锁”由DOKKEN的风格 - 以“四十六个风格. 主题. 扩大四分音符概念 - 在托米·詹姆斯的“懋莉懋莉”的风格. 主题. 主要的6琶音APPLICATI从笔者注,棒Goelz先生贝司加载. 第2卷“摇滚版”是部分“历史课”和部分“即兴工作坊”. 在这个版本中,您将学习区,8号. 我不仅教你怎么玩了线和即兴台词,但我甚至会告诉你如何让你的低音低吼.