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原文

Portraits For Piano. Bonnie Von Reis Doe. Piano Solo sheet music. Intermediate.

译文

人像钢琴. 邦妮冯李嘉欣伊. 钢琴独奏乐谱. 中间.

原文

Portraits For Piano composed by Bonnie Von Reis Doe. For piano solo. Late Intermediate. Collection. Published by Neil A. Kjos Music Company. KJ.WP563. ISBN 849796970. This collection of pieces reflects my fascination with harmonies, chord qualities and progressions, and how a simple change can profoundly alter the emotional effect of a motif or theme. It is hardly a new concept that the 88 keys of the piano are analogous to an artist's palette, and that both offer virtually limitless combinations of color. Some composers have even expressed this idea by choosing specific colors for certain notes or keys. It is this concept that prompted me to try to "paint" a portrait of each of my grandchildren with music. Each piece reflects the principal personality traits of one of my grandchildren. What surprised me most was how easily all the pieces came together. they seemed to write themselves. In general, these pieces were composed with young people in mind. There are some technical challenges, but all are stepping stones to more advanced works. The challenges are short in length and can be very rewarding when mastered. Many of the motifs are only a measure long and can be played with lots of rubato, allowing the performer a feeling of freedom and self-expression. All the pieces leave plenty of room for interpretation, so that each performer can make them his or her own. Today's composers have an incredible wealth of ideas at their disposal. In this collection you will hear a variety of elements drawn from all periods of music. Many of my harmonies and melodies are derived from the intervallic relationships and tone colors of the medieval modes. Fantasia utilizes segments of a Hungarian mode, as well as fragments of symmetrical scales that are popular in the jazz idiom. Oriental pentatonic clusters are found in measure 18, and the ending consists of an arpeggio of ascending fifths a more modern touch. All of these features give the piece an exotic and mysterious tonality. My harmonic language has also been influenced by 20th century composers such as Sergei Prokofieff, Arnold Schoenberg, Igor Stravinski and Vincent Persichetti. Quartal harmony, so prevalent in the music of these composers and in jazz, can be heard in Impromptu. I especially like the way jazz great Bill Evans used harmony. His influence, for example, is evident in the secundal harmonies found in Waltz and Fantasia. In Toccata the jazz rhythms of the introduction and ending create a "classical jazz" feeling, which is one of my favorite styles of music. As a teacher, I'm always aware of lessons that can be taught through performance music. The simple folk-like melody heard in Landler's progresses through 11 minor keys. This offers a great basic theory lesson. The student can bracket and name each modulation and learn from this example how scale and arpeggio training is directly applicable to the music he or she plays.

译文

画像钢琴由邦妮·冯·雷斯李四组成。. 中级后期. 集. 发布时间由Neil A. KJOS音乐公司. KJ.WP563. ISBN 849796970. 件的集合反映了我迷恋的和声，和弦素质和级数，以及如何简单的变化会深刻地改变一个主题或主题的情感效应. 这是不是一个新概念，它的88键钢琴类似于一个艺术家的调色板，且都提供色彩几乎无限的组合. 通过选择特定的颜色对某些音符或按键有些作曲家甚至表示这个想法. 正是这种概念，促使我尝试“漆”我的每一个孙子的肖像与音乐. 每件作品反映了我的孙子之一的主要性格特征. 什么最让我吃惊了所有的作品如何轻松地走到了一起. 他们似乎把自己写的. 一般情况下，这些作品组成了年轻人心中. 还有一些技术上的挑战，但都垫脚石更先进的工程. 面临的挑战是短，并且掌握了的时候是非常有益的. 许多主题都只有一个衡量长，可以有很多散板的播放，让表演者自由和自我表达的感觉. 所有的作品留下足够的空间演绎，使每个表演者可以让他们自己. 今天的作曲家有想法的令人难以置信的财富在他们的处置. 在此集合，你会听到各种元素，从音乐的各个时期绘制. 我的很多和声和旋律是从中世纪模式的音程关系和音色衍生. 幻想曲采用的匈牙利模式的段，以及对称的尺度是流行的爵士乐成语片段. 东方五声音阶群被发现在测量18和结局由上升五分之二的琶音一个更现代的触摸. 所有这些功能使片异国情调和神秘的音调. 我的和声语言也被影响了20世纪作曲家如谢尔盖·普罗柯菲耶夫，阿诺德·勋伯格，伊戈尔Stravinski和Vincent Persichetti. QUARTAL和谐，这些作曲家的音乐和爵士乐中如此普遍，可以听到即兴. 我特别喜欢爵士乐伟大的比尔·埃文斯用和谐的方式. 他的影响力，例如，是显而易见的，在华尔兹和幻想曲发现secundal和声. 在托卡塔引进和结束的爵士节奏创造出“经典爵士”的感觉，这是我最喜欢的音乐风格之一. 作为一名教师，我总是知道的经验教训，可以通过绩效音乐教. 经过11小调听到Landler的进展民风淳朴般的旋律. 这提供了一个很好的基础理论课. 学生可以架和命名每个调制从这个例子中学习如何规模和琶音的训练是直接适用于他或她扮演的音乐.