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原文

A Song for Chris. Edward Gregson. Cello Solo sheet music. Piano Accompaniment sheet music.

译文

一首歌曲为克里斯. 爱德华·格雷格森. 大提琴独奏乐谱. 钢琴伴奏乐谱.

原文

A Song for Chris. Cello and Piano. Composed by Edward Gregson. For Cello, Piano Accompaniment. Music Sales America. 52 pages. Novello & Co Ltd. #NOV958089. Published by Novello & Co Ltd.. HL.14013347. In memory of Christopher Rowland. Originally a concerto for cello and chamber orchestra, now for cello with a piano reduction of the orchestral part. The concerto is in four movements which are played without a break. Meditation, Intermezzo, Toccata-Scherzo and Song. The work lasts for some 18 minutes and was scored for two oboes, two horns, timpani. doubling tubular bells. and strings. found here in a Cello. Piano form. It is organised in one large arch-shaped structure, with two fast inner movements flanked by two outer slow ones. The solo cello opens the work reflectively, and introduces core melodic material which is continuously developed throughout the concerto. Gradually the strings enter, then wind and timpani, and build a pyramid twelve-note chord, at the peak of which there is a dramatic climax. The music then subsides. solo cello again. , but links to the two faster middle movements. The second movement, Intermezzo has an ABA structure and in its middle section quotes the opening of Shostakovich's Third String Quartet. written in the same year as Christopher Rowland was born. Indeed, the ghost of Shostakovich looms large throughout the concerto in more ways than one. The Toccata-Scherzo is energetic and rhythmically-charged, again using an ABA structure. Here the writing for solo cello is quite virtuosic, but not, I hope, in a shallow sense. The music builds inexorably towards a powerful climax, underpinned by the opening twelve-note chord's re-appearance, together with a violent outburst from the timpani, at which point a tonal resolution. on G. arrives through a pianissimo held chord on strings which leads directly to the final movement – Song. And so the music arrives at its emotional heart through a simple melody. present in other forms throughout the work. announced by solo cello at the very top of its register, against a quiet backdrop of horns and strings. A solo oboe enters, with cello in canonic reply, and all the time the music builds in texture and intensity, now with tubular bells joining in the joyful and optimistic conclusion.

译文

一首歌曲为克里斯. 大提琴与钢琴. 由爱德华·格雷格森组成. 大提琴，钢琴伴奏. 音乐美销售. 52页. Новый. 出版诺弗洛. HL.14013347. 在克里斯托弗·罗兰的记忆. 原本是小调大提琴协奏曲和室内乐乐团，现在为大提琴与钢琴减少管弦乐部分. 协奏曲是指播放不休息四个乐章. 冥想，间奏曲，托卡塔，谐谑曲和宋. 这项工作持续了约18分钟，拿下了两个双簧管，两只角，定音鼓. 倍增管钟. 和字符串. 在这里发现了一个大提琴. 钢琴形式. 这是组织于一体的大型拱形结构，由两个外那些缓慢两侧两个快速移动的内. 独奏大提琴打开工作反思，并介绍了其不断在整个协奏曲开发的核心旋律材料. 渐渐地，字符串输入，然后风和定音鼓，并建立一个金字塔12个音符的和弦，在高峰期，其中有一个戏剧性的高潮. 音乐然后消退. 大提琴独奏再次. ，但链接到两个中间的快动作. 第二乐章，间奏曲有一个ABA的结构和它的中间部分引用了肖斯塔科维奇的第三弦乐四重奏开幕. 写在同一年克里斯托弗·罗兰出生. 事实上，肖斯塔科维奇的幽灵笼罩着整个协奏曲在不止一个方面. 该托卡塔 - 谐谑曲是充满活力和节奏充电，使用ABA的结构，再. 在这里，写作为独奏大提琴是相当才华，但不是，我希望，在浅意识. 音乐无情地建立对一个强大的高潮，通过开12个音符和弦的重新出场支撑，从定音鼓猛烈的爆发起来，此时音调分辨率. G上. 到达通过一个字符串举行弱音和弦这直接导致了最终的运动 - 宋. 这样一来，音乐通过一个简单的旋律到达它的情感心脏. 目前在其他形式的整个工作. 由独奏大提琴在其寄存器的最顶端宣布，对角和串一个安静的背景下. 独奏双簧管进入，与大提琴法服回复，所有的时间建立的音乐质感和强度，现在管钟的快乐和乐观的结论加盟.