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原文

Hymn at Sunrise. Ray Steadman-Allen. Advanced.

译文

圣歌在日出. 雷斯特德曼 - 阿伦. 先进.

原文

Hymn at Sunrise composed by Ray Steadman-Allen. 1922-. For Brass Band. Major work for brass band. Serious Concert. Advanced. Instrumental Parts. Standard Notation. Duration 19. 30. Published by Winwood Music. WO.0196PTS. With Standard Notation. Serious Concert. The idea for this work was prompted by a poem - Hymn Before Sunrise - which describes the majesty of a mountain in darkness, the sounds of a nearby waterfall and so on. Nothing came of the exposure to these pictures except for general thoughts about the dawn of day and a series of movements expressing a personal response to the wonder of creation in an imaginary moment in time. The movement titles, which were added later, are intended to underline a prevailing sense of worship, wonder and exaltation. The music is pure, not pictoral, though listeners may conjure their own images. An actual hymn - Tallis' Cannon - is incorporated. There are five movements. Thanksgiving. A short prelude in two parts. First a brief passage of 'dawn music' before things become more vigorous. fanfare-like music ushers in the trombone section's presentation of the Tallis tune. A broad band version concludes the movement. De Profundis. A slow movement shot through with anxious questionings featuring flugel and trombone. The mood lightens a little in the centre where the soprano cornet is featured and the movement ends serenely. Celebration is characterised by rhythmic drive, this is buoyant with plenty of incident pointed up by the percussion. Invocation. Melodic in nature and sober in mood, the first section is a series of short solos mingled with chorale-like statements. Central to the movement is a chorale-prelude style presentation of the Tallis tune. The third section reintroduces the earlier solo music by the full ensemble. Dissolving, the music enters the last movement without a break. Paean. Marked allegro con spirito there is, quite rightly, a fair amount of fun in the rejoicing. Snatches of Tallis are heard, then comes a gentle passage with a cornet solo leading to fanfare music and recapitulation. Two recitatives are succeeded by a coda which brings the work to a sonorous and exultant conclusion.

译文

歌日出雷斯特德曼 - 阿伦组成. 1922 - . 对于铜管乐队. 对于铜管乐队主要工作. 严重音乐会. 先进. 仪器配件. 标准的符号. 持续时间19. 30. 发布时间由温伍德音乐. WO.0196PTS. 用标准的符号. 严重音乐会. 是提示一首诗的构思这项工作 - 赞美诗日出之前 - 它描述了一个山在黑暗的威严，附近的瀑布的声音等. 曝光这些照片的，除了对每天的黎明和一系列动作表达个人的回复，以创造在时间一个假想的时刻，奇迹一般的想法无疾而终. 运动冠军，这是后来添加的，旨在强调的崇拜，奇迹和提高一个普遍的感觉. 音乐是纯粹的，不pictoral，虽然听众可以变出自己的图像. 一个实际的赞歌 - 塔利斯'大炮 - 注册成立. 有五个乐章. 感恩. 一个简短的前奏两部分. “黎明的音乐”的第一简要通过之前的事情变得更加旺盛. 在塔利斯调长号节的演讲大张旗鼓般的音乐带位员. 的宽带版本总结的运动. 德深渊书简. 缓慢的移动射击通过与焦虑questionings特色佛鲁吉尔和长号. 情绪减轻一点在中心，女高音短号的特点和运动结束安详. 庆祝活动的特点是节奏的驱动器，这是有浮力的，用大量事件指出了由打击乐. 调用. 旋律性的，清醒的心情，第一部分是一系列的短独奏夹杂着诗歌般的语句. 中央的运动是塔利斯调的乐章，序曲风格呈现. 第三部分重新引入较早的独奏音乐由全合奏. 溶解，音乐进入最后一个乐章不休息. 欢乐歌. 标记快板CON的Spirito有，也是理所当然，好玩的大喜相当数量. 塔利斯的防抢都听到了，然后是一个温柔的通道用短号独奏，导致大张旗鼓音乐和概括. 两个宣叙调是由尾声带来的工作提高到一个铿锵欢欣鼓舞的结论成功.