活页乐谱 $61.95

原文

In the Fire of Conflict. Christos Hatzis. Percussion sheet music.

译文

在冲突的火. 克里斯托HATZIS. 锣鼓乐谱.

原文

In the Fire of Conflict composed by Christos Hatzis. 1953-. For solo percussion. Score, part, audio CD and data CD. 37 pages. Published by Promethean Editions. PO.PE108. ISBN 978-1-877218-99-6. I. Rescue Me. II. I Call Your Name. In the Fire of Conflict is named after the theme for the 2008 Toronto Summer Music Festival for which it was composed. Set in two continuous movements, the live percussion part is performed with the rap music in the digital audio part, sourced from American rapper Steve Henry a. 'Bugsy H.', of the Christian rap group Poetik Disciples. The live percussion weaves constantly around the rap lyrics, often drawing melodic contours from the prosodic contours of the spoken text. Reflecting on this commission, the composer writes. 'I was becoming very concerned with the rise of gun violence in recent years in Toronto, my home city, but also with the constant rise of violence around the world in either organized conflicts, such as war, or spontaneous eruptions, exacerbated no doubt by food shortages, global warming and demographic explosion particularly in areas where daily survival is most difficult, and by the diminishing hope among the majority of people alive today that our current way of life can continue in its present form indefinitely. 'Although my own spiritual focus has always been on the incoming Aquarian eon, expected to be an eon of peace and spiritual enlightenment, I am also aware of the fact that we are still in the closing years of the Piscean age, the age of enantiodromia or conflict according to Carl Jung. that things will get worse before they get betterâmuch worse. that there will come a time soon when our faith in God will be the only life vest that will protect us from drowning spiritually in the vast sea of hopelessness that surrounds us already. This is the story I wanted to tell through this work, but I wanted to say it not from the vantage point of spiritual certainty, but from the impenetrable darkness of someone struggling to stay afloat amidst this sea of hopelessness. As I was trying to determine how to enter and understand this state of mind, I remembered a visitor to my MySpace site a few months earlier, a American Christian rap group called Poetik Disciples. 'I have always been fascinated by the prosodic rhythmic discourse of hip-hop music, but certainly not by its implicit endorsement of misogyny and violence that one so often encounters in hip-hop lyrics. Poetik Disciples used the same musical techniques to essentially create devotional songs and that was very inspirational to me. I contacted the leader of the group, Steve Henry, who, as it turned out, had experienced personally the "bottom of the well" by way of gang violence, loss and incarceration, and asked him if he could help me with this project. A few days later he sent me some rap tracks which he created for this specific project and I knew then that my work would be very much emanating from his specific material which has been incorporated into the accompanying audio playback component of the piece.

译文

在冲突的火焰由克里斯托Hatzis组成. 1953 - . 对于打击乐独奏. 评分，部分音频CD和数据CD。 37页. 出版普罗米修斯版本. PO.PE108. ISBN 978-1-877218-99-6. 一，救救我。 II。我叫你的名字. 在冲突的消防为主题的2008年多伦多夏季音乐节，它的组成而得名. 设置两个连续的动作，现场打击乐部分的说唱音乐在数字音频部分进行，来自美国说唱歌手史蒂夫·亨利一个来源. “巴格西H.”基督教说唱团Poetik弟子，. 现场打击乐不断编织周围的说唱歌词，经常画旋律轮廓从口语文字的韵律轮廓. 反思这个委员会，作曲家写. “我变得非常关注枪支暴力近年来在多伦多的兴起，我的家乡，而且还与暴力在世界各地不断增加，无论是有组织的冲突，如战争，或自发的爆发，加剧所无疑粮食短缺，全球气候变暖，特别是在地区人口爆炸，其中日常生存是最困难的，并且得到了广大今天活着的人之间的削弱，希望我们目前的生活方式可以在其目前的形式继续下去. “虽然我自己的精神的重点一直对进入水瓶座EON，有望成为和平和精神启蒙的EON，我也知道的事实是，我们仍然在最后几年的双鱼时代，enantiodromia岁或者根据荣格冲突. 事情会变得更糟之前，他们得到betterâmuch更糟. 有随之而来的很快，当我们对上帝的信仰将是唯一的救生背心，这将保护我们从绝望的茫茫人海中我们周围已经溺水灵性. 这是我想告诉通过这项工作的故事，但是我想说这不是从精神确定性的有利位置，但有人要维持经营的坚不可摧的黑暗之中这片海域无望. 当我试图决定如何进入和理解这种心态，我想起一个游客到我的MySpace网站在几个月前，被称为美国基督教说唱团Poetik弟子. “我一直着迷于嘻哈音乐的韵律节奏的话语，但肯定不是其隐含的厌女症和暴力的代言，一个经常遇到的嘻哈歌词. Poetik弟子用同样的音乐技术，从根本上创造虔诚的歌曲，这是非常鼓舞人心的我. 我接触的群体，史蒂夫·亨利，谁，因为它横空出世，已经由帮派暴力，损失和监禁的方式亲身经历了“井底”的领导者，并问他是否可以帮我这个项目. 几天后，他给我发了，他为这个特定项目创建了一些说唱歌曲，我当时就知道我的工作将是非常从他已被纳入一张附带的音频播放部分的具体材料所产生的.