活页乐谱 $17.95

原文

Missa Brevis in D, Op. 63. Benjamin Britten. Voice sheet music. Choir sheet music. Organ Accompaniment sheet music.

译文

短弥撒曲D大，作品。 63. 本杰明·布里顿. 声音的乐谱. 合唱乐谱. 风琴伴奏乐谱.

原文

Missa Brevis in D, Op. 63. 1959. Vocal Score. Composed by Benjamin Britten. 1913-1976. For Choral, Chorus, Organ. Vocal Score. BH Large Choral. 16 pages. Boosey & Hawkes #M060014697. Published by Boosey & Hawkes. HL.48008947. for boys'. upper. voices and organ. Text. Ordinary of the Roman Rite. Latin. Publisher. Boosey & Hawkes. Difficulty level. 2-3. Like the Ceremony of Carols this work is one of Britten's most performed and well-loved works for upper voices. It was written for George Malcolm's outstanding boys at Westminster Cathedral with their distinctively bright continental tone. Many other types of upper voices have since adopted it, of course, and these days it is as much performed by women or girls, or mixed boys' and girls' voices as by boys alone. The Missa Brevis requires three soloists, though it is possible to make it work with only two. The choir is divided into three voice parts, the third of which needs to be able to produce low As.The work is incredibly fresh and original. Part of this is Britten's organ part which is no 'accompaniment' but rather an equal partner in the realisation of the text in music. Britten's direction in the Kyrie that the voices should sing 'passionately' underpins the approach to the performance of the whole work. It is an intensely dramatic reading of these familiar words. The grave passion of the Kyrie, the rhythmic ebullience of the Gloria with its 7. 8 time signature and its colourful dynamic contrasts, the pealing bells of the Sanctus, the slow, measured tread of the Benedictus. the gentle march of 'Blessed is he who comes in the name of the Lord'. for two solo voices followed by the tutti for the pealing Hosanna, and finally, a rather dark and troubled Agnus Dei which impresses through its relentless intensity and its final exhausted staccato utterance of 'dona nobis pacem'. While not as difficult note-wise as the Ceremony of Carols. and being far shorter as well. , there are still plenty of challenges for any group of voices that undertakes this work. It needs three really equal voice parts and solo voices that can sing with confidence and conviction. Tuning issues will also arise at key points, and the ability to tune three part chords instinctively is needed in much of the work. It also helps if the organ which plays with the voices has a suitable range of colours to realise Britten's intentions. Duration. 11 minutes. Paul Spicer, Lichfield, 2011.

译文

短弥撒曲D大，作品。 63. 1959. 声乐分数. 由本杰明·布里顿组成. 1913-1976. 对于合唱，合唱，管风琴. 声乐分数. BH大型合唱. 16页. Буси. 出版布西. HL.48008947. 男孩'. 上. 声音和器官. 文本. 普通的罗马成年礼. 拉丁. 发行人. 布西. 难度等级. 2-3. 像颂歌仪式这项工作是布里顿的最进行和深受喜爱的作品上的声音1. 它是为乔治·马尔科姆的优秀男孩在威斯敏斯特大教堂写自己的鲜明亮丽色调大陆. 许多其他类型上的声音从那以后通过了，当然了，这几天它尽可能多由妇女或女孩进行，或混合的男孩和女孩的声音作为单独的男生. 的弥撒短需要三个独奏，虽然有可能使其与只有两个工作. 合唱团分为三个声部，其中第三个需要能够生产低As.The工作是令人难以置信的新鲜和原始. 这部分是布里顿的器官的一部分，这是没有'伴奏'，而是在实现音乐的文字一个平等的伙伴. 布里顿的方向在凯里的声音在唱'热情'巩固这种方法对整个作品的表现. 正是这些熟悉的字眼一个强烈的戏剧性阅读. 的垂怜，凯莱的节奏奔放与7的坟墓激情. 8时签名和其丰富多彩的动态对比度，在圣哉，在本尼迪塔斯的慢，测量胎面的敲打编钟. 温柔的行军“有福是谁，他来在主的名”. 两个独奏的声音接着合奏的敲打和散那，最后，一个比较黑暗和混乱的AGNUS棣其中令人印象深刻，通过其不懈的强度和'多纳诺比斯PACEM'其最终耗尽断断续续的话语. 虽然并不困难，笔记明智的颂歌仪式. 而被远远短，以及. ，仍然有大量的挑战对于承担这项工作任何一组声音. 它需要三个真正平等的发言权零件和独奏的声音，能够有信心和信念唱. 调整问题也将出现在关键点，并能够调整三部分组成的和弦本能地需要在许多工作. 它还有助于如果它起着与声音的器官具有合适的颜色范围，实现布里顿的意图. 长短. 11分钟. 保罗·斯派塞，利奇菲尔德，2011.