活页乐谱 $60.00

原文

The Manes Scroll. Glockenspiel sheet music. Marimba sheet music. Percussion sheet music. Vibraphone sheet music. Xylophone sheet music.

译文

在玛尼滚动. 钟琴乐谱. 马林巴琴乐谱. 锣鼓乐谱. 电颤琴乐谱. 木琴乐谱.

原文

The Manes Scroll composed by Christopher Deane. Percussion ensemble. For glockenspiel, crotales, chimes, xylophone 1, xylophone 2, vibraphone 1, vibraphone 2, marimba 1. 4-octave. , marimba 2. 4.3-octave. , bass marimba. 5-octave. 10 players. Difficulty. Difficult. Duration 11. 00. Published by C. Alan Publications. CN.46. The Manes Scroll was commissioned by the OU Percussion Ensemble in the fall of 1983 and completed in March of 1984. The piece was premiered by the University of Oklahoma Percussion Ensemble under the direction of Dr. Richard Gipson in April of 1984. The title comes from the Latin Des Manes, which is a term that represents the collective spirit of the dead. The piece has as its structural motivation an imagined event in which spirits are released from an ancient parchment found deep within the Catacombs beneath the city of Rome, Italy. One requirement of the commission was to use only keyboard percussion instruments. For me, the challenge was to find a new voice within a fairly standard instrumental ensemble. I chose to open the piece by employing a technique that, to my knowledge, had not been used on the resonated keyboard instruments. This technique is the use of exhaled air columns directed into the resonators of the marimbas, vibraphones, and xylophones. Performance Notes The "wind" technique requires the performers to blow into the resonators to produces a "pitched air" effect. In order to have this technique work effectively, the performers should direct their air column towards the edges of the resonator tubes to cut the air column in a similar way that a flute produces sound. It is effective for the pairs of instruments. marimbas, vibraphones, and xylophones. to stagger their entrances so that a longer wind effect is possible. ex. Marimba I begins the air crescendo and marimba II joins the wind effect just prior to the peak of the crescendo. About the OU Percussion Press. In 1977 the OU Percussion Orchestra and Ensemble embarked on a project that developed into a national model for the encouragement and development of new music for percussion ensemble. The OU Percussion Ensemble Commissioning Series regularly engages outstanding composers to write works for this medium. The Commissioning Series is responsible for the creation of some of today's staples in the percussion ensemble repertoire. In 1983 the University of Oklahoma funded the establishment of the OU Percussion Press, a non-profit extension of the percussion area. Through the Percussion Press, the commissioning series compositions plus other works expressly written for the OU Percussion Orchestra and Ensembles have been made available for purchase and performance by the world's leading percussion ensembles. The Percussion Press' catalog numbers more than 50 works, all published in a non-profit venture as a service to the profession.

译文

鬃毛滚动由克里斯托弗·迪恩组成. 打击乐合奏. 对于钟琴，crotales，编钟，木琴1，2木琴，颤音琴1，电颤琴2，马林巴1. 4倍频. ，马林巴2. 4.3倍频程. ，低音木琴. 5倍频程. 10名球员. 困难. 难. 持续时间11. 00. 发布时间由C.艾伦出版物. CN.46. 在玛尼滚动委托的OU打击乐团在1983年的秋天，并在1984年3月完成. 这件作品是根据理查德·吉普森博士在1984年4月的方向首演由俄克拉何马打击乐艺术团大学. 标题来自拉丁文德Manes认为，这是代表死者的集体主义精神，任期. 这件作品作为其结构的动力在其中的精神是从一个古老的羊皮纸上发布了一个想象的事件中发现的墓穴深处的罗马城，意大利的下方. 该委员会的一个要求是只使用键盘打击乐器. 对我来说，挑战是要找到在一个相当标准的器乐合奏一个新的声音. 我选择了通过采用，据我所知，还没有使用上的共鸣键盘乐器的技术开片. 该技术是利用呼出的空气柱的引导进入木琴，电颤琴，木琴及的谐振器. 性能注意事项“风”的技术要求表演吹入谐振器来产生一个“风投”的效果. 为了有效地具有该技术的工作，表演者应该指示其向所述谐振器管，以切断空气柱以类似的方式的边缘空气柱，一个笛产生声音. 它是有效的工具对. 马林巴琴，电颤琴，木琴和. 交错的入口，这样一个较长的风效果是可能的. 前. 马林巴我开始空气渐强和马林巴II加入之前，为了高潮的巅峰之风的影响. 关于欧打击乐新闻. 在1977年的OU敲击乐团和合唱团走上了发展成为鼓励和发展新的音乐发展，打击乐合奏国家级示范项目. 该OU敲击乐合奏调试系列定期从事优秀的作曲家写的作品这个媒介. 调试系列是负责在打击乐合奏的曲目创建一些今天的主食. 1983年俄克拉何马大学出资成立的欧打击乐出版社，敲击区域的非营利性扩展. 通过敲击出版社，调试一系列成分加为OU打击乐乐团和合唱团明确书面等作品已可以购买和性能世界领先的打击乐合奏. 敲击按“目录号50多个作品，均发布在一个非营利性企业，以专业服务.