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原文

Basses Loaded - Volume 1. Rob Goelz.

译文

加载贝司 - 第1卷. 罗布Goelz.

原文

Basses Loaded - Volume 1 for bass. This edition. Paperback. Instructional. Instructional. Instructional book and accompaniment CD. Text Language. English. 64 pages. Published by Santorella Publications. SP.TS371. ISBN 9781585606511. With Text Language. English. Instructional. The Basses Loaded Series by Rod Goelz is the industry's best Bass Method for the budding bass player. That's the chant kicking around all the magazine racks, string periodicals and musical water coolers across the country. Basses Loaded. "Essential Tools" teaches basic rhythms, scales & arpeggios as well as how to apply them with basic application concepts. Basses Loaded. Volume 1 - Essential Tools published by Santorella Publications will teach you 10 essential improvisational patterns applied in the styles of The Red Hot Chili Peppers, Sublime, James Jamerson. Motown. , No Doubt, Bob Marley, Black Sabbath, Cream, Miles Davis, The Clash, Nirvana, Santana, and many more. You'll also learn 5 "Line Approaches" for building & improvising better bass lines and begin to grasp the Verse. Chorus song form. This "Essential Tools" edition from Santorella Publications includes an instructional CD with over 50 tracks of lessons and rhythm section play-a-longs. Here's a quick glance at what you'll find inside this incredible book. THE LANGUAGE OF RHYTHM - BASIC RHYTHM - APPLYING WHOLE AND HALF NOTE RHYTHMS - WHOLE NOTES - HALF NOTES - QUARTER NOTES & ARTICULATION. ROCK, ROCK, BLUES & JAZZ - THE BASIC 8TH NOTE - BASIC RHYTHM REVIEW - RESTS AND RESTING - JAZZ HISTORY 101. QUARTER NOTES & RESTS. "TWO-BEAT" STYLE, EARLY "FOUR-BEAT" STYLE, USE OF "THE TIE, 8th NOTE ROCK STYLE - In The Style Of AC. DC's "Live Wire" - In The Style Of Better Than Ezra's "Good" - In The Style Of The Hives' "Hate To Say I Told You So" - In The Style Of Nirvana's "In Bloom" - In The Style Of The Kinks' "All Day & All Night" - In The Style Of The Beatles "Twist & Shout" - In The Style Of Cream's "Sunshine Of Your Love" - In The Style Of Elvis Costello's "Pump It Up" - In The Style Of Nirvana's "Sliver" - In The Style Of Lover Boy's "Turn Me Loose" - SAMPLING 3. 4 TIME - In The Style Of Harold Melvin's "If You Don't Know Be By Now" - In The Style Of The Allman Bothers "Dreams" - ESSENTIAL SCALES & ARPEGGIOS - READING SCALE - DIAGRAMS - SCALES & APPLIED CHORD PROGRESSIONS - BASIC THEORY. WHOLE STEPS VS. HALF STEPS. THE MAJOR SCALE - In The Style Of Steve Miller's "The Joker" - THE NATURAL MINOR SCALE - In The Style Of The Red Hot Chilli Peppers' "Californication" - In The Style Of Black Sabbath's "NIB" - THE MIXOLYDIAN SCALE - In The Style Of The Animals' "We Gotta Get Out Of This Place" - In The Style Of Miles Davis' "All Blues" - THE DORIAN SCALE - In The Style Of Santana's "Oye Como Va" - In The Style Of The Doors "Riders In The Storm" - THE MAJOR PENTATONIC SCALE - In The Style Of The Temptations' "My Girl" - In The Style Of Fontella Bass' "Rescue Me" - THE MINOR PENTATONIC SCALE - In The Style Of Black Sabbath's "Paranoid" - In The Style Of The Allman Brothers' "In Memory Of Elizabeth Reed" - THE CHROMATIC SCALE - CHROMATIC MOVEMENT - In The Style Of Van Morrison's "Moondance" - In The Style Of Jimi Hendrix's "Hey Joe" - ARPEGGIO 1. THE MAJOR TRIAD - In The Style Of Bob Marley's "Stir It Up" - In The Style Of The Clash's "Pressure Drop" - ARPEGGIO 2. THE MINOR TRIAD - In The Style Of Sublime's "Doin' Time" - In The Style Of Bob Marley's "I Shot The Sheriff" - ARPEGGIO 3. THE DOMINANT 7th ARPEGGIO - In The Style Of Stevie Ray Vaughan's "Crossfire" - In The Style Of Roy Orbison's "Pretty Woman" - MAJOR PENTATONIC. FINGERING TWO. - MINOR PENTATONIC. FINGERING TWO. - RAKING TECHNIQUE - PRACTICING SCALES. DEVELOPING A WARM-UP ROUTINE - APPLYING SCALES. CHORD-TO-CHORD MOVEMENT - SCALES & ARPEGGIOS. MIXING IT UP - In The Style Of No Doubt "It's My Life" - In The Style Of The Rolling Stones' "Miss You" - In The Style Of Martha & The Vandella's "Nowhere To Run" - In The Style Of.. Stevie Wonder's "I Wish" - In The Style Of Toots Thielsman's "Bluesette" - ASSORTED DRUM PRACTICE TRAX - APPENDIX 1. SONGS & SONG FORM - BASS PLAYER MATCHING. ROCK BASS PLAYER MATCHING. GROOVE - APPENDIX 2.

译文

贝司加载 - 第1卷的低音. 此版本. 平装. 教学. 教学. 教学书籍和伴奏光盘。文字语言. 英语. 64页. 出版Santorella出版物. SP.TS371. ISBN 9781585606511. 用文字语言. 英语. 教学. 巴斯家族系列加载由Rod Goelz是业界最好的低音法的萌芽贝斯手. 这就是踢呗周围所有的杂志架，串期刊和音乐水冷却器全国各地. 加载贝司. “基本工具”讲授基本的节奏，音阶. 加载贝司. 第1卷 - 由Santorella出版物出版基本工具会教你在红辣椒的风格应用于10种必需即兴模式，崇高，詹姆斯Jamerson. 摩城. 毫无疑问，鲍勃·马利，黑色安息日，奶油，迈尔斯·戴维斯，在碰撞，涅槃，桑塔纳，还有更多. 您还将学习5“线路途径”建筑. 合唱歌曲形式. 从Santorella出版这个“基本工具”版本包括一个教学光盘50多音轨的教训，节奏部分播放一个​​多头. 这里有一个快速浏览一下，你会发现这个令人难以置信的书里面. RHYTHM的语言 - 基本节奏 - 将整体HALF注意节律 - 全音符 - HALF NOTES - 四分音符. ROCK，ROCK，BLUES. 四分音符. “两拍”的风格，早期的“四拍”的风格，利用“TIE，八分音符摇滚风格 - 在AC样式. DC的“火线” - 在好于以斯拉的“好”的风格 - IN的风格蜂房“”不想说我告诉过你“ - 在Nirvana的”在绽放“的风格 - 在奇想的风格“”全日. 4 TIME - 在哈罗德梅尔文的样式“如果你不知道被现在” - 在该奥尔曼困扰“梦”的风格 - 本质秤. 全音VS.半步. 大调音阶 - 在史蒂夫·米勒的“小丑”的风格 - 的自然小调音阶 - 在红热辣椒'“加州靡情”的风格 - 在黑色安息日的“NIB”的风格 - THE MIXOLYDIAN规模 - 在风格动物“”我们得离开这个地方“ - 在Miles Davis的风格'”所有的蓝调“ - 多利安规模 - 在桑塔纳的”傻瓜科莫弗吉尼亚州“的风格 - 在门”车手的风格在暴风雨“ - 主要声音阶 - 在的诱惑风格'”我的女孩“ - 在Fontella低音风格'”救救我“ - 未成年人五声音阶 - IN的风格黑色安息日的”偏执狂“ - 在半音音阶 - - CHROMATIC运动 - 在范·莫里森的“月舞”的风格 - 在吉米亨德里克斯的“嘿乔”的风格 - Allman兄弟'“在内存中伊丽莎白芦苇”的风格ARPEGGIO 1. 主要TRIAD - 在鲍勃·马利的样式“搅拌它” - 在的冲突的“压力降”的风格 - ARPEGGIO 2. 未成年人TRIAD - 在崇高的“干什么”时代“的风格 - 在鲍勃·马利的样式：”我向警长开枪“ - ARPEGGIO 3. THE DOMINANT 7 ARPEGGIO - 在史蒂维·雷·沃恩的“交火”的风格 - 在洛伊奥比森的“麻雀变凤凰”的风格 - 主要的五声音阶. FINGERING二. - MINOR五声音阶. FINGERING二. - 耙技术 - 练习音阶. 开发一个WARM-UP日常 - 将秤. 弦长弦机芯 - 秤. 混合IT UP - 在毫无疑问的风格“这是我的生活” - 在滚石“”你小姐“的风格 - 在玛莎的风格. 史提夫汪达的“我希望” - 在茨Thielsman的“Bluesette”的风格 - ASSORTED DRUM实践TRAX - 附录1. SONGS. ROCK贝斯手MATCHING. GROOVE - 附录2.