活页乐谱 $21.00

原文

30 Italian Songs and Arias. 17th-18th Cent. Low Voice sheet music. Medium Voice sheet music. Medium-Low Voice sheet music. Voice Solo sheet music. Piano Accompaniment sheet music.

译文

30意大利歌曲和阿里亚斯. 17至18美分. 低沉的声音乐谱. 中等声乐谱. 中低语音乐谱. 独唱乐谱. 钢琴伴奏乐谱.

原文

30 Italian Songs and Arias. 17th-18th Cent. edited by Roger Nichols. For Medium-Low Voice and Piano. This edition. Urtext. Play along. Sheet music and accompaniment CD. Text Language. Italian. English. Published by Edition Peters. PE.P07743B. ISBN M-57708-663-7. With Text Language. Italian. English. Play along. I am delighted to see Parisottis ubiquitous anthology recast with such learned courtesy. Roger Nichols has shed all outdated features, adding instead invaluable information and suggestions. this choice of pieces celebrates even better the genius of Italian baroque song, and I hope to see it used everywhere. -- Emma Kirkby. Edition for Medium-Low Voice. This collection includes. word-by-word translations. Italian-English. English singing translations. IPA transliterations of the Italian text. historical notes for each song. A piano-accompaniment CD is included with the book. -- Contents. Caccini. Amarilli, mia bella. Monteverdi. Lasciatemi morire. Lamento dArianna. Gagliano. Valli profonde. dIndia. Torna il sereno Zefiro. Carissimi. Vittoria, mio core. Strozzi. lamante bugiardo. Legrenzi. Che fiero costume. Torelli. Tu lo sai. Scarlatti. Gia il sole dal Gange. O cessate di piagarmi. Sento nel Core. Le Violette. Se Florinda e fedele. Lotti. Pur dicesti, o bocca bella. Padre, addio. Bononcini. Non posso disperar. Per la gloria dadorarvi. Caldara. Sebben, crudele. Alma del core. Come raggio del sol. Durante. Vergin, tuttamor. Danza, danza, fanciulla. Conti. Quella fiamma. Anonymous. Nina. Gluck. O del mio dolce ardor. Giordani. Caro mio ben. Paisiello. Nel Cor piu non mi sento. Parisotti. Se tu mami -- Most of the songs and arias included in this volume have been favorites with singers for many years. However, until now, only selected pieces have been available with stylistically-appropriate accompaniments, replacing the Romantic, late-19th-century legacy of Alessandro Parisotti. In going back where possible to early manuscripts and editions, I have tried to produce accompaniments that the composers of these pieces might have found acceptable. In general I have not doubled the voice parts at pitch, since singers often find this inhibiting. I have not introduced any editorial dynamics, since singers until the mid-18th century were in the habit of applying their own, based on the words they were singing. Todays singers should do the same -- there is no reason to suppose that singers in the 21st century are less imaginative and intelligent. Neither have I introduced editorial phrasing, pedalling, fingering or tempo markings, nor suggested any ornamentation for the vocal lines. This does not mean that singers should forego ornamentation. but I have preferred to leave this to the singers own taste. Parisottis volumes were notably weighted in favor of the 18th century at the expense of the 17th. I have redressed the balance by introducing five pieces from the early 17th century. I have also taken the opportunity to include a more extended version of Monteverdis famous Lamento dArianna. -- Roger Nichols, Editor. taken from the liner notes of this edition. Amarilli, mia bella. Lasciatemi morire. Lamento d'Arianna. Valli profonde. Torna il sereno Zefiro. Vittoria, Mio Core. L'amante bugiardo. Che Fiero Costume. Tu lo sai. Gia Il Sole Dal Gange. O Cessate Di Piagarmi. Sento Nel Core. Le Violette. Se Florinda E Fedele. Pur Dicesti, O Bocca Bella. Padre, addio. Non Posso Disperar. Per La Gloria D'Adorarvi. Sebben, crudele. Alma del core. Come raggio del sol. Vergin, tutt'amor. Danza, danza, fanciulla. Quella Fiamma. Nina. O Del Mio Dolce Ardor. Caro mio ben. Nel cor piu non mi sento. Se tu m'ami.

译文

30意大利歌曲和阿里亚斯. 17至18美分. 由罗杰·尼科尔斯编辑. 对于中低声音与钢琴. 此版本. Urtext. 一起玩. 乐谱及伴奏光盘。文字语言. 意大利人. 英语. 出版版彼得斯. PE.P07743B. 国际标准书号M-57708-663-7. 用文字语言. 意大利人. 英语. 一起玩. 我很高兴看到Parisottis无处不文集重铸这样学到的礼貌. 罗杰·尼科尔斯也已摆脱了所有过时的功能，而是加入了宝贵的信息和建议. 这种选择件庆祝甚至更好的意大利巴洛克式的歌曲天才，我希望能看到它曾经无处不在. - 艾玛·柯比. 版的中低语音. 这个集合包括. 字按字翻译. 意大利英语. 英语翻译唱歌. 意大利文音译IPA. 历史注释为每首歌曲. 钢琴伴奏的CD是随书. - 内容. 卡奇尼. Amarilli，米娅贝拉. 蒙特威尔第. Lasciatemi morire. 离骚dArianna. 加利亚诺. 深谷. dIndia. 回到宁静和风. 亲爱. 维多利亚，我的心脏. 斯特罗齐. lamante bugiardo. Legrenzi酒店. 什么是骄傲的泳衣. 托雷利. 屠罗世. 斯卡拉蒂. 已经从恒河太阳. O cessate di piagarmi. 感觉它的核心. 乐紫罗兰. 硒弗洛林达Ë费德勒. 很多. 陈建dicesti，邻虎门贝拉. 策略平台，addio. Bononcini. 我不能绝望. 为荣耀dadorarvi. 卡尔达拉. Sebben，CRUDELE. 阿尔玛德尔核心. 像太阳的光. 中. Vergin，tuttamor. 扎林，DANZA，fanciulla. 账户. 那火焰. 匿名. 尼娜. 格鲁克. 啊，我的甜蜜热情. 焦尔达尼. 卡洛MIO奔. 派西耶罗. 在哥林多前书更多，我不觉得. Parisotti. 硒恩真身 - 大部分的歌曲和咏叹调包括在本卷已被收藏与歌手多年. 然而，到现在为止，唯一入选的作品已可与文体相适应的伴奏，更换亚历山德罗Parisotti的浪漫气氛，后期19世纪遗产. 在回去尽可能早期手稿和版本，我曾尝试制作这些作品的作曲者可能会发现可接受的伴奏. 总的来说，我还没有翻倍的声音部分在球场上，因为歌手往往会发现这种抑制作用. 我还没有出台任何编辑动态，因为歌手，直到18世纪中叶正在申请自己的习惯，根据他们唱的话. 今天的歌手应该做同样的 - 没有任何理由认为，在21世纪的歌手不太富有想象力和智能化. 我亦没有介绍社论措辞，踩踏，指法或速度标记，也没有提出任何纹饰为声乐系. 这并不意味着歌手应该放弃纹饰. 但我宁愿离开这个给歌手自己的品味. Parisottis体积均明显在17的费用做了有利于18世纪. 我已经通过引入五件从17世纪初纠正的平衡. 我也借这个机会，包括Monteverdis著名Lamento dArianna更扩展版. - 罗杰·尼科尔斯，编辑器. 从这个版本的班轮写下笔记. Amarilli，米娅贝拉. Lasciatemi morire. Lamento D'阿里安娜. 深谷. 回到宁静和风. 维多利亚，宇达电通的核心. 情人骗子. 什么费尔罗服装. 屠罗世. GIA IL SOLE从恒河. 或者停止Piagarmi. 觉得核心. 乐紫罗兰. 硒弗洛林达Ë费德勒. 陈建Dicesti，O虎门贝拉. 策略平台，addio. 我不绝望. 每拉格洛里亚德Adorarvi. Sebben，CRUDELE. 阿尔玛德尔核心. 像太阳的光. Vergin，tutt'amor. 扎林，DANZA，fanciulla. 那火焰. 尼娜. Ø德尔神达杜志晟. 卡洛MIO奔. 我不觉得我的心脏最. SE TU m'ami.