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原文

Paganini Variations, Op. 35. Johannes Brahms. Piano Solo sheet music. Advanced.

译文

帕格尼尼变奏曲，作品。 35. 布拉姆斯. 钢琴独奏乐谱. 先进.

原文

Paganini Variations, Op. 35 composed by Johannes Brahms. 1833-1897. Edited by Johannes Behr. For piano. Romantic. SMP Level 10. Advanced. Full score. Standard notation. 68 pages. Wiener Urtext. Vienna Urtext #UT050172. Published by Wiener Urtext. Vienna Urtext. PR.UT050172. ISBN 978-3-85055-637-8. With Standard notation. Romantic. The Paganini Variations occupy a special place in Brahms' piano oeuvre. They are, true to their main title, a work for study, but at the same time. in contrast to, for instance, the 51 exercises. also suited for concert performances. Both aspects were important to Brahms himself, too. When he planned the variations in 1862. 63, he was still working on a loose collection of individual exercises Brahms used as finger practice when the pianist prepared for concerts. He eventually reworked this collection of exercises into a "work" in its own right in 1865, repeatedly playing it in concert and publishing it in 1866. The Paganini Variations are also interesting in their double function for contemporary pianists. Anyone studying them is able to marvellously develop his or her piano technique while at the same time working on a very effective piece for concert events. For the first time, all the sources known to us could be used for this new edition, even two early manuscripts that were thought to be lost after 1945 and were rediscovered in St. Petersburg just a few years ago. Very advanced level, very difficult note reading, frequent time signature changes, virtuosic level technical facility needed.

译文

帕格尼尼变奏曲，作品。 35组成，由约翰内斯·勃拉姆斯. 1833-1897. 由约翰内斯·贝洱编辑. 钢琴. 浪漫. SMP等级10. 先进. 全部得分. 标准的符号. 68页. 维纳Urtext. 维也纳Urtext＃UT050172. 出版维纳Urtext. 维也纳Urtext. PR.UT050172. 国际标准书号978-3-85055-637-8. 与标准记数法. 浪漫. 帕格尼尼变奏曲占据了勃拉姆斯的钢琴作品中一个特殊的地方. 他们是，忠于自己的主标题，对于研究工作，但在同一时间. 相反，例如，在51练习. 也适用于音乐会演出. 这两个方面都是重要的勃拉姆斯自己，太. 当他计划在1862年的变化. 63，他还在努力的个人练习使用勃拉姆斯的手指练习时，钢琴家准备演唱会的松散集合. 他最终于1865年重新设计的练习本集合到在自己的权利“工作”，反复播放它在演唱会和出版它于1866年. 帕格尼尼变奏曲也很有趣，在他们的双重功能，为当代钢琴家. 任何人学习他们能奇妙地发展他或她的钢琴演奏技巧，而在同一时间工作的一个非常有效的一张音乐会活动. 这是第一次，可用于这个新版本都为我们所知的来源，被认为丢失1945年以后，被短短几年前重新发现在圣彼得堡甚至是两个早期的手稿. 非常先进的水平，很难注意阅读，频繁的时候签名的变化，需要才华水平的技术设施.