活页乐谱 $180.00

原文

Lifesongs. David Gillingham. B-Flat Trumpet sheet music. Bass Trombone sheet music. Euphonium sheet music. Horn sheet music. Tuba sheet music. Grade 5.

译文

Lifesongs. 大卫·吉灵厄姆. 降B大调小号乐谱. 低音长号乐谱. 次中音号的乐谱. 喇叭乐谱. 图拔乐谱. 五年级.

原文

Lifesongs. with SATB Choir. Composed by David Gillingham. For Choir with Concert Band. Flute 1. Piccolo, Flute 2, Oboe, Bassoon, Bb Clarinet 1, Bb Clarinet 2. 3, Bass Clarinet, Eb Alto Saxophone 1. 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2. 3, F Horn 1. 2, F Horn 3. 4, Trombone 1. 2, Bass Trombone, Euphonium, Tuba, S. Grade 5. Score and parts. Duration 20. 00. Published by C. Alan Publications. CN.08400. Using the text of three life-affirming poems by Henry Wadsworth Longfellow, Lifesongs is cast in three section that coincide with three stages of life. The text and the music wavers through many emotions. radiant and upbeat, mournful and depressing, dark and militaristic, reflective and joyful. The final lines reflect the overall sentiment of the piece, "O Fear not in a world like this, and thou shalt know erelong, know how sublime a thing it is to suffer and be strong. The text for Lifesongs comes from three poems by Henry Wadsworth Longfellow, titled, "Sunrise on the Hills," "A Psalm of Life," and "The Light of Stars. " These three poems divide the work into three large sections, which are performed without a break. All three poems are life affirming and hence the title Lifesongs. I have renamed each section to coincide with three stages of life, "Song of Birth," "Song of Life," and "Song of Eternity. " "Song of Birth". "Sunrise on the Hills". musically depicts the most wonderful picture of one standing on the hilltop watching the sunrise. The choir, solists, and wind ensemble collaborate in painting this colorful picture. Though this picture is radiant and upbeat, there are changes of mood along the way, such as with lines like "hosts in battle overthrown," "I heard the distant waters dash," "the music of the village bell come sweetly to the echo-giving hills," and "the wild horn, whose voice the woodland fills, was ringing to the merry shout. " All of these words are scored appropriately to sway the listener back and forth between these moods. I personally believe that Longfellow was trying to say that all this beauty of the sunrise precipitates an array of emotions. But the pinnacle of the section is at the end where Longfellow suggests that it is easy for us to forget the "sorrows" of the world if we "go to the woods and hills," for "No tears dim the sweet look that Nature wears. " "Song of Life". "Psalm of Life". begins somewhat mournful and depressing with the line, "tell me not, in mournful numbers, life is but an empty dream. " The section is about the whole struggle of life and our purpose here on earth. Like the first movement, there is a tug-of-war between emotions. Consider, for example, the line, "Art is long, and Time is fleeting, and our hearts, though stout and brave still, like muffled drums, are beating funeral machines to the grave. " Sometimes the music becomes dark and militaristic to lines such as, "in the world's broad field of battle," and "trust no Future, howe'er pleasant. " But the lesson to be learned in this section comes later in the poem when Longfellow states, "Lives of great men all remind us we can make our lives sublime. " Here the music becomes more reflective and leads to pure joy when the choir sings the final four lines, "Let us, then, be up and doing, with a heart for any fate. still achieving, still pursuing, learn to labor and to wait. " In "Song of Eternity". "The Light of Stars". , Longfellow alludes to death, but, as with all of his poetry, there is a positive overtone. Like the second section, it begins darkly with an undertone of undulating clarinets in their low register. This backdrop of sound is appropriate for lines such as "the night is come, but not too soon," and "there is no light in earth or heaven but the cold light of stars. " But the darkness soon gives way to light and the D-minor tonality moves to C-major. The soprano and baritone begin by joyfully singing the line, "O star of strength. I see thee stand and smile upon my pain. " Then comes excitement in the music with a brass fanfare followed by the choir singing, "The star of the unconquered will, He rises in my breast. " Finally the soprano, baritone, and choir end the work by singing the final four lines, "O Fear not in a world like this, and thou shalt know erelong, know how sublime a thing it is to suffer and be strong. " These lines are as meaningful today as they were in Longfellow's time, and are a true lesson of life.

译文

Lifesongs. 与SATB合唱团. 由大卫吉林汉姆组成. 对于合唱团与乐团. 长笛1. 短笛，长笛2，双簧管，大管，降B调单簧管1，降B调单簧管2. 3，低音单簧管，降E中音萨克斯1. 2，降B次中音萨克斯，降E中音萨克斯，降B小号1，降B小号2. 3，女角1. 2，F 3角. 4，长号1. 2，低音长号，次中音号，大号，S. 五年级. 得分和零件. 持续20. 00. 发布时间由C.艾伦出版物. CN.08400. 使用三个肯定生命的诗朗费罗文字，Lifesongs被投在三个部分，随着生活的三个阶段一致. 文本和音乐从众多的情绪摇摆. 辐射和乐观，悲切和压抑，黑暗和军国主义，反射和快乐. 最终的线条体现了作品的整体人气，“啊，不要害怕在这样的世界里，你就知道erelong，知道的事情是多么崇高受苦，要坚强. 该文本Lifesongs由朗费罗，标题为来自三首诗，“日出山庄”，“生命的诗篇”和“星之光. “这三首诗分工分为三个大的部分，这是不休息进行. 所有这三个诗生活肯定，因此标题Lifesongs. 我已经改名为每个部分与生活的三个阶段相吻合，“宋出生”，“生命之歌”和“永恒之歌. “”宋出生“. “日出山”. 音乐描绘了一个站在山顶上的最精彩的画面看日出. 该合唱团，solists，风合奏在画这个多彩的画面协作. 虽然这张照片是容光焕发，乐观，还有心情一路走来的变化，如与像线“在战斗中被推翻的主机”，“我听到远处的水域冲刺”，“村钟的音乐来甜蜜的回声-giving山丘“和”野牛角，他的声音充满林地，便响起来了欢快的呼喊. “所有的这些话是打进适当地挥洒着听者来回这些情绪之间. 我个人认为，朗费罗想说的是，日出这一切的美丽沉淀情绪的数组. 但该部分的巅峰是在到底哪里朗费罗表明，很容易让我们忘记了世界的“悲伤”，如果我们“去树林，山丘”，为“无泪朦胧甜美的外观，自然穿. “”生命之歌“. “诗生活”. 开始有点悲哀，并与该行郁闷，“告诉我没有，在凄厉的数字，人生不过是一场幻梦. “该部分是关于人生的整个斗争，我们的目的就在地球上. 像第一乐章，有情绪之间的拉锯战的战争. 举个例子，行，“艺术是永恒的，时间是短暂的，我们的心，虽然勇敢坚强，却仍像阵阵低沉的鼓声，正葬礼机到坟墓. 在世界的辽阔的战场“有时候音乐变暗和军国主义为线，如，”“和”信任未来，无论未来howe'er愉快. “但是教训在本节学习来后来在诗中朗费罗时指出​​，”伟人的生平使我们想起，我们可以让我们的生活高尚. “这里的音乐变得更加反射，导致在合唱团唱的最后四行纯粹的快乐，”让我们，然后，起来干吧，对任何命运心脏. 仍实现，还在追求，学会劳动，善于等待. “在”永恒之歌“. “星之光”. ，朗费罗暗示死亡，但是，与所有他的诗歌，有一个积极的泛音. 如第二部分，它开始与黑暗单簧管起伏在其低寄存器的底色. 声音这样的背景下是适当的线路，如“夜到来，但不是太快”和“没有在泥土或天上没有光，但冷光的星星. “但是，黑暗很快让位给光线和D小调音调移动到C-大. 女高音和男中音首先高兴地唱了行，“澳星实力. 我看到你的立场和微笑时我的痛苦. “然后是兴奋，在音乐与黄铜大张旗鼓其次是合唱团的歌声”的征服意志的明星，他发源于我的乳房. “最后的女高音，男中音，合唱团和结束工作所演唱的最后四行：”啊，不要害怕在这样的世界里，你就知道erelong，知道的事情是多么崇高受苦，要坚强. “这些线今天依然有意义的，因为他们在朗费罗的时间，是生活的真实教训.