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原文

Bacchanalia, a tone poem for violin and piano. score and part. Violin Solo sheet music. Piano Accompaniment sheet music. Advanced.

译文

酒神节，一个音诗为小提琴和钢琴. 得分和零件. 小提琴独奏乐谱. 钢琴伴奏乐谱. 先进.

原文

Bacchanalia, a tone poem for violin and piano. score and part. composed by Christopher A. Sforza. For Piano,Violin. 21st Century. Advanced Intermediate. Score,Solo Part. Published by Christopher A. Sforza. S0.39549. Program notes by the composer. The title of this work as well as its inspiration comes from the ancient Roman festivals and wild reveries that were held in honour of Bacchus, god of wine, ritual madness, and unadulterated ecstasy. Perhaps the most famous of compositions centering on the bacchanalia is the version from the biblical opera Samson et Delila by Camille Saint-Saëns. My short setting which I subtitle a tone poem is intended to depict some sort of story. realized by the listener and performer. which involves to some degree dance, theatre, passion, and of course inebriated emotions. The piece itself is sewn together from preexisting musical material that I wrote many years ago. an unfinished soprano aria from an equally unfinished opera. so unfinished that no plot had even been conceived. and a completed single-movement rhapsodic violin concerto in g minor. which utilizes the aria material transposed from f minor. I found the melodies in these early pieces to be very endearing to me and in great need of reconstruction and a cohesive final form. Together with my inspiration for rebirth and violinist Laura Sciavolino’s fiery playing. to whom the piece is dedicated. Bacchanalia was created. The work is a melding of both my own compositional style and that of Eastern European folk, gypsy, and klezmer music. as well as a bit of Broadway thrown in for good flavour. These musical cultures have been a great source of inspiration for me as a composer and musician and I find myself intimately drawn to these idioms. Like many of my works, there is a multitude of different musical characters compacted within a short timeframe. Despite Bacchanalia’s brevity I manage to enact one of my all-time compositional devices of modulation, foraging through seven key signatures. Could this be a reference to the biblical and highly seductive Dance of the Seven Veils. as sensually depicted by Oscar Wilde. The harmonic scheme is as follows. g minor, b flat minor, b minor, f minor, g sharp minor, e minor, g minor. Presented here is my personal version of the Bacchanalia storyline, but of course this is not definitive. The work opens with a sort of drone in g minor. similar to the doina found in klezmer music. in which the violin presents a mournful lament above. This scene represents the entrance of an old woman. possibly near the end of her life. who is recounting a tale to a large gathering of people. The piano beats metronomically throughout as if it were the ticking of a distant clock. The tale she tells is of a tragic nature and is most likely about a forbidden love from her younger days. The music progresses to b flat minor and soon after transforms into the wild dancing of the bacchanal. in a sort of faux-tarantella. We then move up a half step and to 3. 4 time. the audience. both literal and figurative. is descended into the woman’s past as the music whirls around with revelry and finesse. As we move to f minor, so does the woman’s intense yearning for a love which she cannot obtain, perhaps due to conflicting families or unrequited emotions. Reintroduced is the opening lament figure over a rhythmically pulsating and throbbing piano accompaniment. Suddenly, tempo dramatically slows down as the woman sentimentally recalls a memory. The moment is only brief. the music speeds up and plunges us back into reality. Now in e minor, previous musical material makes a startling return in 4. 4 time. All of this commotion leads up to a triumphant march-like statement and violin cadenza. The woman’s story and the work end with a reiteration of the tarantella-like material of before, this time in the tonic key of g minor. Digital Print is printable sheet music available anytime, anywhere. Just purchase, print and play. View your online sheet music at home, school, work or anywhere you have a computer connected to the Internet. Use our iPad app to view your digital sheet music on the go. With Digital Print, you can print your digital sheet music immediately after purchase, or wait until its convenient. And our software installation is easy - we'll guide you through the simple steps to make sure you have Adobe Flash Player, Adobe AIR and the Sheet Music Plus AIR application.

译文

酒神节，一个音诗为小提琴和钢琴. 得分和零件. 由克里斯托弗·斯福尔扎A.组成. 钢琴，小提琴. 21世纪. 高级中级. 得分，独奏声部. 发布时间由Christopher A.斯福尔扎. S0.39549. 节目单由作曲家. The title of this work as well as its inspiration comes from the ancient Roman festivals and wild reveries that were held in honour of Bacchus, god of wine, ritual madness, and unadulterated ecstasy. Perhaps the most famous of compositions centering on the bacchanalia is the version from the biblical opera Samson et Delila by Camille Saint-Saëns. My short setting which I subtitle a tone poem is intended to depict some sort of story. realized by the listener and performer. which involves to some degree dance, theatre, passion, and of course inebriated emotions. The piece itself is sewn together from preexisting musical material that I wrote many years ago. an unfinished soprano aria from an equally unfinished opera. so unfinished that no plot had even been conceived. and a completed single-movement rhapsodic violin concerto in g minor. which utilizes the aria material transposed from f minor. I found the melodies in these early pieces to be very endearing to me and in great need of reconstruction and a cohesive final form. Together with my inspiration for rebirth and violinist Laura Sciavolino’s fiery playing. to whom the piece is dedicated. Bacchanalia was created. The work is a melding of both my own compositional style and that of Eastern European folk, gypsy, and klezmer music. as well as a bit of Broadway thrown in for good flavour. These musical cultures have been a great source of inspiration for me as a composer and musician and I find myself intimately drawn to these idioms. Like many of my works, there is a multitude of different musical characters compacted within a short timeframe. Despite Bacchanalia’s brevity I manage to enact one of my all-time compositional devices of modulation, foraging through seven key signatures. Could this be a reference to the biblical and highly seductive Dance of the Seven Veils. as sensually depicted by Oscar Wilde. The harmonic scheme is as follows. g minor, b flat minor, b minor, f minor, g sharp minor, e minor, g minor. Presented here is my personal version of the Bacchanalia storyline, but of course this is not definitive. The work opens with a sort of drone in g minor. similar to the doina found in klezmer music. in which the violin presents a mournful lament above. This scene represents the entrance of an old woman. possibly near the end of her life. who is recounting a tale to a large gathering of people. The piano beats metronomically throughout as if it were the ticking of a distant clock. The tale she tells is of a tragic nature and is most likely about a forbidden love from her younger days. The music progresses to b flat minor and soon after transforms into the wild dancing of the bacchanal. in a sort of faux-tarantella. We then move up a half step and to 3. 4时间. the audience. both literal and figurative. is descended into the woman’s past as the music whirls around with revelry and finesse. As we move to f minor, so does the woman’s intense yearning for a love which she cannot obtain, perhaps due to conflicting families or unrequited emotions. Reintroduced is the opening lament figure over a rhythmically pulsating and throbbing piano accompaniment. Suddenly, tempo dramatically slows down as the woman sentimentally recalls a memory. The moment is only brief. the music speeds up and plunges us back into reality. Now in e minor, previous musical material makes a startling return in 4. 4时间. All of this commotion leads up to a triumphant march-like statement and violin cadenza. The woman’s story and the work end with a reiteration of the tarantella-like material of before, this time in the tonic key of g minor. 数码打印是打印乐谱可随时随地. 刚刚购买，打印和播放. 查看您的在线乐谱在家庭，学校，工作或任何地方您有连接到Internet的计算机. 使用我们的iPad应用程序，以在路途中欣赏您的数字乐谱. 随着数码打印，你可以购买后立即打印您的数字乐谱，或者等到它的方便. 而我们的软件的安装是很容易 - 我们将引导您通过简单的步骤，以确保你有安装Adobe Flash Player，Adobe AIR和本乐谱加AIR应用程序.