活页乐谱 $15.90

原文

Volume 123 - NOW'S THE TIME. Standards with the Joey DeFrancesco Trio. Jamey Aebersold. Voice sheet music. B-Flat Instrument sheet music. Bass Clef Instrument sheet music. C Instrument sheet music. E-Flat Instrument sheet music. Piano sheet music.

译文

卷123 - 现在是时候. 与乔伊DeFrancesco三星标准. 詹姆Aebersold. 声音的乐谱. B平仪器乐谱. 低音谱号仪器乐谱. C仪器乐谱. 电子平板仪乐谱. 钢琴乐谱.

原文

Volume 123 - NOW'S THE TIME. Standards with the Joey DeFrancesco Trio composed by Jamey Aebersold. Edited by Jamey Aebersold. For any C, Eb, Bb, bass instrument or voice. Play-Along series with accompaniment CD. Jamey Aebersold Play-A-Long series. Jazz Play-A-Long For All Musicians. Book & CD. 68 pages. Published by Jamey Aebersold Jazz. JA.V123DS. ISBN 978-1-56224-162-9. Another super-groove play-a-long featuring Joey with his trio accompanying you on Blues and some of the greatest standards ever written. Rhythm Section. Joey DeFrancesco. Organ. Paul Bollenback. Guitar. Byron Langham. Drums. Includes. Now's The Time, Four On Six, The More I See You, Mercy, Mercy, Mercy, Lunch Portion, I Fall In Love Too Easily, Bye, Bye, Blackbird, Gee, Baby Ain't I Good To You, Indiana, February 14th, Anthropology, Summertime, I'm Getting Sentimental Over You, Slow Blues in Bb, Obama Nation. Notes to the musician. There was a time when I didn't particularly enjoy jazz organ trios. In my teenage years the organ was what I heard in my Methodist church so I associated the instrument with hymns, people singing and church. As jazz evolved and Jimmy Smith and Larry Young entered my jazz record library I learned to love the sound of the Hammond B3 in a jazz setting. I grew up near Louisville, Kentucky and after receiving my driver's license, I would frequent night clubs where often there was an organ trio or quartet playing. On nights when I really felt brave, I would ask to sit in and play a song or two with them. This was part of my early musical bandstand training and it was very important to me. This Volume 123 play-a-long has an outstanding organ trio led by Joey DeFrancesco. Joey, Paul and Byron are Joey's original trio and have played on and off together for many years. I was fortunate to record them on February 14, 2008 at The Jazz Factory in Louisville, Ky., just six weeks before the Jazz Factory closed its doors for good. The trio had played there the night before to a packed house. Some of the songs on this set are on other sets but not in the organ trio format. Usually, when we duplicate a song on a play-a-long we change the tempo or key, or instrumentation and this always gives the rendition a completely different feel. The set opens with "Now's the Time," written by Charlie Parker and has become a standard blues that is probably the most called jam blues of all time. "Four on Six" by Wes Montgomery, is a contrafact written on the chords to Summertime. A contrafact is a new melody written over existing chords. The chords that Wes uses have a lot of ii. V7 substitutes and present a melodic challenge to say the least. "The More I See You" is an old standard with a nice harmonic flow and simple melody. "Mercy, Mercy, Mercy" by Joe Zawinul is his most famous song and has been played and arranged many different ways over the years. The solo section is on two chords which makes it approachable by beginning level jazzers. "Lunch Portion" is an original I wrote for Joey's trio. It's a shuffle and at first, makes you think it's going to be a 12 bar blues but it's not. The last two bars of each chorus take you up to the clouds. One of the prettiest ballads ever written is "I Fall In Love Too Easily. " It's a master piece in 16 measures and is taken at a very slow tempo. The old jazz standard "Bye, Bye, Blackbird" shows off the trio's ability to set a groove and keep it. After the first chorus,we substitute some descending ii. V7's over the bridge section to add variety. "Gee Baby, Ain't I Good To You" is a sixteen bar tune with several unusual harmonic twists here and there. It's done very slowly and reminds me of the days when I would go hear organ trios grinding out late night jazz in Louisville or Indianapolis. We decided to do "Indiana" even though it's on other play-a-long sets. Someone on our jazz Forum suggested doing it at a slower tempo so that's what we did. The coda section goes to a Bossa nova feel. The "February 14th" title comes from the day we recorded this set. It has a great little shuffle feel with a bridge that seems to float up to the sky. "Anthropology" is another tune written by Charlie Parker and is based on rhythm changes. The melody is very notey and is a demonstration of the technical facility "Bird" had on his alto saxophone. "Summertime" is by George Gershwin and may be the most popular American standard ever. For variety we moved this version to the key of C minor and did it at a slow tempo. "I'm Getting Sentimental Over You" has always been a tune jazz musicians loved to play on. The chords move around just enough to keep you on your toes. "Slow Blues" is just that - a very slow blues in G. Need more be said. This CD was recorded while the famous Democratic Presidential primary was taking place in America between Hillary Clinton and Barack Obama. "Obama-Nation" is a take off on something I saw in the local newspaper's "letters to the editor" section during that time. The writer said, "If Obama gets elected President it will be an Obamanation. " I think they said it in jest. If you like playing jazz, this play-a-long will give you hours of enjoyable opportunities and enhance your musical skills along the way. Jamey Aebersold.

译文

卷123 - 现在是时候. 由詹姆Aebersold组成标准与乔伊DeFrancesco三重奏. 由詹姆Aebersold编辑. 对于任何C，降E，降B，低音乐器或声音. 玩，除了一系列与伴奏光盘。詹姆Aebersold玩，一长系列. 爵士音乐播放-A-长的所有音乐家. 书. 发布时间由詹姆Aebersold爵士. JA.V123DS. ISBN 978-1-56224-162-9. 另一个超级槽播放一个长乔伊特色与他的三重奏伴随你的蓝调和一些最伟大的标准写过. 节奏部分. 乔伊DeFrancesco. 器官. 保罗Bollenback. 吉他. 拜伦朗廷. 鼓. 包括. 现在是时候，四开六，我越看到你，怜悯，慈悲，怜悯，午餐部分，我爱上太容易了，再见，再见，黑鸟，啧啧，宝宝是不是我对你很好，印第安纳州，二月14日，人类学，夏令时，我得到的青涩过你，蓝调慢降B，奥巴马的国家. 附注音乐家. 曾几何时，我没有特别喜欢爵士风琴三重奏时间. 在我十几岁的器官是我听到我的循道卫理教会，所以我相关与赞美诗，人们唱歌和教会乐器. 爵士乐发展和吉米·史密斯和拉里青年进入了我的爵士唱片图书馆中，我学会了爱的哈蒙德B3的爵士乐设置声音. 我长大了附近的路易斯维尔，肯塔基和接受我的驾照后，我会经常夜总会的地方，往往有一个器官三人或四人玩. 当我真的觉得勇敢的夜晚，我会问坐在玩一两首歌与他们. 这是我早期的音乐演奏台训练的一部分，这是对我很重要. 本卷123播放一个长有一个突出的器官三人为首的乔伊DeFrancesco. 乔伊，保罗和拜伦是乔伊的原三重奏，并发挥上下车在一起很多年. 我很幸运在爵士工厂位于肯塔基州路易斯维尔，记录他们在2008年2月14日六个星期前爵士工厂关了门为好. 三人之前已经在那里玩了晚上座无虚席. 一些在此组中的歌曲都是在其他组，但不能在器官三人格式. 通常情况下，当我们重复一首歌曲在播放一个长的，我们改变速度或键，或仪表，这总是给人再现一种完全不同的感觉. 本集将打开，“现在是时候，所著”查理帕克，并已成为一个标准的蓝色，也可能是有史以来最叫果酱蓝调. “四上六”由韦斯蒙哥马利，是写在和弦夏季一contrafact. 一个contrafact写的是在现有和弦的新旋律. 该韦斯使用的和弦有很多的II. 2013替代品并呈现旋律的挑战，至少可以说. “我越看你”是一个古老的标准，一个不错的谐波流和简单的旋律. “慈悲，慈悲，慈悲”由乔ZAWINUL是他最有名的歌曲，并已经发挥并安排许多不同的方式，多年来. 独唱部分是在两个和弦，这使得它平易近人由开始的水平爵士乐手. “午餐部分”是一个原始的我写了乔伊的三重奏. 这是一个洗牌，并在第一，让你觉得这将是一个12小节布鲁斯，但它不是. 各合唱的最后两个酒吧带你到云. 一个有史以来最漂亮的歌谣是：“我爱上太容易. “这是一个主件中的16条措施，并采取一种非常缓慢的节奏. 老爵士标准​​的“再见，再见，黑鸟”展示了他们三人的能力，设置一个凹槽，并保持它. 首合唱后，我们代替部分降II. 2013的过了桥部分来添加各种. “哎呀宝贝，是不是我对你的好”是一个16杆调有几个不同寻常的谐波在这里和那里曲折. 它做得很慢，让我想起了几天的我的时候我会去听到管风琴三重奏磨出来的深夜爵士乐在路易斯维尔或印第安纳波利斯. 我们决定做“夺宝”，即使它是在其他播放一长套. 有人在我们的论坛爵士以较慢的速度提示做所以这就是我们所做的. 在结尾部分都到了波萨诺瓦的感觉. 在“2月14日”标题来自我们记录了这一套的一天. 它有一个伟大的小shuffle的感觉与桥，似乎浮到天空. “人类学”是写的查理帕克其他乐曲，并根据节奏变化. 旋律非常notey，是技术设施“鸟”的示范，对他的中音萨克斯. “夏令时”是由乔治·格什温，可能是美国最流行的标准不断. 对于各种我们搬到这个版本C小调的关键，并做到了以缓慢的节奏. “我得到过青涩的你”一直是一个调爵士乐手喜欢玩. 和弦走动，就足以让你在你的脚趾. “慢蓝调”就是这样 - 一个非常缓慢的蓝调G中需要更多这样说. 而著名的民主党总统初选是发生在美国的希拉里·克林顿和奥巴马之间的这种光盘记录. “奥巴马国度”是在那个时候的东西我在当地报纸的看到了“读者来信”起飞节. 作家说，“如果奥巴马当选总统这将是一个Obamanation. “我觉得他们说的笑话. 如果你喜欢玩爵士乐，这种打法，一长会给你愉快的机会，时间和提高你的演奏技巧一路走来. 詹姆Aebersold.