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原文

Concerto for Horn. piano reduction. David Gillingham. Horn sheet music. Advanced.

译文

协奏曲为喇叭. 钢琴减少. 大卫·吉灵厄姆. 喇叭乐谱. 先进.

原文

Concerto for Horn. piano reduction. composed by David Gillingham. Chamber Ensemble. For Horn & Piano. solo horn in F, piano. Difficult. Piano reduction. Duration 20. 00. Published by C. Alan Publications. CN.14542. The first movement, Fanfares, starts slowly and mysteriously, using motives from the main thematic material of the movement. A brass fanfare ensues followed by an entrance by the solo horn hinting at the main thematic material to follow. The second movement, Supplication, is a fantasy based on a beautiful hymn tune. The third movement, Dance Refrains, is a lively and spirited romp cast mostly in 6. 8 meter and Bb minor, featuring a cadenza by the solo horn. The Gower Community Band of St. John's, NL, CANADA, Edsel Bonnell, Director, commissioned the Concerto for Horn and Symphonic Band. The concerto is cast in the usual three-movement format with the first and last movements structured in sonata-rondo design. The work is not intended to be programmatic, but titles have been given to each of the movements which allude to a musical style or mood. The first movement, Fanfares, starts slowly and mysteriously, using motives from the main thematic material of the movement answered by haunting falling minor thirds in the oboes and later in the low brass. A brass fanfare ensues followed by an entrance by the solo horn hinting at the main thematic material to follow. This section grows to a fanfare-like conclusion and leads to the allegro section and the first theme group. The first theme group is a spirited melodic line saturated with intervals of the perfect fourth that are commonly found in traditional fanfares. The low brass follow with the second theme group that contrasts the first with a flowing and lyrical line. The solo horn then brings back the first theme group and closes the exposition. The development seeks to extensively exploit motives from both theme groups in various guises and leads to the recapitulation. In the recapitulation, the solo horn carries both the first and second theme groups. This is followed by a partial return of the first theme group played in augmentation by low brass and woodwinds against fanfare riffs by the solo horn. The slow tempo of the introduction returns and the horn plays a sort of quasi-cadenza that is followed by a fast and rousing coda. The second movement, Supplication, is a fantasy based on a beautiful hymn tune composed by Gower Community Band Director, Edsel Bonnell. The hymn, A Prayer from Youth, was written for the Gower Youth Band for a special performance on May 30, 1975. The first verse and chorus are as follows. We ask not for gold or fame When we pray in Thy Great Name. Not for self or worldly gain Lord, we come to Thee. The earth, the sky, the flower, the tree, All creatures of the land and sea, Let us live at peace in Thee. Lord, this is our prayer. The third movement, Dance Refrains, is a lively and spirited romp cast mostly in 6. 8 meter and Bb minor. The sonata-rondo design of the movement is unique in that the second theme group in the exposition is based on the first theme group of the first movement and the second theme group of the recapitulation features the return of the verse of the hymn tune from the second movement accompanied by fanfare motives in the solo horn. The development section primarily features first theme group material. A cadenza by the solo horn is featured after a partial return of the first theme group in the recapitulation. The cadenza reworks first theme material and the hymn tune from the second movement. The dance-like first theme material returns and leads to a joyous climax in D major.

译文

协奏曲为喇叭. 钢琴减少. 由大卫·格林汉姆组成. 室内乐团. 圆号. 在楼的钢琴独奏圆号. 难. 钢琴减少. 持续20. 00. 发布时间由C.艾伦出版物. CN.14542. 第一乐章，声浪，开始缓慢，神不知鬼不觉，使用动机从运动的主要主题材料. 黄铜大张旗鼓随之而来其次是在暗示主要专题材料遵循一个入口由独奏圆号. 第二乐章，祈求，是基于一个美丽的赞歌调幻想. 第三乐章，舞蹈止息，是一个充满活力和昂扬的欢蹦乱跳6中大多投. 8米和降B小调，由独奏圆号设有一个华彩乐章. 圣约翰高尔社区乐队，NL，加拿大，埃兹尔邦内尔，董事，委托协奏曲非洲之角和管乐团. 这首协奏曲是投在三种常见的运动形式与结构的奏鸣曲回旋曲设计的第一个和最后一个动作. 这项工作的目的不是要编程，但是标题已经给每一个暗示一种音乐风格或情绪变动. 第一乐章，声浪，开始缓慢，神不知鬼不觉，使用动机从困扰落下小三在双簧管，后来在低黄铜回答了运动的主要主题材料. 黄铜大张旗鼓随之而来其次是在暗示主要专题材料遵循一个入口由独奏圆号. 本节将增长到大张旗鼓般的结论，并导致快板部分，第一专题组. 第一专题组是完美的第四个间隔饱和了热烈的旋律线是在传统的声浪中常见的. 低黄铜遵循与对比先用流动的和抒情行的第二个专题组. 的独奏圆号然后带回第一个专题组，并关闭博览会. 发展的目的，是广泛利用来自各种名目两个专题小组的动机，并导致再演. 在概括中，独奏圆号进行第一和第二专题组. 其次是由独奏圆号低的黄铜和木管乐器演奏增强对大张旗鼓的即兴演奏第一主题群的部分回报. 引进回报和喇叭的慢节奏起着一种准华彩乐段之后是一个快速鼓劲尾声了. 第二乐章，祈求，是基于一个美丽的赞美诗曲调由高尔社区乐团总监，埃德塞尔邦内尔组成的幻想. 赞美诗，从青年的祷告，是为高尔青年乐队写上1975年5月30日的特别演出. 第一首诗歌和合唱如下. 我们要求的不是黄金或名利当我们祈求祢伟大的名字. 不是为自己或世俗利益的主，我们来就你. 大地，天空，花，树，陆地和海洋的所有生物，让我们住在和平祢. 主啊，这是我们的祷告. 第三乐章，舞蹈止息，是一个充满活力和昂扬的欢蹦乱跳6中大多投. 8米和降B小调. 运动的奏鸣曲，回旋曲的设计是独一无二的，在论述第二个主题组是基于第一专题组的第一乐章和第二专题组再演的特色从赞美诗曲调的诗歌回归第二乐章伴随着独奏圆号大张旗鼓的动机. 发展部分主要特点第一专题组材料. 一个由华彩独奏喇叭后再演第一专题组的部分功能回归. 在华彩乐段返工第一主题材料，并从第二乐章的调赞歌. D大调的舞蹈样第一主题物质回报，导致了欢乐的高潮.