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原文

Suite Espanol Cataluna. Isaac Albeniz. Grade 4.

译文

套房西班牙语加泰罗尼亚. 艾萨克·阿尔班尼士. 四年级.

原文

Suite Espanol Cataluna composed by Isaac Albeniz. 1860-1909. Arranged by Juan Vicente Mas Quiles. For concert band. Countries. Arrangements of Classical Compositions. Classic Arrangement. Recorded on Great Transcriptions by J. V. Mas Quiles. ML.311052720. Grade 4. Score only. Duration 3 minutes, 23 seconds. Published by Molenaar Edition. ML.011418070-S. SUITE ESPANOLA 1. Granada - 2. Cataluna - 3. Sevilla - 4. Cadiz - 5. Asturias - 6. Aragon. It was in 1886 that Isaac Albnniz started writing this eight part suite for piano, shortly after his study period with Liszt. His manuscript only comprises the first three and the last of the actual set of eight pieces. The other parts were added, after the composer's death, by his publisher who extracted them from other compositions. These impressions of various Spanish regions illustrate the composer's ingenuity in portraying characteristic rhythms and his ear for refreshing keychanges. With the exception of 'Cataluna', all the pieces are ternary in structure, the central section being a 'copla', a sung interlude in a dance form, usually marking a turn from major to minor tonality. GRANADA is a serenade evoking the city which was very deeply marked by the Moorish culture. In this part, the guitar accompaniment is clearly suggested by simple chords underlying the melody. CATALUNA, the first part to be written, is dedicated to his mother and is also an ode to his native region. It is a'corranda', a somewhat mournful dance in 6. SE-VILLA starts with a characteristic 'sevillana', followed by a melancholic middle part in the form of a 'saeta', a typical Andalusian song which is improvised during the Holy Week processions. CADIZ has the more connected melodic line of a song. It is a melodious evocation of the southern Andalusian harbour at the Atlantic Ocean that used to be the gateway to South America. ASTURIAS is subtitled 'legend' and consists of a 'solea', an Andalusian Gipsy dancing song with verses consisting of three lines of eight syllables. The central part has been borrowed from 'Cantos de Espana' and has nothing in common with the popular Asturian music. it rather evokes a Moorish or oriental atmosphere. ARAGON. This region is suggested by the popular 'jota aragonese', a dancing song in 3. 4 or 3. 8 which was very popular in the nineteenth century. The jota consists of a quiet 'copla'. stanza. and an 'estribillo'. chorus. The central part slinks along languidly in thirds. It is the most pianistic of all parts, whereas the other parts seem in fact idiomatic to the guitar. Juan Mas Quiles wrote an orchestration for symphonic band of the first six parts - the last two 'Cuba'. Capricho. and 'Castilla'. seguidillas. have been omitted of this arrangement.

译文

套房西班牙语加泰罗尼亚艾萨克阿尔班尼士组成. 1860至1909年. 由胡安·维森特马斯基莱斯安排. 对于乐队演唱会. 国家. 古典乐曲的安排. 经典安排. 通过JV马斯基莱斯记录在大改编曲. ML.311052720. 四年级. 分数只. 时间3分23秒. 出版MOLENAAR版. ML.011418070-S. SUITE ESPANOLA 1. 格拉纳达 - 2. 加泰罗尼亚 - 3. 塞维利亚 - 4. 加的斯 - 5. 阿斯图里亚斯 - 6. 阿拉贡. 这是在1886艾萨克Albnniz开始写这8部分套件钢琴，他的研究期间，与李斯特后不久，. 他的手稿只包括前三个和最后的八件的实际组. 其他部分增加了，作曲家去世后，由他的出版商谁从其他成分中提取它们. 西班牙各地区的这些印象说明了作曲家的巧思在描绘特征的节奏和他的耳朵刷新keychanges. 除了“加泰罗尼亚”的，所有的作品都是在三元结构，中央部分是一个“copla”，在舞蹈形式演唱插曲，通常标志着从主要到次要音调一转. 格拉纳达是一个小夜曲唤起这个城市这是非常深深打上了摩尔人文化. 在这一部分中，吉他伴奏显然是由简单的和弦旋律相关建议. 加泰罗尼亚，要写入的第一个部分，是献给他的母亲，也是歌颂他的家乡地区. 这是a'corranda“，在6几分悲哀的舞蹈. SE-VILLA始于一个特色“SEVILLANA”，然后在一个'saeta'，一个典型的安达卢西亚歌曲是在圣周游行即兴的形式忧郁的中间部分. CADIZ有一首歌的更多连接旋律线. 这是南部的安达卢西亚港口的悠扬的召唤在大西洋曾经是通往南美. 阿斯图里亚斯的副标题是“传奇”，由一个“SOLEA'，安达卢西亚吉普赛人的舞蹈与歌曲的诗句组成的三条线的8个音节的. 中央部分被借用“诗章西班牙广场”，并没有任何共同之处与流行音乐阿斯图里亚斯. 它，而唤起了摩尔人或东方气息. ARAGON。这个地区，建议由流行的“JOTA阿拉贡”，舞蹈中3首歌曲. 4或3. 8这是非常流行，在十九世纪. 该JOTA由一个安静的'copla“的. 节. 和'estribillo“. 合唱. 中央部分slinks沿懒洋洋的三分之二. 它是最钢琴的所有部分，而其他部分似乎实际上惯用的吉他. 胡安·马斯基莱斯写了一个业务流程的第六个部分的管乐团 - 过去两年'古巴'. 怪念头. 和“卡斯蒂利亚”. seguidillas. 已这样的安排，省略.