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原文

Symphony No. 2. States Of Mind, Opus 87. Grade 5.

译文

第2交响曲. 国心态，作品87. 五年级.

原文

Symphony No. 2. States Of Mind, Opus 87 composed by Teo Aparicio Barberan. For Concert band. Concert works. Grade 5-6. Score and set of parts. Duration 0. 28. 38. Published by Beriato Music. BT.0704-1-374. I- Logos. reason. II- Pathos. emotion. III- Ethos. credibility. The ancient Greeks believed that music shaped the character of man. In Egyptian temples, music was an essential part of the magical rites to alter the course of nature or to treat illness. And today we know that sound can actually alter matter. The secret of music lies in harmony and mathematics, as many great musicians and experts have always known. One of the most important qualities of music is that it enables the listener to focus his attention inwards instead of on what is around him. It is indisputable that music can inspire emotion. Music leads us into a universe of emotions that are difficult to put into words. In short, music reaches into corners of our soul and thoughts that words cannot reach and makes it possible to more clearly describe these different States of mind. The composer of this symphony also believes that each musical argument must be constructed so that it will induce the desired reaction in the listener. Music. more than words In recent times, most orchestral symphonies have been based on a story, a text or something similar so that their composition must be structured accordingly. The intention of this work by Teo Aparicio-Barberan is quite different. The composer describes the three elements of the argument as the only formal structure of the work. Since certain philosophers in world history were able to subdivide grammatical argument, why shouldn't that also be possible for the musical argument. Since ancient times the power of the spoken word has captivated mankind. How can an argument move people and mobilise the masses. Where does the power of words come from today. The answer lays not so much in what people say but in how they say it. Rhetoric is one of the oldest humanist disciplines in Western civilisation. Aristotle, in the 4th century BC, called it the art of persuasion. Indeed, the terms rhetoric and persuasion are mutually interchangeable. More than 2000 years ago Aristotle structured his rhetoric according to the following three elements. the logos, the pathos and the ethos. Logos. words, reason. is the reasoning that gives freedom to the structure of the text by expressing what one wishes to say using specialist terms. With logos we create arguments to receive public approval and to defend our ideas. Pathos, the second element, refers to the effective use of public psychology. Pathos can be considered as the capacity to induce the desired emotional response in the public, by creating an emotional connection with the public so that they accept our message. The third element, ethos. credibility. , refers to the character of the speaker and is perhaps the most important of the three elements. Aristotle based his concept of ethos upon his belief that truth and justice will always have the upper hand over anger. He believed that what was true and good was easier to prove and was more persuasive. This second orchestral symphony from the composer from Enguera follows these three parameters of the argument according to Aristotle. Each movement tries to summon a different state of mind in the listener so that the message itself can be better understood and appreciated. Apart from these three general concepts the music is only structured, as Claude Debussy would say, in a formative way. The first movement, logos, is based on a scherzo melody that undergoes various changes in rhythm and harmony. The arguments are presented by means of conventional techniques of composition. The second movement, pathos, is characterised by suggestions of sound. It is subdivided into two large parts. The first part is based on a five seven sequence with five sounds that are repeated in different environments, structures and dynamics. The second part, which is largely tonal, brings out more directly the emotional overtones that each argument must have. The third movement, ethos, is a faithful rendition of the composer's personality. In this last part, clear rhythmic sequences stand out, there are large dynamic contrasts and lots of tone variation. In addition, and this is quite in keeping with the composer's earlier work, the harmony in States of Mind is handled in a manner that is both original and efficient, as a result of which Aparicio-Barberan's message is well understood by the listener. This second symphony by Teo Aparicio-Barberan is devoted to my dear Henrie Adams, a guiding light in this eternally dark musical world. Thank you for everything.

译文

第2交响曲. 国心态，作品由87张志贤阿帕里西奥BARBERAN组成. 对于乐队音乐会. 作品音乐会. 5-6级. 分数并设置部分. 持续时间0. 28. 38. 出版Beriato音乐. BT.0704-1-374. I-标志. 原因. II-悲情. 情感. III-校风. 信誉. 古希腊人认为，音乐形人的性格. 在埃及的神庙，音乐是神奇的仪式的重要组成部分，以改变自然的过程中或治疗疾病. 今天我们知道，声音其实可以改变事情. 音乐的秘密在于和谐与数学，因为许多伟大的音乐家和专家们都知道. 一首音乐的最重要的素质是，它使听者专注，而不是他的注意力向内，什么是他周围. 这是无可争辩的音乐可以激发情绪. 音乐带领我们进入的情绪难以言喻的宇宙. 总之，乐手伸进我们的灵魂的角落和想法，言语无法达到，使得它可以更清楚地描述心中的这些不同的国家. 这部交响曲的作曲家也认为，每个音乐参数必须构造使其诱发听众所期望的反应. 音乐. 超过的话在最近的时代，大多数管弦乐交响曲都是基于一个故事，一个文字或类似的东西，使自己的作文必须进行相应的结构. 这项工作张志贤阿帕里西奥-BARBERAN的目的是完全不同的. 作曲家描述参数的三要素作为工作的唯一正式结构. 由于在世界历史上的某些哲学家们能够细分语法的说法，为什么不说，还可能为音乐的说法. 自古以来口语的能力迷住了人类. 如何争论让人感动，发动群众. 哪里的话的力量来自今天. 答案奠定与其说是别人说什么，但他们怎么说. 修辞学是西方文明最古老的以人为本的学科之一. 亚里士多德，在公元前4世纪，它被称为说服的艺术. 事实上，该条款的言辞和劝说是相互互换. 根据以下三个要素超过2000多年前亚里士多德结构性他言辞. 徽标，悲怆和特质. 徽标. 也就是说，理由. 是的理由是通过表达什么人愿意用专业术语说给自由文本的结构. 与标识我们创建的参数，接受公众的批准，并保卫我们的想法. 悲怆，第二个元素，是指有效利用公共心理学. 感伤可以被视为以诱导在公共的期望的情感反应，通过创建与公众的情感联系，使它们接受我们的信息的能力. 第三个元素，气质. 信誉. 是指说话者的性格和也许是最重要的三要素. 亚里士多德根据他的精神理念在他的信仰，真理和正义将永远有过的愤怒占据上风. 他认为，什么是真正的好是比较容易证明，是更有说服力. 根据亚里士多德从Enguera地区作曲家第二个管弦乐交响曲如下的说法这三个参数. 每个动作试图召唤在听者头脑中的不同状态，使得该消息本身可以更好地理解和领会. 除了这三个基本概念的音乐是唯一的结构，如德彪西会说，在形成方式. 第一乐章，标志，是基于一个诙谐曲旋律经历的节奏与和谐的各种变化. 这些参数是由组成的常规技术手段呈现. 第二乐章，悲怆，特点是声音的建议. 它被分成两个大份. 第一部分是基于一个5 7序列与5的声音重复在不同的环境，结构和动力学那. 第二部分，这在很大程度上是色调，带出更直接的情感色彩，每个参数必须有. 第三乐章，精神气质，是作曲家的个性的忠实再现. 在这最后一部分，明确的节奏序列中脱颖而出，也有大的动态对比度和色调很多的变化. 此外，这是非常符合作曲家的早期作品，和谐的国家心灵的方式，既原始和有效的处理，其结果的阿帕里西奥，BARBERAN的消息被监听很好理解. 这第二交响曲张志贤阿帕里西奥-BARBERAN致力于亲爱Henrie亚当斯，在这个永远黑暗的音乐世界的指路明灯. 谢谢你做的一切.