活页乐谱 $60.00

原文

The Night Watch. Marimba sheet music. Percussion sheet music. Piccolo sheet music. Vibraphone sheet music. Xylophone sheet music.

译文

守夜. 马林巴琴乐谱. 锣鼓乐谱. 短笛乐谱. 电颤琴乐谱. 木琴乐谱.

原文

The Night Watch composed by Joseph Blaha. Percussion ensemble. For xylophone 1. snare drum, bubble wrap. , xylophone 2. orchestra bells, bongos, anvil, claves, piccolo snare drum, bubble wrap. , vibraphone 1. maracas. , vibraphone 2. temple blocks, ratchet. , marimba 1. 4.6-octave, metal wind chimes. , marimba 2. 4.6-octave,. 12 players. Difficulty. Difficult. Duration 2. 00. Published by C. Alan Publications. CN.52. To Hans ver Meulen and Ieke van der Veen, in commemoration of the Twentieth Anniversary of our friendship. - Joe and Sara Blaha. Several factors came together to inspire the writing of The Night Watch. Among them, of course, was the competiton that was held biennially in honor of my mentor and friend, Michael Hennagin. But, for whatever reason, I was thinking of not entering the contest. It was upon the urging of my colleague, Al Woijera of the Radford University Percussion Ensemble, that I seriously began to consider participating. In the last ten years of his life, Michael Hennagin become enormously interested in the percussion ensemble as a truly twentieth century. and composer friendly. musical vehicle. Certainly, his close relationship with Richard Gipson and the inspiration generated by the excellent musicianship of the University of Oklahoma Percussion Orchestra brought about the composition of the internationally known Duo Chopinesque and The Phanom Dances. When I first began teaching at Radford University, I was treated a bit like a celebrity because I had studied with the composer of Duo Chopinesque. A year later the Radford ensemble gave an expert reading of The Phantom Dances. Because of the relative newness of the percussion ensemble in western culture. neither Beethoven nor Brahms had written anything for a group of this type. and its inherent ability to explore new sonic possiblities and textures, Hennagin actively promoted the writing of music for the percussion ensemble to his students. His genius in writing for this ensemble, or, for that matter, any other instrument, was his ability to engage the listener to hear music in the smallest sound. And when his music was loud, it was an explosion. and every bit as dramatic. His sudden death in 1993 robbed us observing anyfurther manner in which he might have accomplished that effect. So, death, particularly Michael Hennagin's death, came to play a major part in the writing of The Night Watch. I chose as a source of inspiration for this piece Rembrandt's painting of the same name for three reasons. Sara. my wife. and I will be celebrating the twentieth anniversary of our first trip to Holland. Rembrandt's homeland. in 2001. the composition of Rembrandt's work provides amply interplay of shadow and light with the subject being the relative serenity of the central characters in the midst of hyperactivity. and, there just happens to be a drummer barely in the painting on the right side of the canvas. The writing of the work seemed to flow effortlessly from start to finish. I'm sure that some technical discussions might be warranted as to how the tonalities of E and D flat seem to emerge as representations of light and shadow. There may have been something like that going on. But what does the appearance of G major mean. For now, all I can say is that it all just sort of happened. - Joseph Blaha. About the OU Percussion Press. In 1977 the OU Percussion Orchestra and Ensemble embarked on a project that developed into a national model for the encouragement and development of new music for percussion ensemble. The OU Percussion Ensemble Commissioning Series regularly engages outstanding composers to write works for this medium. The Commissioning Series is responsible for the creation of some of today's staples in the percussion ensemble repertoire. In 1983 the University of Oklahoma funded the establishment of the OU Percussion Press, a non-profit extension of the percussion area. Through the Percussion Press, the commissioning series compositions plus other works expressly written for the OU Percussion Orchestra and Ensembles have been made available for purchase and performance by the world's leading percussion ensembles. The Percussion Press' catalog numbers more than 50 works, all published in a non-profit venture as a service to the profession.

译文

守夜人约瑟夫·布拉哈组成. 打击乐合奏. 对于木琴1. 小军鼓，泡沫包装. ，木琴2. 乐团的钟声，手鼓，砧，恒山，短笛小鼓，泡沫包装. ，电颤琴1. 沙球. ，电颤琴2. 寺庙块，棘轮. ，马林巴1. 4.6倍频程，金属风铃. ，马林巴2. 4.6倍频程，. 12名球员. 困难. 难. 持续时间2. 00. 发布时间由C.艾伦出版物. CN.52. 汉斯版本Meulen的和Ieke的van der Veen表示，为了纪念我们的友谊的二十周年. - 乔和Sara布哈. 有几个因素走到了一起，激发守夜的写作. 其中，当然，是为纪念我的导师和朋友，迈克尔Hennagin的每两年举办一次的与竞技. 但是，不管是什么原因，我在想没有进入比赛. 这是在我的同事中，Radford大学打击乐艺术团铝Woijera，的催促下，我开始认真考虑参与. 在过去的十年里他的生活，迈克尔Hennagin变得像一个真正的二十世纪的极大兴趣打击乐合奏. 和作曲家友好. 汽车音乐. 当然，他与理查德·吉普森和俄克拉何马大学的优秀音乐修养敲击乐团所产生的灵感密切的关系所带来的国际知名铎Chopinesque及侬舞蹈的组成. 当我第一次开始了教学在Radford大学，我被视为有点像一个名人，因为我已经研究了双核Chopinesque的作曲家. 一年后，雷德福合奏了幻影舞蹈的专家阅读. 因为在西方文化的打击乐合奏的相对新颖的. 既不是贝多芬勃拉姆斯也曾经为一组这种类型的东西写. 并探索新的声音的possiblities和纹理其固有的能力，Hennagin积极推动音乐的写作的打击乐合奏给他的学生. 他在写作的天才这个合奏，或者，对于这个问题，任何其他文书，是他的能力搞听众听到的音乐中最小的声音. 而当他的音乐是响亮，这是一个爆炸. 和每一点戏剧性. 他的突​​然死亡在1993年抢了我们观察中，他可能已经完成了这种效果anyfurther方式. 因此，死亡，特别是迈克尔Hennagin死后，来到了守夜的写作起到的重要组成部分. 我选择了作为灵感的同名这块伦勃朗的油画，原因有三源. 萨拉. 我的妻子. 和我将庆祝我们第一次去荷兰的二十周年. 伦勃朗的故乡. 在2001年. 伦勃朗的作品的构成提供了阴影和光线的充分互动，主题是在多动之中的核心人物相对平静. 并且，有恰好是一个鼓手勉强在画右边的画布. 这项工作的写作似乎从开始毫不费力地流向终点. 我敢肯定，一些技术性的讨论可能会被保证，如何E和D单位的音调似乎脱颖而出，光线和阴影的表示. 也许有类似的东西怎么回事. 但到底是什么的G大调平均外观. 现在，我只能说的是，这一切只是排序发生了. - 约瑟夫·布哈. 关于欧打击乐新闻. 在1977年的OU敲击乐团和合唱团走上了发展成为鼓励和发展新的音乐发展，打击乐合奏国家级示范项目. 该OU敲击乐合奏调试系列定期从事优秀的作曲家写的作品这个媒介. 调试系列是负责在打击乐合奏的曲目创建一些今天的主食. 1983年俄克拉何马大学出资成立的欧打击乐出版社，敲击区域的非营利性扩展. 通过敲击出版社，调试一系列成分加为OU打击乐乐团和合唱团明确书面等作品已可以购买和性能世界领先的打击乐合奏. 敲击按“目录号50多个作品，均发布在一个非营利性企业，以专业服务.