活页乐谱 $65.00

原文

Little Rootie Tootie. Guitar sheet music. B-Flat Trumpet sheet music. Drums sheet music. Percussion sheet music. Piano sheet music. Trombone sheet music. Advanced.

译文

小Rootie Tootie. 吉他乐谱. 降B大调小号乐谱. 鼓乐谱. 锣鼓乐谱. 钢琴乐谱. 长号乐谱. 先进.

原文

Little Rootie Tootie by The Thelonious Monk Big Band. Edited by Jeffrey Sultanof. Arranged by Oliver Nelson. For big band. 1 Alto Saxophone, 2 Tenor Saxophones, 1 Baritone Saxophone, 3 Trumpets, 3 Trombones, Guitar, Piano, Bass, Drums. Swing. Medium-difficult. Full score and set of parts. Published by Jazz Lines Publications. JL.JLP-8367. Background. Thelonious Monk had gone from a quirky pianist. composer to international star, in many ways thanks to a Columbia Records recording contract that began in 1962. Like fellow jazz artists on the label such as Dave Brubeck and Miles Davis, worldwide distribution of his recordings resulted in important engagements and tours all over the globe. By 1968 however, Columbia Records was changing its focus with regard to jazz and popular music. The home of Tony Bennett, Andy Williams and Johnny Mathis as well as Brubeck and Davis was now the home of Janis Joplin, Simon and Garfunkel, The Byrds and Paul Revere and the Raiders, so Bennett, Mathis and company were now encouraged to modernize. Miles Davis was going in that direction anyway, so he would have little problem at the label in the years to come. Mathis and Williams went pop. rock by choosing their songs carefully and were quite successful. Bennett refused to be something he wasn't, and finished out his contract with no support from the label. one of the albums he made during this period was one of his finest, arranged and conducted by Robert Farnon. it was barely released in the U.S. Brubeck just left the label. Thelonious Monk was in an unusual position at that time. He'd completed a problematic but successful international tour with an all-star octet. nonet, which was inexcusably not recorded by Columbia. some recordings from this tour are available on unauthorized CDs. He wasn't composing much new material, and Columbia wanted him to record songs written by the Beatles. His days were clearly numbered, but Columbia ended his contract with a bang. he made an album of his songs with big band. If anyone was a good fit to arrange the music of Thelonious Monk,. besides Hall Overton, arranger for Monk's appearances at Town Hall and Philharmonic Hall. , it was Oliver Nelson. By 1968, Nelson was a resident of Los Angeles after spending many years as part of the New York jazz scene. A saxophonist who had a very wide musical range, from rhythm and blues to hard bop and concert music for chamber groups and symphonic orchestra, he continued to write for singers, tour with his own small and large ensembles, and was now writing for television and motion pictures. He must have been delighted to work with Monk, but it was clear that this album was to be done quickly. Nelson's arrangements are very straightforward. theme, solos, out-chorus. , written for four reeds, six brass, guitar, bass, drums, and Monk. The album was recorded in three three-hour sessions, two of which were done in one day. The album itself received little publicity, and did not last long in the www. Notes to the Conductor. As stated above, these arrangements are not complex and can be easily prepared for concerts and competitions. They can be opened up for any and all soloists, not just piano, trumpet and tenor sax. We have chosen to leave the instrumentation the way Nelson had it. 4 reeds, 3 trumpets, 3 trombones, guitar, piano, bass, drums. no optional parts have been added. When Nelson arranged these pieces, there were no lead sheets, so Monk played them for the arranger, who took them down. Several years ago, publisher Don Sickler prepared a folio of Monk lead sheets published by Thelonious Music and distributed by Hal Leonard. I was one of the editors who worked with Don. All melodies in these big band settings conform to the authorized versions of the compositions as published in the Monk fakebook. This arrangement is based on Oliver Nelson's original autograph score - this is not a transcription. Jeffrey Sultanof -February 2010 Note. The sound sample is courtesy of the Manhattan School of Music's Concert Jazz Band, conducted by Justin DiCioccio.

译文

小Rootie Tootie由该蒙克大乐队. 由Jeffrey Sultanof编辑. 由奥利弗·纳尔逊安排. 对于大乐队. 1中音萨克斯，2次中音萨克斯風，1低音萨克斯管，小号3，3长号，吉他，钢琴，贝斯，鼓. 摇摆. 中难. 全部分数和组零件. 发布者：Jazz线出版物. JL.JLP-8367. 背景. 蒙克已经从一个古怪的钢琴家了. 作曲家为国际巨星，在许多方面得益于始于1962年哥伦比亚唱片录制合同. 像标签，如戴夫·布鲁贝克和迈尔斯戴维斯对同胞的爵士乐艺术家，他的唱片在全世界的分布导致了重要的接触和游览全球各地. 到1968年，然而，哥伦比亚唱片公司正在改变其重点是关于爵士乐和流行音乐. 托尼·班尼特，安迪·威廉斯和约翰尼马西斯的家，以及布鲁贝克和戴维斯现在詹尼斯乔普林，西蒙和加芬克尔，该酒吧的和保罗·里维尔和攻略，让本内特，马西斯和公司的家现在被鼓励现代化. 迈尔斯戴维斯要去那个方向，无论如何，所以他不会有什么问题，在标签的岁月. 马西斯和威廉姆斯又流行. 岩石通过仔细选择他们的歌曲，并相当成功. 贝内特拒绝的东西他没有，并且完成了他没有从标签支持合同. 他在此期间所做的专辑之一是他最好的之一，安排并进行了由罗伯特·Farnon. 它几乎没有发表在中美. 布鲁贝克刚出标签. 蒙克是当时一个不寻常的位置. 他已经完成了一个有问题的，但成功的国际巡回演出的全明星八位. 九重态，这是不可原谅不是由哥伦比亚记录. 可在未经授权的CD从这次巡演的一些录音. 他并没有构成多大新材料，哥伦比亚希望他录歌写的披头士. 他的日子进行了明确的编号，但哥伦比亚结束了他伴随着一声巨响合同. 他做了他的歌曲专辑与大乐队. 如果有人是一个不错的选择，安排蒙克的音乐，. 除了大厅奥弗顿，编曲为僧的出现在市政厅和爱乐音乐厅. ，这是奥利弗·尼尔森. 到了1968年，纳尔逊是洛杉矶的居民花费多年被评为纽约爵士乐坛的一部分后，. 一个萨克斯管谁了一个很宽的音域，从节奏蓝调硬波普和音乐会音乐室内乐和交响乐乐团，他继续写的歌手，游览与他自己的小型和大型合奏，并现在写电视和电影. 他一定是很高兴与和尚的工作，但很明显，这张专辑是为了求快. 尼尔森的安排很简单的. 主题，独奏，外合唱. ，四芦苇，黄铜六，吉他，贝司，鼓，以及僧侣写. 册页被记录在三个三个小时的会议，其中两个在一天内完成了. 该专辑本身很少得到宣传，并没有持续多久在WWW. 附注导体. 如上所述，这些安排并不复杂，可以举办音乐会和比赛很容易地制备. 他们可以开起来的任何及所有独奏家，不只是钢琴，小号和高音萨克斯. 我们选择离开仪器的方式尼尔森有它. 4芦苇，3小号，长号3，吉他，钢琴，贝司，鼓. 任何选件已添加. 当尼尔森安排这些作品，没有铅片，所以和尚打他们的编曲，谁拿了下来. 几年前，出版商唐Sickler编制THELONIOUS音乐出版和哈尔伦纳德分布僧铅板的对开. 我是谁与唐合作的编辑之一。在这些大的波段设定所有的旋律符合该组合物的授权版本，在僧fakebook公布. 这样的安排是基于奥利弗·纳尔逊的原始签名得分 - 这是不是一种转录. 杰弗里Sultanof ​​- 2010年2月注. 声音样本是礼貌音乐的音乐会爵士乐队的曼哈顿学院，由Justin DiCioccio进行.