活页乐谱 $20.00

原文

Sacred Marimbist, The. Volume 1. Marimba sheet music. Percussion sheet music. Advanced.

译文

神圣Marimbist，该. 第1卷. 马林巴琴乐谱. 锣鼓乐谱. 先进.

原文

Sacred Marimbist, The. Volume 1. composed by David R. Gillingham. Percussion Ensemble. For Marimba. 4-mallet. marimba. 5-octave. Medium to difficult. Duration 20. 00. Published by C. Alan Publications. CN.16600. David Gillingham's collection of hymns arranged for solo marimba fills a large void in the repertoire. His 8 masterful settings accentuate the best qualities of the marimba. Most are appropriate at any time throughout the liturgical calendar making this book extremely versatile. Prelude on Be Thou My Vision - Traditional Irish Melody Mary E. Byrne wrote the words to this hymn in 1905 and set it to a gorgeous old Irish melody, Slane. Gillingham used this hymn in a version for symphonic band by the same name that has found its way into the standard repertoire. The melody is haunting and is reminiscent of plainchant and is suggestive of prayer, trust and hope. This setting is appropriate for any liturgical use. Prelude on Nearer My God To Thee - Lowell Mason This hymn, known as Bethany, uses words by Sarah F. Adams, 1841, and music by Lowell Mason, 1856. It is a very intimate hymn of sanctification and grace and is most appropriate during the general church year with the exception of Advent and Easter. It has been said that the orchestra on board the Titanic played this hymn while the ocean liner was tragically sinking. Chorale & Variations on Under the Magical Wing - David R. Gillingham This is an original hymn written by Gillingham that was used as the primary melodic material in a work for symphonic band by the same name. The band work was commissioned by the band boosters of the Eleanor Roosevelt High School Music Department in Greenbelt, MD, in honor of long time band director, Sally Sterrett Wagner. The words to the hymn reflect how, under the guidance of the 'magical wing'. of Ms. Wagner. , students have been challenged to follow their dreams and spread the joy of music throughout the world. This arrangement can be used during any part of the liturgical year. Lord of the Dance - 19th Century Shaker Tune The words of this hymn by Sydney Carter tell the story of the life of Jesus Christ. Its inclusiveness of the entire liturgical calendar make it appropriate for any sacred occasion. The vivacious dance rhythms and changing tonality of this setting make it a perfect selection for special music during the worship service. Meditation on Softly and Tenderly Jesus Is Calling - Will Thompson The words and music for this beautiful hymn were written by Will Thompson in 1880. It has often been used at funerals, but can be used anytime during the litugical year with the exception of Lent, Easter and Advent. According to the teachings of John Wesley, it would be categorized under 'prevenient grace. ' Variants on Come Christians Join to Sing - Traditional Spanish Hymn The words of this hymn were written in 1843 by Christian Henry Bateman and set to an uplifting old Spanish hymn. Gillingham used this hymn as the basis of his symphonic band work, With Heart and Voice. The band version features an original melody by Gillingham that partners with the hymn and is featured in Variation II of this setting. The hymn celebrates grace and would be appropriate year round in the worship cycle. Toccata on I am Thine O Lord - William H. Donne Fanny J. Crosby wrote the words to this hymn in 1875 based on Hebrews 10. 22 in the Bible. William H. Donne wrote the vibrant musical setting. This is a truly uplifting hymn expressing the joy of grace and sanctification. It would be appropriate during any part of the liturgical year other than Lent and Advent. Postlude on Azmon - Carl G. Glaser This hymn, commonly known as O For a Thousand Tongues to Sing, is a favorite of Gillingham, who grew up playing hymns on an old 'pump' organ. harmonium. and then later playing organ in church through high school, college and graduate school. The words were written by Charles Wesley in 1739 and the music by Carl G. Glaser in 1839. The hymn is filled with praise and thanksgiving and is appropriate to use during any part of the church year with the exception of Lent and Advent.

译文

神圣Marimbist，该. 第1卷. 由David R.吉林汉姆组成. 打击乐合奏. 对于马林巴. 4槌. 马林巴. 5倍频程. 中等至难. 持续20. 00. 发布时间由C.艾伦出版物. CN.16600. 安排木琴独奏赞美诗大卫吉林汉姆的集合填充一个大的虚空中的曲目. 他8高超的设置突出了木琴的优秀品质. 最适合在整个礼仪年历使这本书非常多才多艺的任何时间. 在前奏曲作我视野 - 爱尔兰传统曲调玛丽E拜恩写的话这首诗歌在1905年将其设置为一个美丽的古老的爱尔兰旋律，斯莱恩. 吉林汉姆用这首诗歌在一个版本的交响乐队由已找到了进入的标准功能相同的名称. 旋律萦绕心头，是让人联想到的plainchant并暗示祈祷，信任和希望. 此设置适用于任何使用礼仪. 前奏的更近我的上帝给你 - 洛厄尔梅森这样的赞歌，被称为伯大尼，使用词的莎拉F.亚当斯，1841年，和音乐洛厄尔梅森，1856. 它是圣洁和优雅的一个非常亲密的赞歌，是最合适在一般教会年历除降临和复活节. 据表示，在船上泰坦尼克乐团演奏了这首赞美诗，而远洋班轮惨遭下沉. 合唱. 乐队工作委托埃莉诺·罗斯福高中音乐系在马里兰州格林贝尔特，以纪念长时间乐队指挥，莎莉斯特雷特瓦格纳的带助推器. 话到赞歌反映怎么样，“神奇的翅膀”的指导下，. 瓦格纳女士. ，学生们受到了挑战追随自己的梦想和传播音乐的乐趣在世界各地. 这样的安排可以在任何部分礼仪年的使用. 舞王 - 19世纪沙克尔调整这首诗歌的话是悉尼卡特告诉耶稣基督的生平故事. 它的整个礼仪的日历包容性使其成为任何神圣的场合适当的. 活泼的舞蹈节奏和此设置的改变音调，使其成为崇拜时的完美选择特殊的音乐. 冥想的轻声温柔耶稣呼唤 - 威尔·汤普森的词和音乐为这个美丽的赞歌是在1880年写的威尔·汤普森. 它经常被用在葬礼，但可以在litugical年内除斋，复活节和降临的任何时间使用. 据约翰卫斯理的教导，它会前的宽限期根据“归类. “变种来吧基督徒加入唱 - 传统的西班牙歌这首圣诗的话写于1843年由基督教亨利贝特曼，并设置为令人振奋岁的西班牙的赞歌. 吉林汉姆用这首诗歌作为他的管乐团工作的基础上，随着心脏和语音. 该乐队版本的功能由吉林汉姆原始的旋律，与赞美诗合作伙伴和的特点是在此设置的变体II. 赞美诗庆祝恩典，并会适当常年在崇拜周期. 托卡塔上我是你的主啊 - 威廉·H·邓恩芬妮J.克罗斯比写的话这首诗歌在1875年的基础上希伯来书10章. 在圣经中22. 威廉·多恩写的充满活力的音乐设置. 这是一个真正令人振奋的赞歌表达的恩典和圣洁的喜悦. 在任何部分礼仪年其他，这将是适当的比斋和临. 片尾曲上押们 - 卡尔G.格拉泽这首赞美诗，俗称O对于千方言唱，是人们喜爱的吉林汉姆，谁从小玩赞美诗在一个旧'泵'器官. 簧风琴. 再后来经过高中，大学和研究生院打器官教堂. 的话是在1739年写的查尔斯韦斯利和1839年的音乐由Carl G.格拉泽. 赞美诗充满了赞美和感谢，并适当在与例外的四旬期和将临的任何部分教会年使用.