活页乐谱 $34.00

原文

Visions of the Anointed. Daniel McCarthy. Cello sheet music. Viola sheet music. Violin sheet music. Advanced.

译文

受膏者的愿景. 丹尼尔·麦卡锡. 大提琴乐谱. 中提琴乐谱. 小提琴乐谱. 先进.

原文

Visions of the Anointed composed by Daniel McCarthy. Chamber Ensemble. For String Quartet. violin I, violin II, viola, cello. Chamber Music. Medium difficult. Score and parts. Duration 30. 00. Published by C. Alan Publications. CN.10760. The first movement, "New Vision," is a dense conversation among the quartet. In a complete musical turn-around from the first movement, the next movement, "Isadora. Dance. " comes bounding on the listener with lively strumming. complete with guitar-style picking. and open string strumming, giving the feelings of body movement, gyrations, jumping, and leaping. On a more personal level, I wrote the next movement after Edgar Allan Poe, with whom I closely identify. The fourth movement is a virtuosic blast. Commissioned by The Harrington String Quartet of West Texas A & M University and The Amarillo Symphony. The title comes from the book of the same name by Thomas Sowell. The quartet is named after the book "The Vision of the Anointed. Self-Congratulation as a Basis for Social Policy" by Thomas Sowell, The Rose and Milton Friedman Senior Fellow on Public Policy at the Hoover Institution. The "Anointed," in this case, are four great American creators. An author, a dancer, a poet, and a rock guitarist. All these artists hold a special fascination for me as entrepreneurs of thought and creativity. The first movement, "New Vision," is dedicated to economist and social philosopher, Thomas Sowell. Ph.D., The University of Chicago. Sowell, reviled by the intellectual "elite," is definitely "off-the-plantation" when it comes to "politically correct" thinking. An African-American, Dr. Sowell challenges much of the excepted academic views of politics and society. The musical language of the movement is a dense conversation among the quartet. The high degree of rhythmic stratification features the fingered tremolo and the trill, which later becomes written in measured figures. The large, multi-sectional form of the movement provides for moments of lyric melodicism amidst the relatively dissonant and rhythmic tumultuous sections of serious political arguments. In a complete musical turn-around from the first movement, the next movement, "Isadora. Dance. " comes bounding on the listener with lively strumming. complete with guitar-style picking. and open string strumming. The early 20th century Dancer, adventurer, and revolutionist, Isadora Duncan was credited with inventing what was later to be know as "Modern Dance. " Her style of dance and choreography included free and natural movements inspired by the classical Greek arts, folk dances, American athleticism which included skipping, running, jumping, leaping, tossing. So this movement abounds with rhythm unrestricted by predictable metric parameters. The rhythms give the feelings of body movement, gyrations, jumping, and leaping. On a more personal level, I wrote the next movement after Edgar Allan Poe, with whom I closely identify. Poe led a strange life, feeling different and isolated from humanity. Much of his writings are fixated on the Macomb due to several deaths of loved ones and his inability to let go of them. In a particularly dark period of his life, he wrote the poem, "Alone," which has haunted me since I read it. The opening reads. From childhood's hour I have not been As others were. I have not seen As others saw. I could not bring My passions from a common spring. From the same source I have not taken My sorrow. I could not awaken My heart to joy at the same tone. And all I loved, I loved alone. The fourth movement is a virtuosic blast. When it came to the writing of this final movement, I was at the end of three commissions from The Harrington Quartet--and, out of ideas. In my travels, I love to listen to old rock and roll recordings--not the least of which is Led Zeppelin. When I was a kid in Junior High School, and a classically trained pianist and trumpet player, I would sneak on my head phones and blast Led Zeppelin I and II through my head phones, learning to play electric bass along with the tunes on these albums. My favorite was a tune on Led Zeppelin II, "Heartbreaker. " The most unusual thing on "heartbreaker" was the guitar cadenza taken in the middle of the tune by rock guitar legend Jimmy Page--hence, the title, "Turn The Page. " I had never heard anything like it--it was like a violin cadenza in a Mendelssohn Violin Concerto. metrically free, virtuosic, and exiting. During this period of time I was contemplating how I was going to finish "Visions of the Anointed," I woke up one night thinking of this Jimmy Page cadenza and the idea came to me to base the last movement on this solo. So various gestures and lines from this solo are transcribed and taken into far-reaching variations for The Harrington String Quartet as they Turn The Page.

译文

受膏者的视野由丹尼尔·麦卡锡组成. 室内乐团. 弦乐四重奏. 我的小提琴，第二小提琴，中提琴，大提琴. 室内乐. 中等难度. 得分和零件. 时间30. 00. 发布时间由C.艾伦出版物. CN.10760. 第一乐章，“新视通”，是一种高密度的对话四方之中. 在一个完整的音乐掉头从第一个动作，下一个动作，“伊莎多拉. 舞蹈. “来自边界与活泼的扫弦听众. 完整的吉他风格的采摘. 与开弦弹奏，给人的身体运动，回旋，跳跃，跳跃的感受. 在个人层面，我写了一个运动埃德加·爱伦·坡后，我与他密切识别. 第四乐章是一个才华爆炸. 由西德克萨斯A的哈林顿弦乐四重奏委托. 标题来自同一个名字的托马斯·索维尔书. 这本书的“受膏者的愿景后，四方命名. 沾沾自喜作为社会政策的基础“由托马斯·索维尔，玫瑰和米尔顿·弗里德曼高级研究员公共政策胡佛研究所. 在这种情况下，“受膏者”，有四个伟大的美国人创造者. 一个作家，舞蹈家，诗人，和摇滚吉他手. 所有这些艺术家们举行一个特别的迷恋我，思想和创造力的企业家. 第一乐章，“新视通”，是专门为经济学家和社会哲学家托马斯·索维尔. 博士，芝加哥大学. 索维尔，由知识产权唾骂“精英”，肯定是“现成的种植园”，当谈到“政治正确”的思维. 一个非洲裔，索维尔博士挑战很多政治和社会的除外学术观点. 运动的音乐语言是一个密集的交谈中四重奏. 节奏分层的高度采用了多指颤音和颤音，后来慢慢地和测量数字书写. 运动的大型，多断面形状为抒情melodicism时刻之中的严重的政治争论比较不搭调而有节奏的喧嚣节. 在一个完整的音乐掉头从第一个动作，下一个动作，“伊莎多拉. 舞蹈. “来自边界与活泼的扫弦听众. 完整的吉他风格的采摘. 与开弦弹拨. 早在20世纪舞者，冒险家和革命家，邓肯相信了发明什么，后来是知道的“现代舞. “她的舞蹈和编舞的风格包括自由和自然运动的灵感来自古希腊艺术，民间舞蹈，美国运动包括跳绳，跑步，跳跃，跳跃，折腾. 因此，这个运动盛产的节奏由预测的指标参数不受限制. 节奏给身体运动，回旋，跳跃，跳跃的感受. 在个人层面，我写了一个运动埃德加·爱伦·坡后，我与他密切识别. 坡率领一个奇怪的生活，感受不同的和孤立的人性. 他的许多作品都迷恋上马科姆因亲人数人死亡和他的无能，让他们去的. 在他的生命中一个特别黑暗的时期，他写的诗，“当家”，这一直困扰着我，因为我读了. 开幕读取. 从童年的时光，我一直没当其他人. 我还没有看到由于看到别人. 我不能从一个共同的春天带来我的心情. 来自同一来源我没有我的悲哀. 我无法唤醒我的心脏以喜悦的语气一样. 和所有我喜欢，我喜欢孤独. 第四乐章是一个才华爆炸. 当它来到这个最后的运动的写作，我在距离哈灵顿四方三个委员会的结束 - 和，出出主意. 在我的旅行，我喜欢听老摇滚唱片 - 不是其中最重要的是齐柏林飞艇. 当我还是个孩子在初中和钢琴师和小号的球员，我会偷偷在我的头上手机和爆炸齐柏林飞船I和II，通过我的头手机，学习以及在这些专辑中的音乐演奏电贝司. 我最喜欢的是齐柏林飞艇II一首曲子，“令人伤心的. 令人伤心“上最不寻常的事情”，“在调的中间由摇滚吉他传奇人物吉米·佩奇采取的吉他华彩乐章 - 因此，标题，”翻开新的一页. “我从来没有听说过这样的事情 - 它就像一个门德尔松小提琴协奏曲小提琴华彩乐章. 韵律免费，才华，和退出. 在这段时间我正在考虑我如何去完成的“受膏者的愿景，”我醒来的时候这个Jimmy Page的华彩乐段的一个晚上的思考和想法来跟我在此基础上个人的最后乐章. 所以，各种手势和线条从这个独奏被转录和考虑深远的变化对于哈林顿弦乐四重奏，他们翻开新的一页.