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原文

Am Strande. At the beach. Hans von Bulow. A Cappella sheet music. Beginning.

译文

上午Strande的. 在沙滩上. 汉斯·冯·比洛. 无伴奏合唱乐谱. 开始.

原文

Am Strande. At the beach. At the beach. Composed by Hans von Bulow. 1830-1894. For SATB choir, a cappella. Secular. Moderately easy. Octavo. Composed 1861. 8 pages. Published by E.C. Schirmer Publishing. EC.6619. Hans von Bulow. 1830-1894. was one of the 19th century's foremost musicians. His most lasting musical contribution was as a conductor. Bulow gave the premiere performances of many of the 19th century's most important works, such as Brahms' Symphony No. 4 and Wagner's Tristan und Isolde and Die Meistersinger von Nurnberg. Bulow was a powerful advocate of Liszt. Richard Pohl was another of Liszt's devotees, a tireless champion of the New German School in general and of Liszt's music in particular. Pohl and Bulow were part of Liszt's inner circle and each undoubtedly became acquainted with the other's genius during those years. Bulow set Pohl's poems in 1861-62 while he was living and teaching in Berlin. The five were published by C. F. Kahnt of Leipzig in 1867. These five choral pieces are almost unknown today, even though they are excellent examples of the High Romantic style. Bulow's harmonic language does not approach the extreme chromaticism of Wagner or Liszt. nevertheless, it is innovative. The most notable feature of these works, however, is his use of mixed meters in Wanderziel. Pohl's texts typify the Romantic aesthetic. the artist as outsider, a preoccupation with nature, intense self-consciousness, a tendency towards melancholy, a fascination with and romanticized view of death - all imbued with deeply felt. almost maudlin at times. emotional expression. Attuned to Pohl's textual accents and use of heightened language, Bulow interchanges duple and triple meters to great effect at a time when composers were conservative in their use of meter even as they were stretching tonality to its limits. - Paraphrase of program notes by David Friddle.

译文

上午Strande的. 在沙滩上. 在沙滩上. 由汉斯·冯·布洛组成. 1830-1894. 对于SATB合唱团，清唱. 世俗. 适度宽松. 第八. 由1861. 8页. 出版E.C.泪液分泌出版. EC.6619. 汉斯·冯·比洛. 1830-1894. 是19世纪最重要的音乐家之一. 他最持久的音乐贡献是作为指挥. 布洛给了许多19世纪最重要的作品，如勃拉姆斯“第四交响曲和瓦格纳的特里斯坦与伊索尔德的首映表演和纽伦堡的名歌手. 布洛是李斯特的有力倡导者. 理查德·波尔是另一个的李斯特的奉献，新德国学校的李斯特的音乐尤其是一般和一个不知疲倦的冠军. 波尔和布洛是李斯特的内圆的一部分，在这些年里的每个无疑是结识了其他的天才. 布洛设置波尔的诗在1861年至1862年，而他的生活和教学在柏林. 五是由莱比锡CF Kahnt于1867年出版. 这五个合唱作品几乎是未知的今天​​，即使他们是高浪漫主义风格的很好的例子. 布洛的和声语言不接近瓦格纳或李斯特的极端半音. 然而，它是新颖. 这些作品的最显着的特征，但是，他利用混合米Wanderziel. 波尔的文本是所谓的浪漫唯美. 艺术家作为局外人，与大自然的密切关注，强烈的自我意识，对忧郁的倾向，具有魅力和死亡的浪漫观点 - 处处洋溢着深深感受到. 有时几乎是伤感. 情感表达. 切合波尔的文字口音和使用提高语言，布洛互换二倍和三倍米有很大的影响，而当时作曲家在使用仪表是保守的，即使他们被拉伸的音调到了极限. - 的程序注释由大卫Friddle释义.