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原文

Prologue, Reflection, and Jubilation on York. James Biery. Organ Solo sheet music. Advanced.

译文

序章，反思，并在纽约喜庆. 詹姆斯Biery. 器官独奏乐谱. 先进.

原文

Prologue, Reflection, and Jubilation on York composed by James Biery. For organ. Spiritual. Difficult. Published by MorningStar Music Publishers. MN.12-120. In Biery's search for possible material on which to base this commission for The Congregational Church of Green's Farms, Westport, Connecticut, he came across the hymn "O Lord, Almighty God, Thy Works. " The history of the text coupled with the quirky angularity of the melody proved irresistible. The hymn was one of several 'hymns and spiritual songs' found in the third edition. 1651. of the Bay Psalm Book. The Bay Psalm Book was published by the Congregationalist settlers in the Massachusetts Bay Colony. in 1640 it was the first book published in English in North America. "O Lord, Almighty God" was popularly known as "The Song of Moses and the Lamb" and was sung at the first great council of Congregational churches in New England, the Cambridge Synod of 1648. The hymn is sung to the tune YORK, which is one of the twelve Common Tunes from the Scottish Psalter of 1615. At one time in England it was second only to OLD HUNDREDTH in popularity. Even though the Prologue, Reflection, and Jubilation is based on the tune YORK, the entire melody is not heard until the third movement. The Prologue is a tribute to one of Biery's favorite 20th century composers, Maurice Durufle. The running figuration heard throughout is built upon the first four notes of the hymn. The main theme, played on the string stops, begins with the ascending triad of the opening phrase of the hymn. transformed to the minor mode. The first movement melts into the second, a serene 'Reflection. ' Once again the melodic line begins with the first four notes of YORK. An improvisatory recitative passage leads into the final 'Jubilation. ' This movement pays homage to Calvin Hampton, the gifted and innovative New York composer who died in 1984, at the age of forty-six. Again the rising triadic motive is prominent, now in the major key. The hymntune is first heard in the pedal part, and then triumphantly in a final grand statement.

译文

序章，反射和喜庆的约​​克由詹姆斯Biery组成. 器官. 精神. 难. 发布时间由晨星音乐出版. MN.12-120. 在Biery的搜索在其基础上该委员会的公理教会格林农场，康涅狄格州，可能的材料，他遇到了赞歌“主啊，全能的上帝，你的作品. “再加上旋律的古怪棱角文字的历史证明了不可抗拒. 赞歌是第三版发现了几个“颂词，灵歌'之一. 1651. 在海湾圣诗的. 在海湾圣诗在马萨诸塞湾殖民地出版的公理定居. 在1640年它是第一本书出版的英语在北美. “主啊，全能的上帝”被俗称为“摩西之歌和羔羊”，并在演唱公理教会在新英格兰，1648年剑桥宗教会议的第一个伟大的议会. 圣歌是唱的调YORK，这是从1615年苏格兰诗篇十二常用曲调之一. 曾经有一段时间在英国是仅次于OLD 100次流行. 尽管序章，反射和喜庆基于调YORK，整个旋律是没有听说过，直到第三乐章. 序章要归功于一个Biery最喜爱的20世纪作曲家莫里斯·迪吕弗莱. 整个听到的运行成形是建立在第一四个音符的赞歌. 主旋律，发挥对字符串停止，开始的赞美诗的开头语升黑社会. 变换到较小的模式. 第一乐章融入第二，一个宁静的反思. “再一次的旋律线开始前四个音符YORK的。一个即兴吟诵道通向决赛'喜庆. “这一运动致敬卡尔文·汉普顿，优，创新纽约作曲家谁在1984年去世，享年46岁. 再次上升三元动机是突出的，现在在全国各大重点. 该hymntune是第一次听到，在踏板部分，然后得意洋洋地在最后盛大声明.