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原文

In Bach's Studio. David Liebman. Saxophone sheet music.

译文

在巴赫的工作室. 大卫·利伯曼. 萨克斯乐谱.

原文

In Bach's Studio composed by David Liebman. 1946-. Saxophone Quartet. For Saxophone Quartet. SATB. Grade 5. Full Score and Set of Parts. Published by Advance Music. AV.7608. The Inspiration In religion there is Mecca for Muslims, the Wall for Jews, the Holy Sepulchre for Christians and so on. These are places in the world where the vibrations are extremely intense and usually commemorate some historical person or event or special significance to a select population. Whenever possible, it is incumbent upon individuals who believe in something to make a pilgrimage to such a site. For musicians of all styles, one such place is the city of Leipzig, Germany. Specifically, it is the Thomaskirche, the church where Bach spent so many years as the choir master, pouring forth work after work for weekly masses and celebrations. While on tour during the mid-1990s with my group, we performed in Leipzig. The morning after our performance, pianist Phil Markowitz and myself went to that church. Fortuitously, an organist was practicing Bach at that very hour. Sitting there for a while, absorbing the feeling of the very room where so much creativity and beauty took place, was one of the highlights of my travels over the years. This piece was inspired by the master, J.S. Bach. The Composition As befitting a piece dedicated to Bach, I composed a four-part chorale for the standard saxophone quartet. It is not a chorale in the formal sense, only expressively speaking. Using uneven bar lengths, I tried to create an unpredictable flow, since there is a preponderance of block chord movement. In concurrence with some of the ideas expressed in my book A Chromatic Approach to Jazz Melody and Harmony. Advance Music. , I loosely followed along the lines of what I call interval categories. Letter A is built on seconds and thirds. letter B on fourths and fifths. letter C on seconds, thirds and especially sixths. letter D on seventh and ninths. For my aesthetic, each interval category portrays a unique expressive atmosphere. There is no overriding theme or chord progression. The composed solos are optional and will work well with the piece. Although I have provided some phrase and dynamic markings for these sections, those who do use the written material can freely interpret the music. On the other hand, if improvising musicians would like to express their unique talents, they should do so in each section, using the appropriate interval category as the basis for their improvisation. In any case, the short solos towards the end of the piece should be played as written. David Liebman's career has spanned over three decades, beginning with his apprenticeship years in the early 1970s as a member of the Elvin Jones and Miles Davis Groups. Since then he has lead his own groups featuring musicians like John Scofield, Adam Nussbaum, Richie Beirach, Billy Hart and others. His present quartet features guitarist Vic Juris and has been together since 1991. He consistently places in the Top Five Soprano Saxophonists in the Downbeat Critic's Poll. Liebman has recorded nearly 300 albums with nearly 100 under his leadership featuring several hundred original compositions in many different idioms including unusual arrangements of jazz standards, chamber music, big band, fusion and piano. saxophone duos. In jazz education he is a renowned lecturer and author of several milestone books translated into various languages as well as teaching videos and published chamber music. He is the Founder and Artistic Director of the International Association of Schools of Jazz. IASJ. , an organization of jazz schools from over 40 countries. Awards include an Honorary Doctorate from the Sibelius Academy. Helsinki, Finland. Grammy nomination for Best Solo in 1998. induction into the International Association of Jazz Educators Hall of Fame in 2000.

译文

在巴赫的工作室由大卫·利伯曼组成. 1946年 - . 萨克斯四重奏. 对于萨克斯四重奏. SATB. 五年级. 满分和设置零件. 出版高级音乐. AV.7608. 的启示在宗教有麦加的穆斯林，长城为犹太人，圣墓基督徒等. 这是世界的地方震动非常强烈，通常纪念某些历史人物或事件或特殊意义的一个选择人口. 只要有可能，它是对个人谁相信的东西，使朝圣这样的网站有责任. 对于各种风格的音乐家，这样一个地方是城市莱比锡，德国. 具体来说，它是圣多马，教会在那里巴赫花了这么多年，合唱团大师，倾​​吐工作下班后每周群众和庆祝活动. 而在游览90年代中期与我的团队中，我们在莱比锡进行. 早晨起床后我们的表现，钢琴家菲尔·马科维茨和我去那个教会. 偶然，风琴是在那个很小时练习巴赫. 坐在那里一会儿，吸收非常房间里这么多的创意与美感发生的感觉，是我旅行的亮点，多年来1. 这件作品的灵感来自于主，J.S.过独身生活. 该成分作为适合一张献给巴赫，我由四部分组成的合唱团为标准萨克斯管四重奏. 这是不是在正规意义上的诗歌，才意味深长讲. 使用高低杠的长度，我试图创建一个不可预知的流量，因为有块和弦运动的优势. 在同意与一些表达在我的书中有彩色方针爵士旋律与和谐的理念. 事先音乐. ，我跟着松散沿着我称之为间隔类别的线. 字母A是建立在秒和三分. 在四度和五字母B. 对秒，三分，特别是六分之字母C. 在第七和九分之字母D. 对于我的审美，每个区间类描绘了一个独特的氛围表现. 没有压倒一切的主题或和弦进行. 在由独奏是可选的，将工作做好的一块. 虽然我已经提供了这些部分的一些短语和力度记号，那些谁使用的书面材料可以自由地诠释音乐. 在另一方面，如果即兴音乐家想表达自己独特的人才，他们应该这样做，在每个部分，使用适当的间隔分类为基础，他们的即兴. 在任何情况下，写短独奏朝着片到底应该扮演. 大卫·利伯曼的职业生涯已经跨越了三十年，开始与他的学徒年在70年代初作为埃尔文琼斯和迈尔斯戴维斯组的成员. 从那时起，他带领自己的组配像约翰·斯科菲尔德，亚​​当·努斯鲍姆，任贤齐Beirach，比利·哈特和其他音乐家. 他现在的四重奏特点的吉他手维克法学，1991年起一直在一起. 他始终放置在五大女高音萨克斯在悲观影评人投票. 利伯曼已与近100个在他的领导下，具有几百年的原创作品在许多不同的成语，包括爵士乐，室内乐，大乐队，融合和钢琴不寻常的安排，记录了近300个相册. 萨克斯二重奏. 在爵士乐的教育，他是一个著名讲师和作家的几个里程碑式的书翻译成各种语言，以及教学视频和公布的室内乐. 他是国际协会的爵士学校的创办人及艺术总监. IASJ. ，爵士学校来自40个国家组成的组织. 奖项包​​括从西贝柳斯音乐学院的荣誉博士学位. 赫尔辛基，芬兰. 格莱美提名为最佳独奏于1998年. 感应到名人堂的爵士教育厅于2000年的国际协会.