活页乐谱 $45.00

原文

RAUK. Marimba sheet music. Percussion sheet music. Vibraphone sheet music. Xylophone sheet music.

译文

RAUK. 马林巴琴乐谱. 锣鼓乐谱. 电颤琴乐谱. 木琴乐谱.

原文

RAUK composed by Anders Astrand. Percussion Ensemble. For solo vibraphone & percussion trio. vibraphone, cymbal, xylophone, crotales, 3 sets of. cymbal, japanese gong, 4 tom-toms, bass drum. , 2 marimba. 1 to 5 octaves. Level 5. Score and set of parts. Duration 18-20 minutes. Published by Innovative Percussion. IP.E-AA-RAU. Composer's notes. In 1999, Amores Grup de PercussiA3 in Valencia, Spain, commissioned me to compose a piece for solo vibraphone and three percussionists. I performed the piece on vibraphone with the group later that year. The piece is named after the tall limestone formations in Gotland, Sweden called Rauk. Solo part contains large sections of improvisation. "Commissioned in 1999 by the Amores Percussion Group, "Rauk". the name refers to tall limestone formations found in Gotland, Sweden. is scored for solo vibraphone and three percussionists playing xylophone, crotales and two marimbas. Each percussionist also performs with a setup of cymbal, Japanese gong, four toms and bass drum. Although identical in terms of the type of instruments, each setup is differentiated by pitch. The first percussionist's instruments are high pitched, the second percussion part requires instruments of medium pitch, and the third part stipulates low-pitched instruments. Several features of this work are of interest. One is a lengthy passage that may be unique in percussion ensemble literature. The three percussionists, using their high, medium, and low-pitched setups, must play rhythmically complex, technically challenging parts that are identical in all respects. To do so requires performing in unison, in an extraordinary display of ensemble precision. The results should be stunning, considering the pitch differential, which should have an effect similar to playing simultaneously in several octaves. The piece exploits a wide dynamic range, from the tutti passage described above to contrasting sections that follow, in which the texture thins. at one point down to a single marimba playing repeated eighth-note chords. and the legato, lyric qualities of the vibraphone are tapped. This section also capitalizes on the soloist's improvisational skills, a most important factor in the overall musical merits of the piece. One final feature that gives the vibist a substantial solo opportunity is a lengthy cadenza, which, printed separately, fills two pages. This ensemble is as much a showcase for the three percussionists as for the vibraphonist, although it affords an excellent opportunity to display the talents of a mature college mallet player. However, that individual must be proficient in improvisation with some familiarity with modal theory. the solo part does not include a realization for those who can-t improvise. A final "plus" for the piece is that there need be no concern that those playing the percussion parts will become bored. " "John R. Raush Percussive Notes, February 2005.

译文

RAUK composed by Anders Astrand. 打击乐合奏. 对于颤音琴独奏. 电颤琴，钹，木琴，crotales，3套. 钹，锣日本，4手鼓，低音鼓. 2马林巴. 1至5个八度. 5级. 分数并设置部分. 持续时间18-20分钟. 出版创新的打击乐. IP.E-AA-RAU. 作曲家的音符. 1999年，阿莫雷斯GRUP德PercussiA3在西班牙的巴伦西亚，委托我撰写了一块颤音琴独奏和三个打击乐手. 我那年晚些时候进行的片上电颤琴跟团. 在哥特兰高大的石灰岩地层后，这件作品被命名，被称为瑞典Rauk. 独奏部分包含即兴大段. “由阿莫雷斯打击乐团委托于1999年，”Rauk“. 该名称是指在瑞典哥特兰岛发现高大的石灰岩地层. 被计分的颤音琴独奏和三个打击乐手演奏木琴，crotales和两个木琴. 每个打击乐手也执行与安装钹，锣日本，四鼓和低音鼓. 虽然在工具的类型方面是相同的，每个设置是由音高区别. 第一打击乐手的工具高音调，第二打击乐部分需要中等间距的仪器，第三部分规定低调仪器. 这项工作的几个特点是利益. 一个是一个漫长的通道，可能是唯一的打击乐合奏文献. 这三个打击乐手，用自己的高，中，低，高音的设置，必须发挥节奏复杂，技术上具有挑战性的部分是相同的在各方面. 要做到这一点，需要进行统一，在合奏精密非凡的显示器. 结果应该是惊人的，考虑到间距差，这应该有类似同时在几个八度播放的效果. 片利用了一个宽的动态​​范围，从上述遵循的是，对比区的合奏通道，其中，质地变薄. 在一个点到一个单一的木琴演奏重复八分音符和弦. 和电颤琴的连奏，抒情特质被窃听. 本节还利用了独奏家的即兴技巧，在作品的整体音乐优劣的重要因素. 最后一个功能，使vibist大幅独奏的机会是一个漫长的华彩乐段，其中，单独印刷，填补了两页. 这个乐团是尽可能多三个打击乐演奏作为vibraphonist一个展示，虽然它可以提供显示一个成熟的大学槌球员的才华的绝佳机会. 然而，个人必须精通即兴与模态理论有一定的了解. 独奏部分不包括实现为那些谁可以吨凑合. 最后一个“加号”的段子，有需要的话不用担心，那些玩打击乐部分会变得无聊. “”约翰R. Raush撞击注意，2005年2月.