活页乐谱 $31.00

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Head Talk. Percussion sheet music.

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头通话. 锣鼓乐谱.

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Head Talk composed by Mark Ford. Percussion Ensemble. For 5 players with various drum heads. pretuned heads. 10"bright, 22"bass drum, 10"dark, 12"mellow, 14"mellow, 16"dark. , bottom snare drum heads. 14", 15". , 5 sets of paper heads. 14", 15". , bongo heads. 6", 8". 14" coated head, pinstripe heads. 10", 14", 16". Level 5. Score and set of parts. Duration 5 minutes. Published by Innovative Percussion. IP.E-MF-HTA. Analysis. "Mark Ford's Head Talk provides the percussion quintet with a dose of sophisticated comic relief. The equipment necessary is somewhat unusual. six pretuned heads--ranging in size from a 10" to a 22". a used 14" snare head. two bongo heads. one 14" coated head. two Pinstripe heads. and five performer-prepared papered-heads for the surprise ending. each performer smashing the drumhead over the head of the drummer. The five performers must have or develop a controlled sense of humor and must theatrically play off each other. The performers sit on the stage in a semi-circle, and Head Talk starts with the pretuned heads being twirled on stage. The opening rhythmic motive has a definitive "rock-samba groove" to it, and each performer ends up imitating the opening motive. The composition lasts about nine minutes. From having taught this composition and having observed it being performed, one of the primary benefits of its preparation is the individual and collective sense of timing that Head Talk requires. Similar to the timing necessary in a superb marching percussion section, Head Talk locks in this concept and stimulates the ensemble to truly transfer this educational idea in a variety of other musical settings. This composition must be memorized for an effective theatrical performance. it should look improvised. From the audience's perspective, Head Talk is thoroughly entertaining. Ford furnishes detailed performer notes that enhance the performance of this work immensely. Head Talk has been successfully performed at a variety of PAS Festivals such as PASIC '94 in Columbus, at PAS-Brazil, also at the recent MidWest clinic, and at Ford's home university, East Carolina. It is appropriate for the solid college percussion ensemble. " - Jim Lambert Percussive Notes, April 1996.

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头讲座由马克·福特组成. 打击乐合奏. 对于5名球员有不同的鼓面. 预调到头. 10“明亮，22”低音鼓，10“黑暗，12”醇香，14“醇香，16”暗. ，底部小鼓头. 14“，15”. ，5套纸头. 14“，15”. ，邦戈头. 6“，8”. 14“涂头，细条纹头. 10“，14”，16“. 5级. 分数并设置部分. 时间5分钟. 出版创新的打击乐. IP.E-MF-HTA. 分析. “马克·福特的总通话提供了打击乐五重奏与复杂漫画救济的剂量. 所必须的设备是有点不寻常. 6预调到头 - 大小不等，从10“到22”. 一个用于14“圈套头. 2邦戈头. 1 14“涂头. 2细条纹头. 和五个表演者准备的纸糊目，结束惊喜. 每个演员砸在鼓面鼓手的头. 这五个演员必须具备或培养幽默感的控制感和戏剧性必须发挥交相辉映. 表演者坐在舞台在一个半圈，头开始谈与预调到头被飞旋在舞台上. 开放节奏的动机有一个明确的“摇滚森巴槽”来了，每个表演结束了模仿的动机开幕. 该组合物持续约9分钟. 从被教这个成分和在观察它正在执行，其编制的主要好处之一是时机的个人和集体的意义上，头Talk需要. 类似于一个极好的行进打击乐节，在这个概念总通话锁需要的时间和刺激合奏真正在各种其他乐器设置传送这个教育理念. 这个组合必须记住一个有效的文艺演出. 它看起来应该即兴. 从观众的角度来看，总的讲就是彻底的娱乐. 福特配料详细的演员指出，加强这项工作的表现非常. 头通话已经在不同的PAS节日如PASIC 94年在哥伦布，在PAS - 巴西，也于近期中西部诊所，并在福特家大学，东卡罗来纳州的成功执行. 它是适用于固体大学打击乐团. 吉姆 - 兰伯特撞击注意，1996年4月.