活页乐谱 $47.00

原文

ExitIX Novum. Marimba sheet music. Percussion sheet music. Vibraphone sheet music. Xylophone sheet music.

译文

ExitIX Novum酒店. 马林巴琴乐谱. 锣鼓乐谱. 电颤琴乐谱. 木琴乐谱.

原文

ExitIX Novum composed by Peter Saleh. Percussion Ensemble. For percussion quintet. vibraphone, 4 marimba, xylophone, finger cymbals, bass drum, djembe, wood block, triangles, cymbals, tenor drum, chinese tom. Score and set of parts. Published by Innovative Percussion. IP.E-PS-EXI. Composer's Notes. ExitIX Novum is a percussion quintet created from a few distinct sources with its genesis being in one of the counter lines composed for an arrangement for percussion ensemble of Dajeong Choi's "Lift Up My Hands to You-, Another source is the percussion music of Bob Becker, in particular, his invention of the "prepared tenor drum-, as an attempt to approximate the aesthetic of tabla for the snare drummer. A primary source of pitch material is the three chameleon-like octatonic scales. The tertian and other chordal relationships of the scale, specifically using traditional voice leading to slide between major and minor triads are explored. Also, the appreciation for and fascination with the rhythmic processes of South Indian music provided a rhythmic "hook" that helped the composer find real creative purpose with the piece. ExitIX Novum received the second place award in the 2007 PAS "Medium Percussion Ensemble" competition contest. "-ExitIX Novum" is scored for solo percussionist with percussion quartet. The soloist plays a prepared tenor drum, vibraphone, and a pedal-mounted Chinese tomtom. A bass drum may be substituted for the Chinese tom-tom, which is used mostly for occasional rhythmic punctuations. Originally designed by percussionist Bob Becker, the prepared tenor drum is actually a tightly-tuned snare drum fitted with a foam muffling ring under the batter head and devoid of snares. The prepared tenor drum is intended to imitate a tabla. In addition to Indian percussion, the composer also acknowledges Ragtime xylophone, rudimental drumming, and second-line New Orleans jazz rhythms as inspirations for "ExitIX Novum. " Pitch organization is based on a combination of three octatonic scale structures, which renders an effect similar to tonal modulation. There are frequent meter changes and all parts demand considerable technical skills. The percussion quartet includes a part for xylophone and finger cymbals, a multiple percussion part that includes a jembe, bass drum, woodblock, three suspended cymbals, three triangles, and two marimba parts, each written on a single staff line as Marimba I and Marimba II, respectively. Both marimba parts begin in bass clef, and the first part switches between bass and treble clef later in the piece. The marimba parts could conceivably be played using two mallets, but each would be better facilitated using two mallets in each hand. Although frequently played in rhythmic unison, the two parts also demonstrate considerable rhythmic independence. The four-octave xylophone part includes ossia passages for a three and one-half octave instrument. The xylophone and multiple percussion parts also include a few passages played on an "alto marimba" or "auxiliary marimba. " The jembe is the most prominent indefinitely-pitched ensemble part. "ExitIX Novum" begins with a vibraphone solo consisting of both chords and melody. The soloist is accompanied by marimba, finger cymbals, bass drum, and suspended cymbal. A second, similar accompanied vibraphone solo occurs later in the piece. However, the solo part is dominated by the relentless rhythmic drive of the tenor drum, introduced in measure 23. Sticking patterns are indicated in some passages, and the part includes numerous accented and unaccented single strokes, rebound strokes, and flams. For the first half of the piece the tempo increases incrementally and the ensemble accompaniment is texturally dense. The second vibraphone solo brings a brief repose. As the tenor drum returns there is an effect of acceleration through the rhythmic diminution of rapidly alternating duple, triple, quintuple, and sextuple rhythmic subdivisions. The accompaniment remains sparse, consisting of mostly marimba rolls. The sparseness of this section provides an impressive contrast to the increase in tempo and rhythmic activity in all parts as the piece is propelled to its frantic conclusion. " - Daniel Adams Percussive Notes, October 2007.

译文

ExitIX Novum composed by Peter Saleh. 打击乐合奏. 对于打击乐五重奏. 颤音琴，马林巴4，木琴，指钹，大鼓，非洲鼓，木块，三角形，钹，高音鼓，中国的汤姆. 分数并设置部分. 出版创新的打击乐. IP.E-PS-EXI. 作曲家的注意事项. ExitIX Novum酒店是从几个不同的来源与组成，为的Dajeong彩的“抬起我的手到你 - ，另一个来源是鲍勃·贝克尔的打击乐打击乐合奏的安排计数器线路之一它的起源是创造了一个打击乐五重奏，特别是他的发明的“准备男高音鼓，是企图接近塔布拉的审美的圈套鼓手. 沥青材料的主要来源是三变色龙般octatonic秤. 该隔日及其他规模弦的关系，特别是使用传统的语音通往主要和次要黑社会之间滑动进行了探索. 此外，对于和迷恋南印度音乐的节奏处理升值提供了有节奏的“钩子”，帮助作曲家找到真正的创作目的与片. ExitIX Novum酒店获得了第二名奖在2007年的考绩制度“中敲击乐合奏”竞争较量. “ - ExitIX Novum酒店”的得分为打击乐独奏与打击乐四重奏. 独奏者扮演一个准备好的高音鼓，电颤琴，和踏板式中国手鼓. 低音鼓可取代的中国大鼓，这是大多用于偶尔有节奏的标点符号. 最初由打击乐手鲍勃·贝克尔设计，制备高音鼓实际上是装有根据连击头部泡沫消音环和缺乏圈套紧密调谐小鼓. 所制备的高音鼓是为了模仿塔布拉. 除了印度打击乐，作曲也承认拉格泰姆木琴，残留击鼓，和二线新奥尔良爵士乐的节奏为灵感的“ExitIX Novum酒店. “节距组织是基于三个octatonic尺度的结构，其呈现类似的音调调制效果的组合. 有频繁的仪表的变化和各部分需要相当的技术技能. 打击乐四重奏包括木琴和手指钹的一部分，多打击乐部分，包括一个jembe，低音鼓，木刻，三悬钹，三个三角形和两个马林巴部分，每部分写在一个单一的工作人员行我马林巴木琴和二，分别. 两个马林巴部分开始在低音谱号，并在片低音和高音谱号的第一部分后切换. 马林巴部分可以令人信服地使用两个槌打，但每个会使用两个木槌双手各得到更好的促进. 虽然常常在有节奏的齐声，这两部分也表现出相当的有节奏的独立性. 四倍频木琴部分包括奥斯通道为三和一个半八度的仪器. 木琴和多种打击乐器部分还包括演奏的“中音木琴”或“辅助木琴几段. “该jembe是最突出的无限尖锐的合奏部分. “ExitIX Novum酒店”开头的颤音琴独奏由两个和弦与旋律. 独奏者是伴随着木琴，指钹，大鼓和钹暂停. 第二，伴随着类似颤音琴独奏中的一块发生后. 然而，独奏部分由高音鼓的节奏无情的驱动器，以测量23介绍为主. 坚持图案表示在某些段落，以及部分包括众多的重音和非重音单招，反弹笔触和flams. 对于第一块的一半的节奏逐步增加和合奏伴奏质构致密. 第二颤音琴独奏带来了短暂的休息. 由于高音鼓返回有加速通过快速交替二倍，三倍，五倍，六倍和韵律分支的节奏缩减的影响. 伴奏依然稀疏，主要包含木琴卷. 本节的稀疏性提供了一个令人印象深刻的对比，增加了节奏和韵律活动在各地的片推进到其疯狂的结论. “ - 丹尼尔·亚当斯的注意事项打击乐，2007年10月.