活页乐谱 $65.00

原文

Jambangle. Gil Evans. B-Flat Trumpet sheet music. Bass Trombone sheet music. Bassoon sheet music. Drums sheet music. Horn sheet music. Percussion sheet music. Piano sheet music. Advanced.

译文

Jambangle. 吉尔埃文斯. 降B大调小号乐谱. 低音长号乐谱. 巴松管乐谱. 鼓乐谱. 喇叭乐谱. 锣鼓乐谱. 钢琴乐谱. 先进.

原文

Jambangle by Gil Evans. Edited by Jeffrey Sultanof. Arranged by Gil Evans. For little big band. 8 horns with rhythm section. Soprano Saxophone, Alto Saxophone, Bassoon. or Baritone Saxophone. , Horn in F. or Tenor Saxophone. , 2 Trumpets, 1 Trombone, 1 Bass Trombone, Piano, Bass, Drums,. Swing. Difficult. Full score and set of parts. Published by Jazz Lines Publications. JL.JLP-8096. Jambangle was one of the earliest compositions by Evans after several years of arranging the music of others. He originally wrote the piece for the previously mentioned Jazz Workshop, led by Hal McKusick, and this version was recorded on April 6, 1956. Evans new version was recorded by Rudy Van Gelder on October 11, 1957. This Jazz Lines edition of Jambangle has been extensively re-edited using a photocopy of the original score in Evans hand. Please note that for this publication, the French horn part has a key signature on the score and part. Evans did not use one. Also please note that the piano part has been transcribed. it does not appear on the score. Bars 59-64 were missing chord names. Jambangle is an excellent example of Evans reworking a piece hed written some time before. This version uses many of the same ideas as the arrangement for McKusick, but is improved in every way here. As was usual with Evans, he took the opportunity to experiment, create problems for himself and then solve them as creatively as possible. According to Howard Johnson and Anita Evans, tubist Bill Barber was not available for this album, so Evans chose a bass trombone. He also used a bassoon instead of a baritone saxophone as a bass instrument. although here again, he also exploits the high range of the instrument. shades of Stravinskys Rite of Spring. At this point in his life, he was no longer using a five-person saxophone section anyway. the only saxophone on Miles Ahead, and Porgy and Bess was an alto sax. the rest of the reed section were three players who doubled on clarinets and flutes of various sizes. In a way, the instrumentation on Gil Evans & 10 is an elaboration of the one used for the Miles Davis Nonet. He used a similar instrumentation on his two World Pacific albums, and also the band he led at the Jazz Gallery in 1960. A concern is the blend of the group. The conductor must resist the temptation of making the bassoon play louder to fill up the bottom of the ensemble. It is clear that Evans wanted the bottom to be felt more than heard. Even though the alto sax is barely audible on the original tape, this part needs to be equal to the other two reeds. Please do not replace the soprano sax part with a clarinet. The five brass should balance well with a bit of practice. The out-chorus at Letter P is particularly challenging, as no one instrument should stick out over the trumpets who are quite low at some points. This piece can be opened up for more solos, and backgrounds reused at the conductors discretion. Also, we have included a tenor saxophone part as an alternate for the horn and a baritone saxophone part as an alternate for the bassoon. Jeffrey Sultanof -February 2010 Note. The sound sample is courtesy of the Manhattan School of Music's Concert Jazz Band, conducted by Justin DiCioccio.

译文

Jambangle由吉尔·埃文斯. 由Jeffrey Sultanof编辑. 由吉尔埃文斯安排. 对于小大乐队. 8喇叭与节奏部分. 高音萨克斯，中音萨克管，巴松管. 或男中音萨克斯. ，喇叭F中. 或次中音萨克斯. ，2小号，长号1，1低音长号，钢琴，贝斯，鼓，. 摇摆. 难. 全部分数和组零件. 发布者：Jazz线出版物. JL.JLP-8096. Jambangle是由埃文斯最早的成分之一，经过几年的安排别人的音乐. 他最初写的片断为前面提到的爵士乐工作坊的带领下，哈尔McKusick的，而这个版本被记录了1956年4月6日. 埃文斯的新版本已于1957年10月11日录得鲁迪·范·盖尔德. Jambangle这个爵士线路版已被广泛使用原始分数的复印件在埃文斯手上重新编辑. 请注意，本出版物，圆号部分有一个关键的签名上的得分和部分. 埃文斯没有用1. 还请注意，钢琴部分已经被转录. 它不会出现在得分. 酒吧59-64人失踪和弦名称. Jambangle是埃文斯的改造一块海德之前写了一些时间一个很好的例子. 这个版本使用许多相同的想法，作为McKusick的安排，但在这里的每一个方法就是提高. 如同往常一样与埃文斯，他趁机去尝试，创造的问题为自己，然后解决这些问题的创造性越好. 据霍华德约翰逊和安妮塔·埃文斯，tubist比尔理发师是不适用于此张专辑，所以埃文斯选择了低音长号. 他还用一大管，而不是一个男中音萨克斯管作为低音乐器. 虽然在这里再次，他还利用高量程仪器. 春之祭Stravinskys深浅. 此时在他的生活，他不再使用五人萨克斯反正节. 在万里唯一的萨克斯进取，波吉与贝丝是一个中音萨克斯. 芦苇节的其余三名球员不同大小的谁对单簧管一倍，长笛. 在某种程度上，对吉尔埃文斯仪器仪表. 他用一个类似仪表上他的两个世界太平专辑，也是他在爵士率领画廊在1960年乐队. 关注的一个问题是该组的混合. 导体必须抵制使低音管演奏响亮的诱惑填补合奏的底部. 很显然，埃文斯想要的底部显现多于听到. 虽然中音萨克斯是在原来的磁带几乎听不见，这部分需要等于其他两个簧片. 请不要用单簧管更换高音萨克斯部分. 五黄铜应与一些练习平衡好. 出，合唱团在字母P是特别具有挑战性的，因为没有一台仪器应该伸出了谁是相当低的在某些点的号角. 这件作品可以开辟更多的独奏和背景在导体酌情重复使用. 此外，我们已经包括了中音萨克斯一部分作为备用的喇叭和中音萨克斯管的一部分作为备用的大管. 杰弗里Sultanof ​​- 2010年2月注. 声音样本是礼貌音乐的音乐会爵士乐队的曼哈顿学院，由Justin DiCioccio进行.