活页乐谱 $29.95

原文

Music of Bessie Smith. Fred Sokolow. Electric Guitar sheet music. Fingerpicking Guitar sheet music.

译文

音乐贝西史密斯. 弗雷德·索科洛夫. 电吉他乐谱. 指弹吉他乐谱.

原文

Music of Bessie Smith composed by Fred Sokolow. For Guitar. Fingerpicking. Boxed, Solos. Grossman Guitar Workshop. Blues. DVD. Duration 98 minutes. Published by Grossman's Guitar Workshop. MB.GW510DVD. In the 1920s and 30s, Bessie Smith was the 'empress of the blues. ' Her passionate singing and performing style and her songwriting influenced all the blues and jazz singers that followed. Many of the songs she popularized, both blues and 'tin pan alley' tunes, have become standards in blues, jazz, rock and pop music. Songs in this collection have been recorded by artists as diverse as Eric Clapton, Leadbelly, Billie Holiday, Chet Atkins, Bing Crosby, David Lee Roth, Big Bill Broonzy, B. B. King and Sam Cooke. They're great tunes for guitar pickers, and Fred shows you how to back yourself up singing them and how to fingerpick instrumental versions of six classics. With his explanations of the arrangements, split-screen, slowed-down versions of the songs, and with the tab and music in the PDF booklet on the DVD, you'll learn how to play St. Louis Blues, Nobody Knows You When You're Down and Out, Backwater Blues, After You've Gone, I Ain't Got Nobody and the sensational Send Me To the Electric Chair. The songs sound terrific on guitar, and with Fred's instruction, the arrangements are easy to follow. A 1920s film of Bessie Smith singing St. Louis Blues is featured at the end of the lesson.

译文

音乐贝西·史密斯弗雷德组成索科洛夫. 对于吉他. 指弹. 盒装，独奏. 格罗斯曼吉他研讨会. 蓝调. DVD。时间98分钟. 出版格罗斯曼的吉他研讨会. MB.GW510DVD. 在20世纪20年代和30年代，贝西史密斯是布鲁斯的“皇后. “她充满激情的演唱和表演风格和她的歌曲创作影响所有的蓝调和爵士乐歌手随后. 她的许多推广的歌曲，无论是蓝调和“锡锅巷”的曲调，已经成为标准的蓝调，爵士，摇滚和流行音乐. 在这个集合的歌曲已录制艺术家等不同的埃里克·克莱普顿，利德贝利，比利假日，切特阿特金斯，平克劳斯贝，大卫李罗斯，大比尔Broonzy，BB国王和山姆库克. 他们为吉他采摘美妙的音乐，和弗雷德告诉您如何备份和自己唱它们，以及如何fingerpick六个经典器乐版本. 随着他的解释的安排，分屏，减缓下来的歌曲的版本，并在DVD上的PDF小册子标签及音乐，您将学习如何玩圣路易斯蓝调，没人知道你当你“再潦倒，回水蓝调，你已经走了之后，我没有得到任何人和煽情送我去电椅. 这些歌曲听起来极了吉他，并与弗雷德的指示，安排，很容易遵循. 贝西·史密斯的20世纪20年代电影唱圣路易斯蓝调的特点是在课程结束.