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原文

Guitar School - Book 1. Emilio Pujol Vilarrubi. Classical Guitar sheet music.

译文

吉他学院 - 书1. 埃米利奥·普霍尔Vilarrubi. 古典吉他乐谱.

原文

Guitar School - Book 1. A Theoretical-Practical Method for the Guitar, Based on the Principles of Francisco Tarrega. Composed by Emilio Pujol Vilarrubi. 1886-1980. Edited by Matanya Ophee. For Guitar. Instructional method. Standard notation. 71 pages. Editions Orphee #494-00311A. Published by Editions Orphee. PR.49400311A. ISBN 1882612507. With Standard notation. instructional method. The Escuela Razonada de la Guitarra of Emilio Pujol needs no introduction. The work has occupied a major position in guitar pedagogy ever since it was first published in 1934 by Romero y Fernandez in Buenos Aires. Many subsequent guitar methods have drawn inspiration from it. The lack of an English language version, however, has prevented many English speaking guitarists from a clear understanding of PujolÕs teachings. Those who were fortunate enough to have attended PujolÕs master classes in Cervera have had first-hand exposure to his ideas, but others, who have used the lessons and examples without being able to read the text, can have gathered only a rough idea about PujolÕs approach to guitar pedagogy. In spite of certain preconceptions regarding this book, it is of paramount importance to the teaching of all facets of guitar technique, guitar musicianship, and guitar artistry. Born just outside the city of Lerida, Spain, in a little village called Granadella, Emilio Pujol Vilarrub’. 1886-1980. is considered by many as the leading spokesman for twentieth century guitar pedagogy. Pujol began his studies with Francisco T‡rrega. 1852-1909. at the Conservatory of Barcelona in 1901 when he was fifteen years of age. Pujol gave his first recital in Lerida in 1907. His concert debut in Barcelona took place in May, 1909, at the ÒSala Novelty. Ó several months before T‡rrega's death. By 1912 his career as concert guitarist was established by his appearance at Bechstein Hall in London. From 1912 to 1929 his concert activities took him mainly throughout Western Europe. Beginning in 1918 he undertook his first tour of South America, starting in Buenos Aires. The only major interruptions in his concert travels were his marriage to Matilda Cuervas in 1923, and the period of time he devoted to historical research in Paris into the instrumental predecessors of the guitar. The beginning signs of World War II, also prevented him from continuing his concert career. PujolÕs publishing career began approximately in 1915 with Ildefonso Alier. After his initial research into vihuela music, Pujol made his largest and most important contributions to guitar literature with the publishing house of Max Eschig in Paris beginning in 1928. By 1980 he had published more than 245 works with Eschig. Another 40-plus works, were published with Ricordi Americana, B. Schott, Julio Korn, and the Biblioteca-Fortea.

译文

吉他学院 - 书1. 对于吉他的理论,实用方法,根据弗朗西斯科塔雷加的原则. 由埃米利奥·普霍尔Vilarrubi组成. 1886年至1980年. 通过Matanya Ophee编辑. 对于吉他. 教学方法. 标准的符号. 71页. 奥菲版#494-00311A。. PR.49400311A. 国际标准书号1882612507. 与标准记数法. 教学方法. 埃米利奥·普霍尔的理性吉他学校不需要介绍. 这项工作已经占据了自从它首次出版于1934年由罗梅罗Ÿ费尔南德斯在布宜诺斯艾利斯的吉他教学法的主要位置. 许多后来的吉他方法已经得到灵感来自它. 的英文语言版本的缺乏,但是,已经阻碍了许多讲英语的吉他手从PujolÕs教导清醒的认识. 这些谁有幸在塞韦拉出席PujolÕs大师班有第一手接触到他的想法,但其他人,谁使用的经验和例子,而不能读课文,可以聚集只知道个大概PujolÕs方法吉他教学. 尽管关于这本书的某些先入为主的,它是非常重要的吉他技巧,吉他的音乐修养,和吉他艺术的各个方面的教学. 出生城外莱里达,西班牙,在一个小村庄叫Granadella,埃米利奥·普霍尔Vilarrub“. 1886年至1980年. 被许多人认为是对二十世纪吉他教学法的主要发言人. 普约尔开始了他的研究,旧金山Ŧ‡rrega. 一八五二年至1909年. 在巴塞罗那在1901年的温室时,他是十五岁. 普约尔给了在莱里达他的第一次独奏音乐会在1907年. 在巴塞罗那他的演唱会的首演发生在5月,1909年,在ÒSala新奇. Ó几个月前t‡rrega的死亡. 到1912年他的事业作为音乐会吉他手被他的外表在贝希斯坦霍尔在​​伦敦成立. 从1912年至1929年他的演唱会活动带他主要是整个西欧. 自1918年开始,他进行了南美洲他的第一次巡回演出,开始在布宜诺斯艾利斯. 在他的演唱会行程的唯一的主要干扰是他的婚姻明德Cuervas于1923年,和一段时间内,他致力于历史研究在巴黎进入吉他的乐器前辈. 二战开始的迹象,也使他无法继续他的职业生涯演唱会. PujolÕs出版生涯始于约1915年与德丰索Alier. 他最初的研究vihuela音乐后,普约尔作出吉他文学他的最大和最重要的贡献与最大Eschig在巴黎初出版社1928年. 到1980年,他出版了超过245作品与Eschig. 另外40多名作品,出版与美洲里科尔迪,肖特B.,胡里奥·科恩,以及藏书,Fortea.
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